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HISTORY

The upcoming production was announced in the 9 August 1923 Variety by its working title, The Man Whom Life Passed By. Writer-director Victor Schertzinger was loaned to producers Metro Pictures Corp. by B. P. Schulberg of Preferred Pictures Corp.
       As stated in the 11 August 1923 Camera, scenarist Winifred Dunn was in the process of researching “ancient Roman lore” for a sequence in her adaptation of Schertzinger’s original story. Although the 15 September 1923 Camera claimed that principal photography had been scheduled to start at Metro Studios in Hollywood, CA, on 18 August 1923, a chart in that same issue indicated that it had begun within the previous two weeks. Harry Kerr was credited as casting director. Also joining the production were assistant director Wyatt Brewster (6 October 1923 Exhibitors Trade Review) and veteran actor Hobart Bosworth, who was on loan from Goldwyn Pictures Corp. (8 October 1923 Film Daily). According to the 6 October 1923 Motion Picture News, the picture marked the first joint screen appearance of sisters Jane and Eva Novak.
       On 13 October 1923, Camera reported that Jane Novak had threatened to bob her long blond hair after two rehearsals and four takes of a scene in which Hobart Bosworth, in the role of her father, was required to embrace her tightly. Each take was followed by thirty-five minutes with a hair stylist before the actress could appear before the cameras. That same day, Exhibitors Trade Review noted that Schertzinger had avoided creating “stereotyped characters” for his story, choosing ...

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The upcoming production was announced in the 9 August 1923 Variety by its working title, The Man Whom Life Passed By. Writer-director Victor Schertzinger was loaned to producers Metro Pictures Corp. by B. P. Schulberg of Preferred Pictures Corp.
       As stated in the 11 August 1923 Camera, scenarist Winifred Dunn was in the process of researching “ancient Roman lore” for a sequence in her adaptation of Schertzinger’s original story. Although the 15 September 1923 Camera claimed that principal photography had been scheduled to start at Metro Studios in Hollywood, CA, on 18 August 1923, a chart in that same issue indicated that it had begun within the previous two weeks. Harry Kerr was credited as casting director. Also joining the production were assistant director Wyatt Brewster (6 October 1923 Exhibitors Trade Review) and veteran actor Hobart Bosworth, who was on loan from Goldwyn Pictures Corp. (8 October 1923 Film Daily). According to the 6 October 1923 Motion Picture News, the picture marked the first joint screen appearance of sisters Jane and Eva Novak.
       On 13 October 1923, Camera reported that Jane Novak had threatened to bob her long blond hair after two rehearsals and four takes of a scene in which Hobart Bosworth, in the role of her father, was required to embrace her tightly. Each take was followed by thirty-five minutes with a hair stylist before the actress could appear before the cameras. That same day, Exhibitors Trade Review noted that Schertzinger had avoided creating “stereotyped characters” for his story, choosing instead to portray real human beings, rather than heroes and villains.
       A chart in the 27 October 1923 Camera indicated that filming was nearly completed. Two weeks later, the 10 November 1923 edition credited Sada Cowan and Howard Higgin with adding intertitles to the feature. The 3 November 1923 Motion Picture News announced that the title had been officially shortened to The Man Life Passed By.
       A general release was scheduled for 24 December 1923, preceded by a Los Angeles, CA, premiere at Loew’s State Theatre during the week of 16 December 1923. The 18 January 1924 Film Daily noted that a cross-promotional campaign for the event had been arranged with local realtors, who employed the slogan, “Don’t be the man life passed by. Own your own home.”
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Camera
11 Aug 1923
p. 13
Camera
15 Sep 1923
p. 13, 17
Camera
13 Oct 1923
p. 12
Camera
27 Oct 1923
p. 17
Camera
10 Nov 1923
p. 10
Camera
15 Dec 1923
p. 4
Exhibitors Trade Review
15 Sep 1923
p. 710
Exhibitors Trade Review
6 Oct 1923
p. 856
Exhibitors Trade Review
13 Oct 1923
p. 901
Exhibitors Trade Review
5 Jan 1924
p. 24
Film Daily
9 Sep 1923
p. 15
Film Daily
8 Oct 1923
p. 1
Film Daily
18 Jan 1924
p. 6
Film Daily
25 Feb 1924
p. 5
Motion Picture News
6 Oct 1923
p. 1627
Motion Picture News
3 Nov 1923
p. 2112
Motion Picture News
24 Nov 1923
p. 2449
Motion Picture News
29 Dec 1923
p. 2997, 3050
MPN Booking Guide
Apr 1924
p. 46
Variety
9 Aug 1923
p. 38
DETAILS
Alternate Title:
The Man Whom Life Passed By
Release Date:
24 December 1923
Premiere Information:
Los Angeles premiere: week of 16 Dec 1923
Production Date:
early Sep--late Oct 1923
Copyright Info
Claimant
Date
Copyright Number
Metro Pictures
26 December 1923
LP19738
Physical Properties:
Silent
Black and White
Length(in feet):
6,200
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

Inventor John Turbin’s life is ruined when "Iron Man" Moore, a wealthy industrialist, steals his creation. Following the death of his mother, John sinks into poverty and loses his faith in humanity, until he is befriended by mission worker Hope Moore, the daughter of his nemesis. When John saves Hope’s sister, Joy, from a criminal gang, Moore shows his gratitude by giving John the rights to his ...

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Inventor John Turbin’s life is ruined when "Iron Man" Moore, a wealthy industrialist, steals his creation. Following the death of his mother, John sinks into poverty and loses his faith in humanity, until he is befriended by mission worker Hope Moore, the daughter of his nemesis. When John saves Hope’s sister, Joy, from a criminal gang, Moore shows his gratitude by giving John the rights to his invention.

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GENRE
Genre:


Subject
Subject (Major):

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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Industrialists, Tramps, Iron, Inventors
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.