The Marriage of William Ashe (1921)

Melodrama | 17 January 1921

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HISTORY

The scenario was Based on the 1904 novel, The Marriage of William Ashe by Mary Augusta Ward, and on the 1905 play, The Marriage of William Ashe; a Play in Five Acts by Margaret Mayo. Plans by Screen Classics, Inc., to produce a film version were announced in the 17 January 1920 Camera. News items in the 26 April 1920 Wid’s Daily and the 24 July 1920 Camera revealed that scenarist Percy Heath was initially assigned to the project before it was taken over by Ruth Ann Baldwin.
       The 14 August 1920 Camera indicated that principal photography had begun sometime that month. Filming locations were identified as Metro Studios in Hollywood, CA, and Brent’s Mountain Crags Country Club in Calabasas, CA. Additional cast members included William Cortwright, Clara Greenwood, and Florence Wix. The 4 September 1920 issue noted that Edward Jobson played an “important” but unspecified role.
       Articles in the 28 August 1920 Motion Picture News and the 26 September 1920 Los Angeles Times stated that sets replicating “English architecture” and a Venice, Italy, canal, more than one city block in length, were constructed on the Metro lot. According to the 28 August 1920 Camera, director Edward Sloman planned to shoot a large number of closeups in an attempt to create a more intimate experience for the audience. All scenes were to be filmed within no more than ten feet of the actors. The 2 October 1920 issues of Wid’s Daily and Camera noted that ...

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The scenario was Based on the 1904 novel, The Marriage of William Ashe by Mary Augusta Ward, and on the 1905 play, The Marriage of William Ashe; a Play in Five Acts by Margaret Mayo. Plans by Screen Classics, Inc., to produce a film version were announced in the 17 January 1920 Camera. News items in the 26 April 1920 Wid’s Daily and the 24 July 1920 Camera revealed that scenarist Percy Heath was initially assigned to the project before it was taken over by Ruth Ann Baldwin.
       The 14 August 1920 Camera indicated that principal photography had begun sometime that month. Filming locations were identified as Metro Studios in Hollywood, CA, and Brent’s Mountain Crags Country Club in Calabasas, CA. Additional cast members included William Cortwright, Clara Greenwood, and Florence Wix. The 4 September 1920 issue noted that Edward Jobson played an “important” but unspecified role.
       Articles in the 28 August 1920 Motion Picture News and the 26 September 1920 Los Angeles Times stated that sets replicating “English architecture” and a Venice, Italy, canal, more than one city block in length, were constructed on the Metro lot. According to the 28 August 1920 Camera, director Edward Sloman planned to shoot a large number of closeups in an attempt to create a more intimate experience for the audience. All scenes were to be filmed within no more than ten feet of the actors. The 2 October 1920 issues of Wid’s Daily and Camera noted that production was nearing completion in its sixth week. Bennie Singer was listed as casting director and Albert Shelby Le Vino as scenarist. The assistant director was identified only as “Howard.”
       The Marriage of William Ashe was released on 17 January 1921, followed by a Los Angeles, CA, opening at Tally’s Theatre during the week of 27 February 1921.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Camera
17 Jan 1920
p. 3, 5
Camera
24 Jul 1920
p. 6
Camera
14 Aug 1920
p. 6, 8
Camera
21 Aug 1920
p. 7
Camera
28 Aug 1920
p. 7
Camera
4 Sep 1920
p. 8
Camera
2 Oct 1920
p. 13
Camera
26 Feb 1921
p. 14
Los Angeles Times
26 Sep 1920
Section III, p. 28
Motion Picture News
28 Aug 1920
p. 1719
Motion Picture News
5 Mar 1921
p. 1869
Motion Picture News
23 Apr 1921
p. 2709
Wid's Daily
26 Apr 1920
---
Wid's Daily
2 Oct 1920
p. 3
Wid's Daily
23 Jan 1921
p. 7
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
WRITER
PHOTOGRAPHY
Dir of photog
ART DIRECTOR
Art int
SOURCES
LITERARY
Based on the novel, The Marriage of William Ashe by Mary Augusta (Arnold) Ward (first published in the Jun 1904-May 1905 Harper's Magazine ); and on the play, The Marriage of William Ashe; a Play in Five Acts by Margaret Mayo (New York, 1905).
LITERARY SOURCE AUTHORS
DETAILS
Release Date:
17 January 1921
Premiere Information:
Los Angeles opening: week of 27 Feb 1921
Production Date:
mid Aug--early Oct 1920
Copyright Info
Claimant
Date
Copyright Number
Metro Pictures
15 January 1921
LP16025
Physical Properties:
Silent
Black and White
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

In England, Lady Kitty Bristol leaves a French convent school after reading Freedom, a radical work by Geoffrey Cliffe. During a visit to London, Kitty meets Geoffrey Cliffe and William Ashe, Secretary of Home Affairs. Following her marriage to William, Kitty draws unflattering caricatures of British Cabinet members, to the amusement of her husband. Geoffrey advises her to publish them in a book, suggesting that it will advance William’s career. She then creates a scandal by appearing seminude at a charity entertainment. William is forced to resign, and upon discovering that Kitty has left, he chastises Geoffrey for his influence. Later, William finds Kitty at the convent, and they are ...

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In England, Lady Kitty Bristol leaves a French convent school after reading Freedom, a radical work by Geoffrey Cliffe. During a visit to London, Kitty meets Geoffrey Cliffe and William Ashe, Secretary of Home Affairs. Following her marriage to William, Kitty draws unflattering caricatures of British Cabinet members, to the amusement of her husband. Geoffrey advises her to publish them in a book, suggesting that it will advance William’s career. She then creates a scandal by appearing seminude at a charity entertainment. William is forced to resign, and upon discovering that Kitty has left, he chastises Geoffrey for his influence. Later, William finds Kitty at the convent, and they are reconciled.

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GENRE
Genre:
Sub-genre:
Society


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.