John Indrisano

125 Titles in Filmography CAST | DIRECTOR | PRODUCTION MISC | STAND INS | HISTORY

John Indrisano

Also Known As: Johnny Indrisano

125 Titles in Filmography CAST | DIRECTOR | PRODUCTION MISC | STAND INS | HISTORY

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FILMOGRAPHY


CAST

TITLE
CREDITED AS
CREDIT
YEAR
Johnny Indrisano
1935
Johnny Indrisano
1935
Johnny Indrisano
1941
Johnny Indrisano
1942
Johnny Indrisano
1942
Johnny Indrisano
Al
1945
Johnny Indrisano
1946
Johnny Indrisano
1946
Johnny Indrisano
1946
Johnny Indrisano
1948
Johnny Indrisano
1948
Vic
1948
Johnny Indrisano
1951
Johnny Indrisano
1951
Johnny Indrisano
1953
Johnny Indrisano
1957
1959
1963

PRODUCTION MISC

TITLE
CREDITED AS
CREDIT
YEAR
[Boxing] contests staged by
1945
Tech adv
1946
Prizefights staged by
1946
Prize fights staged by
1946
Tech adv
1946
Tech adv
1947
Prize fights staged by
1947
Johnny Indrisano
Tech adv fight seq
1948
Johnny Indrisano
Fighting instructor
1948
Fight seq staged by
1948
Boxing adv
1948
Fight seq
1949
Prize fights staged by
1949
Fight seq staged by
1949
Fights staged by
1949
Tech adv
1950
Fencing partner for Stewart Granger
1952
Johnny Indrisano
Tech adv
1952
Johnny Indrisano
Animal trainer
1952
Fight scenes staged by
1952
Tech adv
1953
Johnny Indrisano
Tech adv
1953
Tech adv
1954
Fights staged by
1955
Johnny Indrisano
Judo instructor
1955
Johnny Indrisano
Fight coach
1955
Tech adv
1955
Johnny Indrisano
Tech adv
1956
Tech adv
1956
Johnny Indrisano
Supv for fight scenes
1957
Tech adv fight seq
1957
Trainer, fight seq
1958
Stunt coordinator
1968

STAND INS

TITLE
CREDITED AS
CREDIT
YEAR
Johnny Indrisano
Doubles
1935
Stunts
1959

DIRECTOR

TITLE
CREDITED AS
CREDIT
YEAR
Johnny Indrisano
Fight seq dir
1953
Stunt supv
1963

HISTORY

TITLE
CREDITED AS
CREDIT
YEAR
Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.