Cast:
Groucho Marx, Chico Marx, Harpo Marx [ More ]Director:
Sam WoodCinematographer:
Merritt GerstadEditor:
William LeVanwayProduction Designer:
Cedric GibbonsProduction Company:
Metro-Goldwyn-Mayer Corp.The opening title card for the film reads, "Metro-Goldwyn-Mayer presents the Marx Bros. Groucho Chico Harpo." As the Marx Bros. names are introduced, music from the Ruggerio Leoncavallo opera I Pagliacci (The Clowns) is heard on the the soundtrack. This was the first film that the Marx Bros. made without brother Zeppo, who last appeared in the 1933 Paramount film Duck Soup (see AFI Catalog of Feature Films, 1931-40; F3.1141). Some reviews erroneously credit the assistant direction to "George" Selander, instead of Lesley Selander. An HR news items noted that at one time the Marx Bros. insisted that Selander be fired because they objected to his disciplinary actions on the set. The same news item indicates that considerable reshooting was being required because a change in the picture's make-up men resulted in the "wrong" set of beards being used by the Marx. Bros. (in the sequence in which they impersonate aviators). Other news items include Robert Graves, Purnell Pratt and George Brent in the cast, however, they were not in the released film. Ann Demetrio , Egon Breecher and Kay English are also included in the cast in production news items, but their appearance in the released film cannot be confirmed.
According to a 9 Jul 1935 news item, New York's Metropolitan Opera House chorus was to be recorded for selections from Pagliacci and the Giuseppe Verdi opera Il Trovatore. This was the first of the Marx Bros. films made at M-G-M. According to modern sources, M-G-M production head Irving Thalberg personally signed the brothers when their contract with Paramount was completed. Modern sources ...
The opening title card for the film reads, "Metro-Goldwyn-Mayer presents the Marx Bros. Groucho Chico Harpo." As the Marx Bros. names are introduced, music from the Ruggerio Leoncavallo opera I Pagliacci (The Clowns) is heard on the the soundtrack. This was the first film that the Marx Bros. made without brother Zeppo, who last appeared in the 1933 Paramount film Duck Soup (see AFI Catalog of Feature Films, 1931-40; F3.1141). Some reviews erroneously credit the assistant direction to "George" Selander, instead of Lesley Selander. An HR news items noted that at one time the Marx Bros. insisted that Selander be fired because they objected to his disciplinary actions on the set. The same news item indicates that considerable reshooting was being required because a change in the picture's make-up men resulted in the "wrong" set of beards being used by the Marx. Bros. (in the sequence in which they impersonate aviators). Other news items include Robert Graves, Purnell Pratt and George Brent in the cast, however, they were not in the released film. Ann Demetrio , Egon Breecher and Kay English are also included in the cast in production news items, but their appearance in the released film cannot be confirmed.
According to a 9 Jul 1935 news item, New York's Metropolitan Opera House chorus was to be recorded for selections from Pagliacci and the Giuseppe Verdi opera Il Trovatore. This was the first of the Marx Bros. films made at M-G-M. According to modern sources, M-G-M production head Irving Thalberg personally signed the brothers when their contract with Paramount was completed. Modern sources note that many of the "gags" in the film had been used by the brothers in earlier acts, and the MPH review notes that some of the material was "tried out in tours up and down the 'Coast' first." A HR news item also mentions the tryouts of material and notes that the Marx Bros. frequently tested sketches and gags before reworking them for their films. The film's presskit notes that this film marked the first time that Harpo did not wear his characteristic red wig on screen. According to other press information, M-G-M sponsored a Marx Bros. "Look-Alike" contest simultaneous to the film's release. In its review of the film, the NYT called the picture "The Marxist assault on grand opera." The song "Alone" was one of the most popular songs of the year, toping sales charts for several weeks after its release. The 1992 film Brain Donors credited A Night at the Opera as its source, but many of the situations and most of the dialogue of the in the earlier film was not included in the latter. A Night at the Opera was ranked 85th on AFI's 2007 100 Years…100 Movies--10th Anniversary Edition list of the greatest American films.
In Milan, wealthy Mrs. Claypool has hired Otis B. Driftwood to help her enter society, but he merely helps himself to her money. He does introduce her to opera impresario Herman Gottlieb, however, who convinces her to hire tenor Rudolfo Lassparri for his New York opera company. Lassparri is a cad who beats his dresser Tomasso, and tries to captivate Rosa, a soprano who only loves chorus singer Ricardo Barone. Rosa also has an offer to go to America and is sad to leave Ricardo, until she learns that he is stowing away with Tomasso and his old friend Fiorello, who has a mutilated contract with Driftwood for Ricardo's services. They stay in Driftwood's room, which is crowded with one occupant, but bulges to overflowing as the stowaways, assorted maids, waiters, repairmen, and a woman looking for her Aunt Minnie, wander in. When they dock in New York, the stowaways unsuccessfully pose as a trio of bearded aviators, then hide in Driftwood's hotel to avoid deportation. Meanwhile, although Rosa and Lassparri are set to perform Il Trovatore , Lassparri refuses to sing with her because she rejects his amorous advances. Driftwood, Tomasso and Fiorello have a plan, though, and turn the performance into chaos. Tomasso crosses bows with the conductor, the music to "Take Me Out to the Ball Game" is substituted for the opera's score, and Driftwood sells peanuts in the aisles. When Detective Henderson arrives with the police looking for the stowaways, the stage is a shambles, but the day is saved when Lassparri refuses to perform any longer and Ricardo takes his place, with Rosa by his ...
In Milan, wealthy Mrs. Claypool has hired Otis B. Driftwood to help her enter society, but he merely helps himself to her money. He does introduce her to opera impresario Herman Gottlieb, however, who convinces her to hire tenor Rudolfo Lassparri for his New York opera company. Lassparri is a cad who beats his dresser Tomasso, and tries to captivate Rosa, a soprano who only loves chorus singer Ricardo Barone. Rosa also has an offer to go to America and is sad to leave Ricardo, until she learns that he is stowing away with Tomasso and his old friend Fiorello, who has a mutilated contract with Driftwood for Ricardo's services. They stay in Driftwood's room, which is crowded with one occupant, but bulges to overflowing as the stowaways, assorted maids, waiters, repairmen, and a woman looking for her Aunt Minnie, wander in. When they dock in New York, the stowaways unsuccessfully pose as a trio of bearded aviators, then hide in Driftwood's hotel to avoid deportation. Meanwhile, although Rosa and Lassparri are set to perform Il Trovatore , Lassparri refuses to sing with her because she rejects his amorous advances. Driftwood, Tomasso and Fiorello have a plan, though, and turn the performance into chaos. Tomasso crosses bows with the conductor, the music to "Take Me Out to the Ball Game" is substituted for the opera's score, and Driftwood sells peanuts in the aisles. When Detective Henderson arrives with the police looking for the stowaways, the stage is a shambles, but the day is saved when Lassparri refuses to perform any longer and Ricardo takes his place, with Rosa by his side.
TOP SEARCHES
Zoot Suit
The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Anjuli M. Singh, an independent ... >>
The Princess Bride
The synopsis and history for this entry were completed with participation from the AFI Academic Network. Synopsis and history were written by Fitrah Hamid, a student at Georgia ... >>
Cape Fear
The film is bookended by scenes in which “Danielle Bowden” recites a reminiscence of the incident at Cape Fear that she wrote for a school assignment.
A 31 Jul ... >>
Tokyo Joe
According to a 10 Dec 1948 HR news item, 2d unit director Art Black and cameramen Joseph Biroc and Emil Oster, Jr. shot 40,000 feet of background ... >>
The Killer Is Loose
Prior to the 13 Jun 1953 publication of the novelette The Killer Is Loose in The Saturday Evening Post , HR had reported, in ... >>
