Long Pants (1927)

70 mins | Comedy-drama | 10 April 1927

Full page view
HISTORY

The working title for this film was Johnny Newcomer. Although exact production dates for this film have not been verified, a MPW news item from Jan 1927 published during the eighteenth week of shooting, estimated that it would be in production for 22 weeks. Contemporary sources reported that the film was to be eight reels, but it was previewed at nine reels, before being cut to its release length of six reels. MPW also stated that there was to be a dream scene in Technicolor, but modern sources speculate that this scene was deleted or later printed in black and white, and that Frankie Darro's part has been cut from surviving prints. Modern sources credit Ruth Waterburg as playing a nightclub singer and list the following character names: "The Boy" as "Harry Shelby," "The Vamp" as "Bebe Blair," and Betty Francisco as "His finish." ...

More Less

The working title for this film was Johnny Newcomer. Although exact production dates for this film have not been verified, a MPW news item from Jan 1927 published during the eighteenth week of shooting, estimated that it would be in production for 22 weeks. Contemporary sources reported that the film was to be eight reels, but it was previewed at nine reels, before being cut to its release length of six reels. MPW also stated that there was to be a dream scene in Technicolor, but modern sources speculate that this scene was deleted or later printed in black and white, and that Frankie Darro's part has been cut from surviving prints. Modern sources credit Ruth Waterburg as playing a nightclub singer and list the following character names: "The Boy" as "Harry Shelby," "The Vamp" as "Bebe Blair," and Betty Francisco as "His finish."

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
23 May 1926
p. 24
Film Daily
8 Jun 1926
p. 4
Film Daily
3 Apr 1927
p. 6
MPN
8 Apr 1927
p. 1275
MPW
18 Sep 1926
p. 173
MPW
22 Jan 1927
pp. 263-66
MPW
19 Mar 1927
p. 179
MPW
9 Apr 1927
p. 585
MPW
18 Sep 1927
p. 173
New York Times
29 Mar 1927
p. 23
Photoplay
Jun 1927
p. 56
Variety
20 Mar 1927
p. 14
DETAILS
Alternate Title:
Johnny Newcomer
Release Date:
10 April 1927
Premiere Information:
New York opening: 26 Mar 1927
Production Date:

Copyright Info
Claimant
Date
Copyright Number
First National Pictures, Inc.
22 March 1927
LP23766
Physical Properties:
Silent
Black and White
Duration(in mins):
70
Length(in feet):
5,550
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

The Boy, a dreamer who fancies himself a Don Juan, rejoices when his mother at last allows him to change from his knee breeches to long pants. He goes out for a bicycle ride to show off to his neighbors that he is now a man, and while out, he encounters the Vamp, a beautiful crook being sought by the police for smuggling "snow." She is amused by the Boy and flirts with him while he rides around her car trying to impress her. He is called back home to talk on the phone with his girl friend Priscilla, and after he hurriedly hangs up on her, he rushes back out to the Vamp. She is gone, however, and has accidentally left behind one of her unsigned love letters, which the Boy mistakenly assumes is for him. He thinks that the Vamp wishes to marry him, and his parents, who know nothing of the Vamp, naturally assume Priscilla is the focus of his desire to get married. His parents arrange for the young couple to be married at once, but the Boy, intent on a passionate life with the Vamp, decides that he must kill Priscilla to avoid marrying her. He takes her for a walk in the woods, but his incompetence prevents him from shooting her, and he ends up getting caught in a bear trap, from which Priscilla rescues him. The Boy then discovers that the Vamp has been incarcerated for her crimes, but his attempt to rescue her is complicated by his run-ins with a mannequin police officer, and then a real police officer. The Vamp gets into a fistfight ...

More Less

The Boy, a dreamer who fancies himself a Don Juan, rejoices when his mother at last allows him to change from his knee breeches to long pants. He goes out for a bicycle ride to show off to his neighbors that he is now a man, and while out, he encounters the Vamp, a beautiful crook being sought by the police for smuggling "snow." She is amused by the Boy and flirts with him while he rides around her car trying to impress her. He is called back home to talk on the phone with his girl friend Priscilla, and after he hurriedly hangs up on her, he rushes back out to the Vamp. She is gone, however, and has accidentally left behind one of her unsigned love letters, which the Boy mistakenly assumes is for him. He thinks that the Vamp wishes to marry him, and his parents, who know nothing of the Vamp, naturally assume Priscilla is the focus of his desire to get married. His parents arrange for the young couple to be married at once, but the Boy, intent on a passionate life with the Vamp, decides that he must kill Priscilla to avoid marrying her. He takes her for a walk in the woods, but his incompetence prevents him from shooting her, and he ends up getting caught in a bear trap, from which Priscilla rescues him. The Boy then discovers that the Vamp has been incarcerated for her crimes, but his attempt to rescue her is complicated by his run-ins with a mannequin police officer, and then a real police officer. The Vamp gets into a fistfight with the woman she holds responsible for her arrest, and then shoots her husband. The Boy is jailed, but when he is released, he thinks of his mother and Priscilla and rushes home to them.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

That Forsyte Woman

The working title for this film was The Forsyte Saga . According to a pre-release news item in Time magazine, M-G-M decided to change the title ... >>

The Terminator

A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>

Pretty Baby

The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Jeremy Carr, Visiting Research Fellow ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.