Full page view
HISTORY

The 8 Sep 1923 Motion Picture News and 15 Sep 1923 Exhibitors Trade Review reported that the film was previously titled A Man. It was reviewed as Kentucky Days in the 22 Dec 1923 Exhibitors Herald.
       An earlier Fox film, The Village Blacksmith (1923, see entry), had originally been called Kentucky Days. ...

More Less

The 8 Sep 1923 Motion Picture News and 15 Sep 1923 Exhibitors Trade Review reported that the film was previously titled A Man. It was reviewed as Kentucky Days in the 22 Dec 1923 Exhibitors Herald.
       An earlier Fox film, The Village Blacksmith (1923, see entry), had originally been called Kentucky Days.

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald
22 Dec 1923
p. 43
Exhibitors Trade Review
15 Sep 1923
p. 710
Motion Picture News
8 Sep 1923
p. 1184
DETAILS
Alternate Title:
A Man
Release Date:
2 December 1923
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Fox Film Corp.
25 November 1923
LP19657
Physical Properties:
Silent
Black and White
Length(in feet):
4,508
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

In 1853, young Southerner Don Buckner goes west in search of gold to recoup his dwindling fortune, spent mostly on his new bride, Elizabeth. During the years of his absence he fails to communicate with his wife or his mother Margarite, even when he strikes gold, because he hopes to make this good fortune a surprise. His cousin, infatuated with Elizabeth, tries to persuade her that Don is dead and forcibly kisses her. Margarite, thinking her daughter-in-law is unfaithful, dies of a broken heart. Don returns, sees his mother's grave, and learns of his wife's "infidelity." He kills his cousin in a duel, orders Elizabeth from his house, frees his slaves, sets fire to his house, and decides to return to California alone. His wife, however, persuades him to take her along. Don realizes he still loves her when she becomes lost in a sandstorm. He finds Elizabeth, and they continue on to California reunited in ...

More Less

In 1853, young Southerner Don Buckner goes west in search of gold to recoup his dwindling fortune, spent mostly on his new bride, Elizabeth. During the years of his absence he fails to communicate with his wife or his mother Margarite, even when he strikes gold, because he hopes to make this good fortune a surprise. His cousin, infatuated with Elizabeth, tries to persuade her that Don is dead and forcibly kisses her. Margarite, thinking her daughter-in-law is unfaithful, dies of a broken heart. Don returns, sees his mother's grave, and learns of his wife's "infidelity." He kills his cousin in a duel, orders Elizabeth from his house, frees his slaves, sets fire to his house, and decides to return to California alone. His wife, however, persuades him to take her along. Don realizes he still loves her when she becomes lost in a sandstorm. He finds Elizabeth, and they continue on to California reunited in love.

Less

GENRE
Genre:
Sub-genre:
Historical


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>

The Terminator

A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>

The Long Haul

Onscreen credits contain the following written acknowlegment: "The producer gratefully acknowleges the assistance and facilities made availabe to the producer by Leyland Motors Limited." Tom Morahan's onscreen credit reads ... >>

Arabian Nights

Arabian Nights opens and closes with a framing story featuring an elderly guardian relating the story of two rival brothers, Haroum-al-Raschid and Kamar al Zaman, to six ... >>

Ferris Bueller's Day Off

The picture begins with actor Matthew Broderick, in the role of “Ferris Bueller,” speaking directly to the audience. His commentary continues intermittently throughout the picture.
       A 13 Jun ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.