AFI CATALOG OF FEATURE FILMS

THE FIRST 100 YEARS 1893–1993

Movie Title

Frank R. Strayer

Also Known As: Frank Strayer

93 Titles in Filmography CAST | DIRECTOR | PRODUCER | WRITER | HISTORY

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FILMOGRAPHY

DIRECTOR

TITLE
CREDITED AS
CREDIT
YEAR
A TRIP TO PARADISE
Frank Strayer
Asst dir
1921
JUNE MADNESS
Frank Strayer
Asst dir
1922
MAIN STREET
Frank Strayer
Asst dir
1923
CRINOLINE AND ROMANCE
Frank Strayer
Asst dir
1923
BEAU BRUMMEL
Frank Strayer
Asst dir
1924
ROSE OF THE WORLD
Frank Strayer
Asst dir
1925
STEPPIN' OUT
Frank Strayer
Dir
1925
AN ENEMY OF MEN
Dir
1925
THE FATE OF A FLIRT
Dir
1925
THE LURE OF THE WILD
Dir
1925
SWEET ROSIE O'GRADY
Dir
1926
WHEN THE WIFE'S AWAY
Dir
1926
THE BACHELOR'S BABY
Dir
1927
NOW WE'RE IN THE AIR
Frank Strayer
Dir
1927
ROUGH HOUSE ROSIE
Frank Strayer
Dir
1927
PLEASURE BEFORE BUSINESS
Frank Strayer
Dir
1927
MORAN OF THE MARINES
Frank Strayer
Dir
1928
PARTNERS IN CRIME
Frank Strayer
Dir
1928
JUST MARRIED
Frank Strayer
Dir
1928
ACQUITTED
Dir
1929
THE FALL OF EVE
Dir
1929
LET'S GO PLACES
Frank Strayer
Dir
1930
BORROWED WIVES
Frank Strayer
Dir
1930
MURDER AT MIDNIGHT
Frank Strayer
Dir
1931
SOUL OF THE SLUMS
Frank Strayer
Dir
1931
CAUGHT CHEATING
Frank Strayer
Dir
1931
ANYBODY'S BLONDE
Frank Strayer
Dir
1931
DRAGNET PATROL
Frank Strayer
Dir
1931
BEHIND STONE WALLS
Frank Strayer
Dir
1932
TANGLED DESTINIES
Frank Strayer
Dir
1932
LOVE IN HIGH GEAR
Frank Strayer
Dir
1932
THE CRUSADER
Frank Strayer
Dir
1932
DYNAMITE DENNY
Frank Strayer
Dir
1932
GORILLA SHIP
Frank Strayer
Dir
1932
MANHATTAN TOWER
Frank Strayer
Dir
1932
THE MONSTER WALKS
Frank Strayer
Dir
1932
LA MELODÍA PROHIBIDA
Frank Strayer
Dirección [Dir]
1933
EL REY DE LOS GITANOS
Frank Strayer
Dirección de [Directed by]
1933
BY APPOINTMENT ONLY
Dir
1933
DANCE GIRL DANCE
Dir
1933
IN THE MONEY
Frank Strayer
Dir
1933
THE VAMPIRE BAT
Frank Strayer
Dir
1933
LAS FRONTERAS DEL AMOR
Frank Strayer
Dirección [Dir]
1934
LA CRUZ Y LA ESPADA
Frank Strayer
Dirección de [Dir]
1934
THE GHOST WALKS
Dir
1934
CROSS STREETS
Dir
1934
FIFTEEN WIVES
Dir
1934
PORT OF LOST DREAMS
Dir
1934
ONE IN A MILLION
Dir
1934
TWIN HUSBANDS
Dir
1934
IN LOVE WITH LIFE
Frank Strayer
Dir
1934
FUGITIVE ROAD
Frank Strayer
Dir
1934
CONDEMNED TO LIVE
Dir
1935
PUBLIC OPINION
Dir
1935
DEATH FROM A DISTANCE
Dir
1935
SYMPHONY OF LIVING
Dir
1935
SOCIETY FEVER
Frank Strayer
Dir
1935
HITCH HIKE TO HEAVEN
Dir
1936
SEA SPOILERS
Frank Strayer
Dir
1936
LAUGHING AT TROUBLE
Dir
1936
MURDER AT GLEN ATHOL
Dir
1936
THE JONES FAMILY IN BIG BUSINESS
Dir
1937
OFF TO THE RACES
Dir
1937
BORROWING TROUBLE
Dir
1937
HOT WATER
Dir
1937
BLONDIE!
Dir
1938
BLONDIE BRINGS UP BABY
Dir
1939
BLONDIE MEETS THE BOSS
Dir
1939
BLONDIE TAKES A VACATION
Dir
1939
BLONDIE HAS SERVANT TROUBLE
Dir
1940
BLONDIE ON A BUDGET
Dir
1940
BLONDIE PLAYS CUPID
Dir
1940
BLONDIE GOES LATIN
Dir
1941
BLONDIE IN SOCIETY
Dir
1941
GO WEST, YOUNG LADY
Dir
1941
BLONDIE FOR VICTORY
Dir
1942
BLONDIE GOES TO COLLEGE
Dir
1942
BLONDIE'S BLESSED EVENT
Dir
1942
DARING YOUNG MAN
Dir
1942
FOOTLIGHT GLAMOUR
Dir
1943
IT'S A GREAT LIFE
Frank Strayer
Dir
1943
SENORITA FROM THE WEST
Frank Strayer
Dir
1945
MAMA LOVES PAPA
Frank Strayer
Dir
1945
I RING DOORBELLS
Frank Strayer
Dir
1946
MESSENGER OF PEACE
Frank Strayer
Dir
1947
REACHING FROM HEAVEN
Frank Strayer
Dir
1948
THE PILGRIMAGE PLAY
Frank Strayer
Dir
1949
THE SICKLE OR THE CROSS
Frank Strayer
Dir
1949
VENTURE OF FAITH
Frank Strayer
Dir
1951

WRITER

TITLE
CREDITED AS
CREDIT
YEAR
MURDER AT MIDNIGHT
Frank Strayer
Story
1931
BY APPOINTMENT ONLY
Frank Strayer
Story
1933

PRODUCER

TITLE
CREDITED AS
CREDIT
YEAR
IT'S A GREAT LIFE
Frank Strayer
Prod
1943
FOOTLIGHT GLAMOUR
Prod
1943

CAST

TITLE
CREDITED AS
CREDIT
YEAR
THE MAN WHO
Frank Strayer
Jack Hyde
1921

HISTORY

TITLE
CREDITED AS
CREDIT
YEAR
ROLLED STOCKINGS
Frank Strayer
1927
GIRL RUSH
Frank Strayer
1944
WHAT A BLONDE
Frank Strayer
1945

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.