Love (1927)

84 mins | Drama | 2 January 1927

Director:

Edmund Goulding

Writer:

Lorna Moon

Producer:

Edmund Goulding

Cinematographer:

William Daniels

Editor:

Hugh Wynn

Production Company:

Metro-Goldwyn-Mayer Corp.
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HISTORY

The scenario was based on the 1876 novel, Anna Karénina by Leo Tolstoy. Plans for a screen version from Metro-Goldwyn-Mayer Corp. (M-G-M) were announced by the 13 November 1926 Moving Picture World. Russian expatriate Dimitri Buchowestzki was heralded as the ideal director for the project. He had recently been contracted by M-G-M following his first assignment for the studio, Valencia (1926, see entry). That same day, Motion Picture News reported that Lillian Gish had been cast in the title role. An advertisement in the 29 December 1926 Variety later noted that screenwriter Lorna Moon was in the process of adapting the novel, and that Greta Garbo had replaced Lillian Gish.
       One month later, the 29 January 1927 Exhibitors Herald implied that the production was in limbo and recommended either Irene Rich or Florence Vidor for the title character. Eleanor Boardman was also suggested, although she was considered too young for the part.
       As stated in the 18 February 1927 Motion Picture News, Victor Varconi was initially chosen for the role of “Vronsky.” Two months later, the 17 April 1927 Film Daily reported that Ricardo Cortez had assumed the male lead, with Lionel Barrymore, Zasu Pitts, Helene Chadwick, Dorothy Sebastian, Mario Carillo, Albert Conti, and Maude Turner Gordon as additional cast members, none of whom appeared in the completed picture. On 24 June 1927, Film Daily announced that John Gilbert had replaced Cortez, Edmund Goulding had replaced Buchowestzki, and the title, Love, had replaced Anna Karenina.
       ...

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The scenario was based on the 1876 novel, Anna Karénina by Leo Tolstoy. Plans for a screen version from Metro-Goldwyn-Mayer Corp. (M-G-M) were announced by the 13 November 1926 Moving Picture World. Russian expatriate Dimitri Buchowestzki was heralded as the ideal director for the project. He had recently been contracted by M-G-M following his first assignment for the studio, Valencia (1926, see entry). That same day, Motion Picture News reported that Lillian Gish had been cast in the title role. An advertisement in the 29 December 1926 Variety later noted that screenwriter Lorna Moon was in the process of adapting the novel, and that Greta Garbo had replaced Lillian Gish.
       One month later, the 29 January 1927 Exhibitors Herald implied that the production was in limbo and recommended either Irene Rich or Florence Vidor for the title character. Eleanor Boardman was also suggested, although she was considered too young for the part.
       As stated in the 18 February 1927 Motion Picture News, Victor Varconi was initially chosen for the role of “Vronsky.” Two months later, the 17 April 1927 Film Daily reported that Ricardo Cortez had assumed the male lead, with Lionel Barrymore, Zasu Pitts, Helene Chadwick, Dorothy Sebastian, Mario Carillo, Albert Conti, and Maude Turner Gordon as additional cast members, none of whom appeared in the completed picture. On 24 June 1927, Film Daily announced that John Gilbert had replaced Cortez, Edmund Goulding had replaced Buchowestzki, and the title, Love, had replaced Anna Karenina.
       The film was released in December 1927, preceded by an opening at the Embassy Theatre in New York City during the week of 27 November 1927. An advertisement in the 9 December 1927 Film Daily claimed that it was drawing the largest audiences of any picture on Broadway, even with tickets prices as high as two dollars. The 21 December 1927 Film Daily advertised live “Telemovies” of the Embassy engagement, broadcast over twenty-five radio stations across the U.S.
       A review in the 18 December 1927 edition noted that the film, unlike the novel, was given a happy ending. Various sources have suggested that some prints included Tolstoy’s original ending.
       Greta Garbo reprised her lead role for the 1935 production, Anna Karénina (see entry).
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald
29 Jan 1927
p. 31
Film Daily
17 Apr 1927
p. 16
Film Daily
24 Jun 1927
p. 2
Film Daily
28 Nov 1927
p. 7
Film Daily
9 Dec 1927
p. 3
Film Daily
18 Dec 1927
p. 6
Film Daily
21 Dec 1927
p. 3
Motion Picture News
13 Nov 1926
p. 1853
Motion Picture News
18 Feb 1927
p. 571
Motion Picture News
16 Dec 1927
p. 1904
Moving Picture World
13 Nov 1926
p. 82
New York Times
30 Nov 1927
p. 22
Variety
29 Dec 1926
p. 183
Variety
7 Dec 1927
p. 18
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
WRITERS
Adpt
Titles
PHOTOGRAPHY
Dir of photog
FILM EDITOR
Film ed
SET DECORATORS
Set dec
COSTUMES
MUSIC
Mus score
SOURCES
LITERARY
Based on the novel, Anna Karénina by Leo Tolstoy (Moscow, 1876).
LITERARY SOURCE AUTHOR
SONGS
"That Melody of Love," words by Howard Dietz, music by Walter Donaldson.
SONGWRITER/COMPOSER
DETAILS
Alternate Title:
Anna Karénina
Release Date:
2 January 1927
Premiere Information:
New York opening: week of 27 Nov 1927
Production Date:
summer 1927
Copyright Info
Claimant
Date
Copyright Number
Metro-Goldwyn-Mayer Distributing Corp.
9 January 1928
LP24843
Physical Properties:
Silent
Black and White
Duration(in mins):
84
Length(in feet):
7,365
Length(in reels):
8
Country:
United States
Language:
English
SYNOPSIS

Anna Karenina, the wife of a Russian nobleman, falls in love with Vronsky, a young officer. However, Anna cannot leave her husband, or she will lose all rights to her child. Realizing the futility of their love, Anna and Vronsky are forced to separate. Three years later, Anna’s husband dies, and she is reunited with ...

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Anna Karenina, the wife of a Russian nobleman, falls in love with Vronsky, a young officer. However, Anna cannot leave her husband, or she will lose all rights to her child. Realizing the futility of their love, Anna and Vronsky are forced to separate. Three years later, Anna’s husband dies, and she is reunited with Vronsky.

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GENRE
Genre:
Sub-genre:
Historical


Subject
Subject (Major):

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.