The Last Card (1921)

Melodrama | 23 May 1921

Director:

Bayard Veiller

Cinematographer:

Jackson Rose

Production Designer:

A. F. Mantz

Production Company:

Metro Pictures Corp.
Full page view
HISTORY

A studio chart in the 16 Apr 1921 Camera noted that The Woman Next Door was in the editing room. The following week, the 23 Apr 1921 Camera reported that the title had been changed to The Last Card. ...

More Less

A studio chart in the 16 Apr 1921 Camera noted that The Woman Next Door was in the editing room. The following week, the 23 Apr 1921 Camera reported that the title had been changed to The Last Card.

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Camera
16 Apr 1921
p. 11
Camera
23 Apr 1921
p. 4
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
WRITERS
PHOTOGRAPHY
Photog
ART DIRECTOR
Art dir
SOURCES
LITERARY
Based on the short story "Dated" by Maxwell Smith in Saturday Evening Post (3 Jul 1920).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Title:
The Woman Next Door
Release Date:
23 May 1921
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Metro Pictures
22 June 1921
LP17931
Physical Properties:
Silent
Black and White
Length(in feet):
5,817
Length(in reels):
6
Country:
United States
SYNOPSIS

Tom Gannell, a criminal lawyer, detects an intrigue between his wife, Emma, and a college student, Sorley, who tends furnaces on their block. When Sorley goes to the cellar, his wife goes to the piano and plays "The End of a Perfect Day." Maddened by his wife's faithlessness, Gannell follows Sorley and kills him. The following day, the Kirkwoods leave on their annual trip to Florida; a coat belonging to Kirkwood and a pack of his cigarettes are found near the body. Hearing of the murder, he returns home and is arrested for the crime. Kirkwood is defended by Gannell and found guilty. Mrs. Kirkwood, who suspects Gannell, induces the police to tap a telephone conversation between herself and Gannell: while talking she has her maid play "The End of a Perfect Day" on the piano. Finding his living room empty and hearing the sound of the furnace being raked, Gannell breaks and confesses his guilt but defies her to prove ...

More Less

Tom Gannell, a criminal lawyer, detects an intrigue between his wife, Emma, and a college student, Sorley, who tends furnaces on their block. When Sorley goes to the cellar, his wife goes to the piano and plays "The End of a Perfect Day." Maddened by his wife's faithlessness, Gannell follows Sorley and kills him. The following day, the Kirkwoods leave on their annual trip to Florida; a coat belonging to Kirkwood and a pack of his cigarettes are found near the body. Hearing of the murder, he returns home and is arrested for the crime. Kirkwood is defended by Gannell and found guilty. Mrs. Kirkwood, who suspects Gannell, induces the police to tap a telephone conversation between herself and Gannell: while talking she has her maid play "The End of a Perfect Day" on the piano. Finding his living room empty and hearing the sound of the furnace being raked, Gannell breaks and confesses his guilt but defies her to prove it.

Less

GENRE
Genre:
Sub-genre:
Crime


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

It's a Wonderful Life

Philip Van Doren Stern's story, which, according to many contemporary and modern sources, was originally written in Nov 1939, was enclosed by him in his 1943 Christmas cards. Although ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.