Monte Carlo (1930)

93 mins | Musical comedy | 4 September 1930

Director:

Ernst Lubitsch

Writer:

Ernest Vajda

Cinematographer:

Victor Milner

Production Designer:

Hans Dreier

Production Company:

Paramount Publix Corp.
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HISTORY

Monte Carlo followed The Love Parade (1930, see entry), another musical comedy which had marked director Ernst Lubitsch’s first talking picture and lead actress Jeanette MacDonald’s feature film debut. An article in the 4 May 1930 Los Angeles Times announced that principal photography on Monte Carlo had begun at Paramount Publix Corp.’s studio in Hollywood, CA. According to a 3 June 1930 Exhibitors Daily Review and Motion Pictures Today item, Macdonald’s co-star, Jack Buchanan, had to leave his role in the Broadway musical, Wake Up and Dream, which had debuted on 30 December 1929, in order to appear in this picture. Filming was completed sometime in July 1930, as indicated by various contemporary sources including the 20 July 1930 New York Times.
       In early August 1930, a preview screening in Hollywood was met with “unanimous high praise,” as noted in the 8 August 1930 Exhibitors Daily Review and Motion Pictures Today. A premiere in New York City was scheduled to take place later that month, on 27 August 1930, at the Rivoli Theatre. Nathaniel Finston, then head of the Paramount studio music department, was flown to New York to supervise the picture’s “special introductory overture” at the Rivoli, according to a 19 August 1930 Exhibitors Daily Review and Motion Pictures Today brief. A positive review of the premiere in the 28 August 1930 New York Times stated, “The merriment in this film is like the bubbles in champagne.” The 7 September 1930 Los Angeles Times lamented that Jack Buchanan lacked the “dynamic personality” of Maurice Chevalier, who ...

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Monte Carlo followed The Love Parade (1930, see entry), another musical comedy which had marked director Ernst Lubitsch’s first talking picture and lead actress Jeanette MacDonald’s feature film debut. An article in the 4 May 1930 Los Angeles Times announced that principal photography on Monte Carlo had begun at Paramount Publix Corp.’s studio in Hollywood, CA. According to a 3 June 1930 Exhibitors Daily Review and Motion Pictures Today item, Macdonald’s co-star, Jack Buchanan, had to leave his role in the Broadway musical, Wake Up and Dream, which had debuted on 30 December 1929, in order to appear in this picture. Filming was completed sometime in July 1930, as indicated by various contemporary sources including the 20 July 1930 New York Times.
       In early August 1930, a preview screening in Hollywood was met with “unanimous high praise,” as noted in the 8 August 1930 Exhibitors Daily Review and Motion Pictures Today. A premiere in New York City was scheduled to take place later that month, on 27 August 1930, at the Rivoli Theatre. Nathaniel Finston, then head of the Paramount studio music department, was flown to New York to supervise the picture’s “special introductory overture” at the Rivoli, according to a 19 August 1930 Exhibitors Daily Review and Motion Pictures Today brief. A positive review of the premiere in the 28 August 1930 New York Times stated, “The merriment in this film is like the bubbles in champagne.” The 7 September 1930 Los Angeles Times lamented that Jack Buchanan lacked the “dynamic personality” of Maurice Chevalier, who had starred opposite MacDonald in The Love Parade, and also commented, “Just why Mr. Buchanan, noted always as a dancer rather than a singer, is not permitted to shake a leg, must go into the tome that is filled with Hollywood’s unanswered questions.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Daily Review and Motion Pictures Today
3 Jun 1930
p. 76
Exhibitors Daily Review and Motion Pictures Today
23 Jun 1930
p. 4
Exhibitors Daily Review and Motion Pictures Today
8 Jul 1930
p. 3
Exhibitors Daily Review and Motion Pictures Today
5 Aug 1930
p. 4
Exhibitors Daily Review and Motion Pictures Today
8 Aug 1930
p. 3
Exhibitors Daily Review and Motion Pictures Today
19 Aug 1930
p. 3
Exhibitors Herald-World
10 May 1930
p. 29
Exhibitors Herald-World
2 Aug 1930
pp. 26-27
Exhibitors Herald-World
6 Sep 1930
p. 38
Film Daily
31 Aug 1930
---
Harrison's Reports
6 Sep 1930
p. 143
Life
19 Sep 1930
P. 18
Los Angeles Times
4 May 1930
Section B, p. 15
Los Angeles Times
7 Sep 1930
Section B, p. 9
New York Times
20 Jul 1930
---
New York Times
28 Aug 1930
p. 22
New Yorker
6 Sep 1930
p. 63
Time
24 Nov 1930
p. 64
Variety
3 Sep 1930
p. 19
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
WRITERS
Addl dial
PHOTOGRAPHY
Dir of photog
ART DIRECTOR
Art dir
COSTUMES
SOUND
Harry D. Mills
Rec eng
SOURCES
LITERARY
Based on the novel Die blaue Kunste by Hans Müller (Leipzig, 1915).
LITERARY SOURCE AUTHOR
SONGS
"Always in All Ways," words by Leo Robin, music by Richard A. Whiting; "Beyond the Blue Horizon," "Give Me a Moment Please," "Whatever It Is, It's Grand," "Trimmin' the Women," "She'll Love Me and Like It," "I'm a Simple-Hearted Man" and "Day of Days," words by Leo Robin, music by Richard A. Whiting and W. Franke Harling.
DETAILS
Release Date:
4 September 1930
Premiere Information:
New York opening: 27 Aug 1930
Production Date:
early May--Jul 1930
Copyright Info
Claimant
Date
Copyright Number
Paramount Publix Corp.
11 October 1930
LP1634
Physical Properties:
Sound
Movietone
Black and White
Sound, also silent
Also si.
Duration(in mins):
93
Length(in feet):
8,077
Length(in reels):
10
Country:
United States
Language:
English
SYNOPSIS

Rudolph Fallière, a wealthy and handsome count visiting Monte Carlo, sees the impoverished Countess Vera lose heavily at roulette. He tries to meet her but somehow always is prevented from doing so. By accident he meets her hairdresser, Paul, and the next day passes himself off as the new hairdresser, hoping to reveal his love for her. Learning she is to discharge him for lack of funds, Rudolph induces her to let him play her last 1,000 f note at the casino; although he does not play, he returns with 100,000 f and, overjoyed, she kisses him. However, the next day she reverts to her usual deferential attitude. Rudolph kisses her fiercely and departs, refusing her offers to return. She finally accepts the proposal of Prince Liebenheim out of financial distress, but Rudolph arranges for her to attend a performance of Monsieur Beaucaire in which a prince poses as a hairdresser to win his lady. Realizing the similarity with her own relationship to Rudolph, the countess leaves Liebenheim for her true ...

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Rudolph Fallière, a wealthy and handsome count visiting Monte Carlo, sees the impoverished Countess Vera lose heavily at roulette. He tries to meet her but somehow always is prevented from doing so. By accident he meets her hairdresser, Paul, and the next day passes himself off as the new hairdresser, hoping to reveal his love for her. Learning she is to discharge him for lack of funds, Rudolph induces her to let him play her last 1,000 f note at the casino; although he does not play, he returns with 100,000 f and, overjoyed, she kisses him. However, the next day she reverts to her usual deferential attitude. Rudolph kisses her fiercely and departs, refusing her offers to return. She finally accepts the proposal of Prince Liebenheim out of financial distress, but Rudolph arranges for her to attend a performance of Monsieur Beaucaire in which a prince poses as a hairdresser to win his lady. Realizing the similarity with her own relationship to Rudolph, the countess leaves Liebenheim for her true love.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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