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HISTORY

Mary Mayberry was referred to as “Mary Maberry” and “Mary Mabery” in contemporary sources, including the 18 November 1927 Film Daily, which announced that “Mary Maberry” and Robert Ellis had been cast in lead roles, along with canine actor “Shadow” – however, the dog star of the movie was later credited as “Klondike.” An article in the 25 November 1927 Motion Picture News reported that filming had recently commenced at Pathé’s metropolitan studio. On 31 March 1928, Motion Picture News published a positive review of the film, calling it The Law’s Lash: In Which a Dog Makes Good, and noted a tentative release date on 22 April 1928; however, the picture was held back one month and made its national debut on 20 May 1928. The review’s author, Raymond Ganly, praised the film’s four-legged thespian, stating, “Though he is one of the newer screen hounds, Klondike, F. J. McConnell’s bow-wow, is coming along fine. For one thing, they provide him with good vehicles, as witness this one in which man conventional things happen, but which carries a realistic note because of competent direction and acting. They do not demand of the dog that he do impossible feats, only that he be himself, which suffices.”
            The Law’s Lash is extant. A 16mm print is located at the Academy Film Archive in Los Angeles, and three 35mm prints are held by the Library and Archives Canada in Ottawa.
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Mary Mayberry was referred to as “Mary Maberry” and “Mary Mabery” in contemporary sources, including the 18 November 1927 Film Daily, which announced that “Mary Maberry” and Robert Ellis had been cast in lead roles, along with canine actor “Shadow” – however, the dog star of the movie was later credited as “Klondike.” An article in the 25 November 1927 Motion Picture News reported that filming had recently commenced at Pathé’s metropolitan studio. On 31 March 1928, Motion Picture News published a positive review of the film, calling it The Law’s Lash: In Which a Dog Makes Good, and noted a tentative release date on 22 April 1928; however, the picture was held back one month and made its national debut on 20 May 1928. The review’s author, Raymond Ganly, praised the film’s four-legged thespian, stating, “Though he is one of the newer screen hounds, Klondike, F. J. McConnell’s bow-wow, is coming along fine. For one thing, they provide him with good vehicles, as witness this one in which man conventional things happen, but which carries a realistic note because of competent direction and acting. They do not demand of the dog that he do impossible feats, only that he be himself, which suffices.”
            The Law’s Lash is extant. A 16mm print is located at the Academy Film Archive in Los Angeles, and three 35mm prints are held by the Library and Archives Canada in Ottawa.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
25 Mar 1928
---
Film Daily
18 Nov 1927
p. 8
Motion Picture News
25 Nov 1927
p. 1636
Motion Picture News
31 Mar 1928
p. 1043
DETAILS
Release Date:
20 May 1928
Production Date:
Began November 1927
Copyright Info
Claimant
Date
Copyright Number
Pathé Exchange, Inc.
9 May 1928
LP25258
Physical Properties:
Silent
Black and White
Length(in feet):
4,683 , 4,902
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

A gang leader kills a Royal Mounted policeman and beats Flame, a police dog. Corporal Campbell is assigned to capture the murderer. His sweetheart suspects that her foster father is the culprit. Campbell is trapped by the gang while he is following up his suspicions. Flame leads other Mounties to the hideout, searches out the hiding men, and reveals the name of the man who killed his ...

More Less

A gang leader kills a Royal Mounted policeman and beats Flame, a police dog. Corporal Campbell is assigned to capture the murderer. His sweetheart suspects that her foster father is the culprit. Campbell is trapped by the gang while he is following up his suspicions. Flame leads other Mounties to the hideout, searches out the hiding men, and reveals the name of the man who killed his master.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.