Travis Banton

132 Titles in Filmography COSTUMES | HISTORY

Travis Banton

132 Titles in Filmography COSTUMES | HISTORY

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FILMOGRAPHY


COSTUMES

TITLE
CREDITED AS
CREDIT
YEAR
Ward
1928
Ward
1928
Cost des
1929
Cost
1929
Ward
1930
Gowns
1932
Cost
1932
Gowns
1932
Cost des by
1933
Cost des by
1934
Gowns
1934
Cost des
1934
Cost des
1934
Miss Colbert's cost des by
1934
Ward
1934
Miss Sullavan's cost des
1935
Cost
1935
Miss Dietrich's costumes des by
1935
Cost of Miss Young and Miss DeMille des by
1935
Gowns
1935
Miss West's cost des by
1935
Cost des
1935
Carole Lombard's clothes des by
1935
Cost
1935
Miss Swarthout's cost des by
1936
Cost
1936
Cost
1936
Cost des by
1936
Miss Lombard's gowns
1936
Cost
1936
Miss Lombard's gowns by
1936
Cost des by
1936
Cost des by
1936
Cost des by
1936
Gowns
1936
Cost des by
1936
Cost des
1936
Cost des
1937
Miss Lombard's costumes by
1937
Cost des
1937
Cost des by
1937
Cost des by
1937
Cost
1937
Cost
1937
Cost des
1937
Cost
1937
Cost
1937
Miss Colbert's gowns
1937
Miss Lombard's gowns
1938
Gowns
1939
Other gowns by
1939
Cost
1939
Cost
1940
Cost
1940
Cost
1940
Cost
1940
Cost
1940
Cost
1940
Cost
1940
Cost
1940
Cost
1940
Cost
1941
Cost
1941
Cost
1941
Cost
1941
Cost
1941
Cost
1941
Cost
1941
Cost
1941
Cost
1941
Miss Russell's gowns
1943
Gowns
1944
Cost
1945
Rosalind Russell's gowns
1945
Cost
1945
Miss Russell's gowns
1945
Miss Oberon's cost
1945
Miss Oberon's cost
1945
Cost
1945
Gowns
1946
Cost
1946
Gowns
1946
Gowns
1946
Gowns
1946
Rosalind Russell's cost by
1946
Gowns
1946
Cost
1946
Cost
1947
Gowns
1947
Cost for Maria Montez
1947
Cost des
1947
Miss Hasso's gowns
1948
Gowns
1948
Cost des
1948
Cost for Miss Fleming
1950
Gowns
1950
Cost des
1950
Addl gowns
1951

HISTORY

TITLE
CREDITED AS
CREDIT
YEAR
Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.