AFI CATALOG OF FEATURE FILMS

THE FIRST 100 YEARS 1893–1993

Movie Title

Jack Carter

46 Titles in Filmography CAST | DANCE | PRODUCER | PRODUCTION MISC | SET DECORATOR | WRITER | HISTORY

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FILMOGRAPHY

CAST

TITLE
CREDITED AS
CREDIT
YEAR
CHARLIE CHAN'S COURAGE
Victor Jordan
1934
THE DEVIL'S DAUGHTER
Philip Ramsay
1939
STRAIGHT TO HEAVEN
Stanley Jackson
1939
TAKE MY LIFE
Sergeant Holmes
1942
CONFIDENTIAL AGENT
Singer
1945
SEPIA CINDERELLA
Ralph [Williams]
1947
MIRACLE IN HARLEM
Phillip Manley
1948
NAUGHTY NEW ORLEANS
Customer
1955
IT HAPPENED TO JANE
Male stenographer
1959
THE HORIZONTAL LIEUTENANT
Lieut. William Monck
1962
THE EXTRAORDINARY SEAMAN
Gunner's Mate Orville Toole
1969
THE RESURRECTION OF ZACHARY WHEELER
Dwight Childs
1971
HUSTLE
Herbie Dalitz
1975
THE AMAZING DOBERMANS
Solly [Kramer]
1976
WON TON TON, THE DOG WHO SAVED HOLLYWOOD
Male journalist
1976
THE HAPPY HOOKER GOES TO WASHINGTON
Senator Caruso
1977
THE GLOVE
[Walter] Stratton
1979
ALLIGATOR
Mayor
1980
THE OCTAGON
Sharkey
1980
HEARTBEEPS
1981
HISTORY OF THE WORLD: PART I
Rat vendor
1981
THE TROUBLE WITH DICK
Samsa
1989
IN THE HEAT OF PASSION
Stan
1992
THE OPPOSITE SEX AND HOW TO LIVE WITH THEM
Rabbi
1993
ONE LAST RIDE
Sid
2006

SET DECORATOR

TITLE
CREDITED AS
CREDIT
YEAR
BELL BOOK AND CANDLE
Props
1959
THE LAST ANGRY MAN
Lead man
1959
SYNANON
Props
1965
GUMSHOE
Const mgr
1972
O LUCKY MAN!
Const
1973
TOMMY
Const mgr
1975
EQUUS
Const controller
1977
SINBAD AND THE EYE OF THE TIGER
Const mgr
1977
SUPERMAN
Const mgr
1978
AGATHA
Const mgr
1979
REDS
Const mgr
1981
GORKY PARK
Const mgr
1983
SCANDAL
Const mgr
1989
KING RALPH
Const mgr
1991

PRODUCTION MISC

TITLE
CREDITED AS
CREDIT
YEAR
BY LOVE POSSESSED
Prop
1961

DANCE

TITLE
CREDITED AS
CREDIT
YEAR

PRODUCER

TITLE
CREDITED AS
CREDIT
YEAR
43: THE PETTY STORY
Exec prod
1972

WRITER

TITLE
CREDITED AS
CREDIT
YEAR
HEARTBEEPS
Addl [Catskil] material by
1981

HISTORY

TITLE
CREDITED AS
CREDIT
YEAR
Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award
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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.