A Kiss in Time (1921)

Comedy | July 1921

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CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
WRITER
PHOTOGRAPHY
Dir of photog
SOURCES
LITERARY
Based on the short story "From Four to Eleven-Three," by Royal Brown in McClure's (Oct 1920).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
July 1921
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Realart Pictures
27 May 1921
LP16589
Physical Properties:
Silent
Black and White
Length(in feet):
4,351
Length(in reels):
5
Country:
United States
SYNOPSIS

Although she finds the stiff Bostonian manners of her fiancé, Robert Ames, unsuited to her temperament, artist-illustrator Sheila Athlone refuses to illustrate an author's story because of its "absurd" premise that a girl would kiss a man she met only 4 hours earlier. Author Brian Moore, setting out to prove his point, poses as a butcher boy and induces her to ride out to a country orchard. His advances are refused until he saves a child from an explosion, and 2 minutes before the time limit, in admiration of his bravery, she allows him to kiss ...

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Although she finds the stiff Bostonian manners of her fiancé, Robert Ames, unsuited to her temperament, artist-illustrator Sheila Athlone refuses to illustrate an author's story because of its "absurd" premise that a girl would kiss a man she met only 4 hours earlier. Author Brian Moore, setting out to prove his point, poses as a butcher boy and induces her to ride out to a country orchard. His advances are refused until he saves a child from an explosion, and 2 minutes before the time limit, in admiration of his bravery, she allows him to kiss her.

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GENRE
Genre:


Subject
Subject (Major):

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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Illustrators, Authors, Bostonians
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.