AFI CATALOG OF FEATURE FILMS

THE FIRST 100 YEARS 1893–1993

Movie Title

Richard Wilson

34 Titles in Filmography CAST | ANIMATION | DIRECTOR | PHOTOGRAPHY | PRODUCER | PRODUCTION MISC | SET DECORATOR | SPECIAL EFFECTS | WRITER | HISTORY

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FILMOGRAPHY

PRODUCER

TITLE
CREDITED AS
CREDIT
YEAR
THE LADY FROM SHANGHAI
Assoc prod
1948
MACBETH
Assoc prod
1948
THE GOLDEN BLADE
Prod
1953
MA AND PA KETTLE AT HOME
Prod
1954
THE KETTLES IN THE OZARKS
Prod
1956
PAY OR DIE
Prod
1960
INVITATION TO A GUNFIGHTER
Prod
1964
3 IN THE ATTIC
Prod
1968
IT'S ALL TRUE: BASED ON AN UNFINISHED FILM BY ORSON WELLES
Prod, It’s All True: Based on an Unfinished Film b
1993
NOTHING SPECIAL
Prod
2011

DIRECTOR

TITLE
CREDITED AS
CREDIT
YEAR
MAN WITH THE GUN
Dir
1955
THE BIG BOODLE
Dir
1957
RAW WIND IN EDEN
Dir
1958
AL CAPONE
Dir
1959
PAY OR DIE
Dir
1960
WALL OF NOISE
Dir
1963
INVITATION TO A GUNFIGHTER
Dir
1964
3 IN THE ATTIC
Dir
1968
SKULLDUGGERY
Dir
1970
IT'S ALL TRUE: BASED ON AN UNFINISHED FILM BY ORSON WELLES
Dir, It’s All True: Based on an Unfinished Film by
1993

CAST

TITLE
CREDITED AS
CREDIT
YEAR

PHOTOGRAPHY

TITLE
CREDITED AS
CREDIT
YEAR

WRITER

TITLE
CREDITED AS
CREDIT
YEAR
MAN WITH THE GUN
Story and scr
1955
RAW WIND IN EDEN
Scr
1958
INVITATION TO A GUNFIGHTER
Scr--screen story
1964
IT'S ALL TRUE: BASED ON AN UNFINISHED FILM BY ORSON WELLES
Wrt, It’s All True: Based on an Unfinished Film by
1993

PRODUCTION MISC

TITLE
CREDITED AS
CREDIT
YEAR
THE VILLAIN
L.A. driver
1979
MAXIMUM OVERDRIVE
Picture vehicle coord
1986

ANIMATION

TITLE
CREDITED AS
CREDIT
YEAR
JETSONS: THE MOVIE
Xerox reduction
1990
ONCE UPON A FOREST
Xerox
1993

SET DECORATOR

TITLE
CREDITED AS
CREDIT
YEAR
UHF
Const
1989

SPECIAL EFFECTS

TITLE
CREDITED AS
CREDIT
YEAR
INCEPTION
Visual eff asst coord
2010

HISTORY

TITLE
CREDITED AS
CREDIT
YEAR
Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award
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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.