AFI CATALOG OF FEATURE FILMS

THE FIRST 100 YEARS 1893–1993

Movie Title

Ernst Lubitsch

53 Titles in Filmography CAST | DIRECTOR | FILM EDITOR | PRODUCER | WRITER | HISTORY

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FILMOGRAPHY

DIRECTOR

TITLE
CREDITED AS
CREDIT
YEAR
ROSITA
Dir
1923
FORBIDDEN PARADISE
Dir
1924
THE MARRIAGE CIRCLE
Dir
1924
THREE WOMEN
Dir
1924
KISS ME AGAIN
Dir
1925
LADY WINDERMERE'S FAN
Dir
1925
SO THIS IS PARIS
Dir
1926
THE PATRIOT
Dir
1928
THE STUDENT PRINCE IN OLD HEIDELBERG
Dir
1928
ETERNAL LOVE
Dir
1929
GALAS DE LA PARAMOUNT
Dir
1930
THE LOVE PARADE
Dir
1930
MONTE CARLO
Dir
1930
PARAMOUNT ON PARADE
Dir
1930
THE SMILING LIEUTENANT
Dir
1931
UNE HEURE PRÈS DE TOI
Dir
1932
BROKEN LULLABY
Dir
1932
ONE HOUR WITH YOU
Dir
1932
IF I HAD A MILLION
The Directors: ["The Clerk"]
1932
TROUBLE IN PARADISE
Dir
1932
DESIGN FOR LIVING
Dir
1933
LA VEUVE JOYEUSE
Mise en scène [Dir]
1934
THE MERRY WIDOW
Dir
1934
DESIRE
Fill-In dir
1936
ANGEL
Dir
1937
BLUEBEARD'S EIGHTH WIFE
Dir
1938
NINOTCHKA
Dir
1939
THE SHOP AROUND THE CORNER
Dir
1940
THAT UNCERTAIN FEELING
Dir
1941
TO BE OR NOT TO BE
Dir
1942
HEAVEN CAN WAIT
Dir
1943
THE MEANEST MAN IN THE WORLD
Dir of retakes
1943
HERE IS GERMANY
Orig prod and dir
1945
CLUNY BROWN
Dir
1946
THAT LADY IN ERMINE
Dir
1948

PRODUCER

TITLE
CREDITED AS
CREDIT
YEAR
BROKEN LULLABY
Prod
1932
ONE HOUR WITH YOU
Prod
1932
DESIRE
Prod
1936
ANGEL
Prod
1937
BLUEBEARD'S EIGHTH WIFE
Prod
1938
THE SHOP AROUND THE CORNER
Prod
1940
THAT UNCERTAIN FEELING
Prod
1941
TO BE OR NOT TO BE
Prod
1942
A ROYAL SCANDAL
Prod
1945
CLUNY BROWN
Prod
1946
DRAGONWYCK
Prod
1946
THAT LADY IN ERMINE
Prod
1948

WRITER

TITLE
CREDITED AS
CREDIT
YEAR
THREE WOMEN
Story
1924
IF I HAD A MILLION
Contr wrt
1932
THE MERRY WIDOW
Contr wrt
1934
TO BE OR NOT TO BE
Orig story
1942
HERE IS GERMANY
Story preparation
1945

FILM EDITOR

TITLE
CREDITED AS
CREDIT
YEAR
THE PATRIOT
Film ed
1928

CAST

TITLE
CREDITED AS
CREDIT
YEAR

HISTORY

TITLE
CREDITED AS
CREDIT
YEAR
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Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award
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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.