AFI CATALOG OF FEATURE FILMS

THE FIRST 100 YEARS 1893–1993

Movie Title

S. E. V. Taylor

Also Known As: Captain Victor Marier

61 Titles in Filmography DIRECTOR | WRITER | HISTORY

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FILMOGRAPHY

WRITER

TITLE
CREDITED AS
CREDIT
YEAR
THE INGRATE
Scr
1908
LINES OF WHITE ON A SULLEN SEA
Scr
1909
AN ARCADIAN MAID
Scr
1910
THE ARMORER'S DAUGHTER
Scr
1910
AS THE BELLS RANG OUT!
Scr
1910
A CHILD OF THE GHETTO
Scr
1910
A CHILD'S IMPULSE
Scr
1910
THE DISPENSATION
Scr
1910
THE FACE AT THE WINDOW
Scr
1910
A FLASH OF LIGHT
Scr
1910
HER FATHER'S PRIDE
Scr
1910
HIS LAST BURGLARY
Scr
1910
THE IMPALEMENT
Scr
1910
IN THE BORDER STATES
Scr
1910
IN THE GRAY OF THE DAWN
Scr
1910
IN THE SEASON OF BUDS
Scr
1910
THE MAN
Scr
1910
A MIDNIGHT CUPID
Scr
1910
A MOHAWK'S WAY
Scr
1910
MOULDERS OF SOULS
Scr
1910
THE OATH AND THE MAN
Scr
1910
A PLAIN SONG
Scr
1910
THE PURGATION
Scr
1910
THE REFUGE
Scr
1910
A RICH REVENGE
Scr
1910
A SACRIFICE -- AND THEN
Scr
1910
SERIOUS SIXTEEN
Scr
1910
SO RUNS THE WAY
Scr
1910
THE SORROWS OF THE UNFAITHFUL
Scr
1910
THE TENDERFOOT'S TRIUMPH
Scr
1910
THE THIN DARK LINE
Scr
1910
UNDER A CHANGING SKY
Scr
1910
A VICTIM OF JEALOUSY
Scr
1910
WHAT THE DAISY SAID
Scr
1910
WHEN WE WERE IN OUR TEENS
Scr
1910
WHEN WOMAN WILLS
Scr
1910
WHERE SEA AND SHORE DOTH MEET
Scr
1910
THE SEED OF THE FATHERS
Scen
1913
HER GREAT HOUR
Scen
1916
THE PUBLIC BE DAMNED
Scen
1917
THE HUN WITHIN
Story and scen
1918
THE GREATEST THING IN LIFE
Captain Victor Marier
Story and scen
1918
HEARTS OF THE WORLD
Captain Victor Marier
Translated into English by
1918
SCARLET DAYS
Story and scen
1919
BOOTS
Story
1919
THE GIRL WHO STAYED AT HOME
Story
1919
THE IDOL DANCER
Scen
1920
NOTHING BUT LIES
Scen
1920
THE VERY IDEA
Scen
1920
THE MOHICAN'S DAUGHTER
Scen
1922
THE LONE WOLF
Wrt
1924
BREED OF THE SUNSETS
Story
1928
DOG LAW
Story
1928
KING COWBOY
Story
1928
THE RED SWORD
Story
1929

DIRECTOR

TITLE
CREDITED AS
CREDIT
YEAR

HISTORY

TITLE
CREDITED AS
CREDIT
YEAR
Legend
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Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award
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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.