The Lady of Scandal (1930)

67 mins | Romance | 24 May 1930

Director:

Sidney Franklin

Writer:

Hans Kraly

Cinematographers:

Arthur Miller, Oliver T. Marsh

Editor:

Margaret Booth

Production Designer:

Cedric Gibbons

Production Company:

Metro-Goldwyn-Mayer Corp.
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HISTORY

Working titles for this film included Tabloid and The High Road, after the 1927 stage play by Frederick Lonsdale, upon which this film is based.
       Norma Shearer was initially cast in the lead role, as reported in the 5 December 1929 [Brooklyn, NY] Brooklyn Daily Eagle. The 21 February 1930 [East Liverpool, OH] Evening Review later noted that Shearer was spending that week in costume fittings and shooting camera tests, prior to the start of production, scheduled for 28 February 1930. However, Shearer did not remain with the picture. Filming with married actors Ralph Forbes and Ruth Chatterton in the lead roles was underway by early April 1930, according to the 6 April 1930 [Camden, NJ] Courier-Post. Chatterton appeared in the Metro-Goldwyn-Mayer Corp. production courtesy of Paramount Pictures, with whom she was currently under contract.
       The 17 May 1930 Los Angeles Times stated that the following cast members had previously appeared in a staging of Lonsdale’s play: Basil Rathbone, Herbert Buston, Effie Ellsler, Moon Carroll, Cyril Chadwick, and Frederick Kerr. According to the 3 June 1930 Exhibitors Daily Review and Motion Pictures Today, Kerr and Mackenzie Ward were in the original London stage production.
       Theatrical release occurred on 24 May 1930. A review in the 17 May 1930 Los Angeles Times deemed it “probably the first cinema romance in history which is enacted without the exchange of a single kiss.” The 18 May 1930 Los Angeles Times pointed out that the advent of talking pictures had made certain stage play adaptations more viable, and that now “sophistication is replacing naivete ...

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Working titles for this film included Tabloid and The High Road, after the 1927 stage play by Frederick Lonsdale, upon which this film is based.
       Norma Shearer was initially cast in the lead role, as reported in the 5 December 1929 [Brooklyn, NY] Brooklyn Daily Eagle. The 21 February 1930 [East Liverpool, OH] Evening Review later noted that Shearer was spending that week in costume fittings and shooting camera tests, prior to the start of production, scheduled for 28 February 1930. However, Shearer did not remain with the picture. Filming with married actors Ralph Forbes and Ruth Chatterton in the lead roles was underway by early April 1930, according to the 6 April 1930 [Camden, NJ] Courier-Post. Chatterton appeared in the Metro-Goldwyn-Mayer Corp. production courtesy of Paramount Pictures, with whom she was currently under contract.
       The 17 May 1930 Los Angeles Times stated that the following cast members had previously appeared in a staging of Lonsdale’s play: Basil Rathbone, Herbert Buston, Effie Ellsler, Moon Carroll, Cyril Chadwick, and Frederick Kerr. According to the 3 June 1930 Exhibitors Daily Review and Motion Pictures Today, Kerr and Mackenzie Ward were in the original London stage production.
       Theatrical release occurred on 24 May 1930. A review in the 17 May 1930 Los Angeles Times deemed it “probably the first cinema romance in history which is enacted without the exchange of a single kiss.” The 18 May 1930 Los Angeles Times pointed out that the advent of talking pictures had made certain stage play adaptations more viable, and that now “sophistication is replacing naivete in the movies.” Ruth Chatterton was quoted in the 3 June 1930 Exhibitors Daily Review and Motion Pictures Today as saying, “There seems to be no reason why clever lines cannot hold an audience as well in motion pictures as on the stage; in fact, as the microphone brings the audience closer, there is no reason why the effect should not be even better.”

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Brooklyn Daily Eagle [Brooklyn, NY]
5 Dec 1929
---
Courier-Post [Camden, NJ]
6 Apr 1930
p. 9
Exhibitors Daily Review and Motion Pictures Today
25 Apr 1930
p. 2
Exhibitors Daily Review and Motion Pictures Today
3 Jun 1930
p. 5
Evening Review [East Liverpool, OH]
5 Dec 1929
p. 23
Evening Review [East Liverpool, OH]
21 Feb 1930
p. 5
EHW
21 Jun 1930
p. 69
Film Daily
1 Jun 1930
p. 10
Harrison's Reports
7 Jun 1930
---
Harrison's Reports
5 Jul 1930
p. 2
Los Angeles Evening Express
17 May 1930
p. 9
Los Angeles Times
14 May 1930
Section A, p. 9
Los Angeles Times
17 May 1930
Section A, p. 7
Los Angeles Times
18 May 1930
Section B, p. 13
New York Times
14 Jun 1930
p. 9
New York Times
22 Jun 1930
p. 3
New Yorker
21 Jun 1930
p. 71
Picture Play
Sep 1930
p. 55
Variety
18 Jun 1930
p. 37
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PHOTOGRAPHY
Dir of photog
Dir of photog
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
COSTUMES
Gowns
SOUND
Rec eng
SOURCES
LITERARY
Based on the play The High Road by Frederick Lonsdale (London, 7 Sep 1927).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Titles:
Tabloid
The High Road
Release Date:
24 May 1930
Premiere Information:
Los Angeles opening: 15 or 16 May 1930
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Metro-Goldwyn-Mayer Distributing Corp.
26 May 1930
LP1321
Physical Properties:
Sound
Movietone
Black and White
Duration(in mins):
67
Length(in feet):
6,858
Length(in reels):
8
Country:
United States
Language:
English
SYNOPSIS

Elsie, a popular English actress, falls in love with John, a young nobleman, who takes her to visit his family's estate, where his relatives hope she will be sufficently bored to give him up. Instead, her freshness soon invigorates the staid family members, and a secret affair develops between Elsie and Edward, the prospective bridegroom's cousin. When Elsie discovers that Edward is having an affair with a married woman, he declares he will give her up; however, when the woman's husband dies in Paris, Elsie, having been released from her betrothal to John, induces Edward to join the widow. She herself returns to the ...

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Elsie, a popular English actress, falls in love with John, a young nobleman, who takes her to visit his family's estate, where his relatives hope she will be sufficently bored to give him up. Instead, her freshness soon invigorates the staid family members, and a secret affair develops between Elsie and Edward, the prospective bridegroom's cousin. When Elsie discovers that Edward is having an affair with a married woman, he declares he will give her up; however, when the woman's husband dies in Paris, Elsie, having been released from her betrothal to John, induces Edward to join the widow. She herself returns to the stage.

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GENRE
Genre:
Sub-genre:
Society


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.