AFI CATALOG OF FEATURE FILMS

THE FIRST 100 YEARS 1893–1993

Movie Title

Harry Redmond

Also Known As: Harry Redmond Jr.,
Harry Jr. Redmond

32 Titles in Filmography PHOTOGRAPHY | PRODUCER | PRODUCTION MISC | SPECIAL EFFECTS | HISTORY

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FILMOGRAPHY

SPECIAL EFFECTS

TITLE
CREDITED AS
CREDIT
YEAR
THE LAST DAYS OF POMPEII
Spec eff
1935
THE EX-MRS. BRADFORD
Spec eff
1936
PARTNERS OF THE PLAINS
Spec eff
1938
BAR 20 JUSTICE
Harry Redmond Jr.
Spec eff
1938
JACK LONDON
Spec eff
1943
THE HAIRY APE
Spec eff
1944
DARK WATERS
Harry Redmond Jr.
Spec eff
1944
G. I. JOE
Spec eff
1945
WONDER MAN
Spec eff
1945
ANGEL ON MY SHOULDER
Harry Redmond Jr.
Spec eff
1946
RAMROD
Harry Redmond Jr.
Spec scenic eff
1947
NEW MEXICO
Harry Redmond Jr.
Spec eff
1951
THE GIRL ON THE BRIDGE
Spec eff
1951
STORM OVER TIBET
Harry Redmond Jr.
Spec eff
1952
DONOVAN'S BRAIN
Harry Redmond Jr.
Spec eff
1953
THE MAGNETIC MONSTER
Harry Redmond Jr.
Spec eff dir
1953
GOG
Harry Redmond Jr.
Spec eff dir
1954
RIDERS TO THE STARS
Harry Redmond Jr.
Spec eff dir
1954
SITTING BULL
Harry Redmond Jr.
Spec eff
1954
BATTLE TAXI
Harry Redmond Jr.
Dir of spec eff
1955
UNDERWATER WARRIOR
Harry Redmond Jr.
Spec underwater eff
1958

PRODUCTION MISC

TITLE
CREDITED AS
CREDIT
YEAR
OUTCAST
Chief elec
1917
LILAC TIME
Ordnance expert
1928
AROUND THE WORLD UNDER THE SEA
Harry Redmond Jr.
Tech adv
1966

PRODUCER

TITLE
CREDITED AS
CREDIT
YEAR
FLIPPER
Harry Redmond Jr.
Assoc prod
1963
CLARENCE, THE CROSS-EYED LION
Harry Redmond Jr.
Assoc prod
1965
ZEBRA IN THE KITCHEN
Harry Redmond Jr.
Assoc prod
1965

PHOTOGRAPHY

TITLE
CREDITED AS
CREDIT
YEAR
MEN AGAINST THE SKY
Dir of photog
1940

HISTORY

TITLE
CREDITED AS
CREDIT
YEAR
THE MOST DANGEROUS GAME
Harry Redmond Jr.
1932
KING KONG
Harry Redmond Jr.
1933
THE SON OF KONG
Harry Redmond Jr.
1933
LITTLE WOMEN
1933

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award
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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.