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HISTORY

The upcoming production was announced in the 26 June 1926 Motion Picture News by its working title, The Grey Hat, adapted by F. Hugh Herbert from an unidentified French farce, recently purchased by Metro-Goldwyn-Mayer Corp. (M-G-M). The picture was to star Lew Cody and Joan Crawford under the direction of Robert Z. Leonard. An item in the 24 September 1926 stated credited Harry Rapf as producer.
       The 22 January 1927 and 29 January 1927 issues of Hollywood Topics noted that Renée Adorée had replaced Crawford, and Harry Millarde had replaced Leonard. Principal photography was scheduled to begin during the first week of the following month. Two weeks into filming, the 15 February 1927 New York Daily News announced the picture’s official title as On Ze Boulevard. Additional cast members included Tenen Holtz and Mack Swain. Also joining the production was actor Max Barwyn, as noted in the 9 March 1927 Variety.
       On 13 April 1927, Variety revealed that M-G-M had assigned director Christy Cabanne to re-shoot more than half of the picture. Articles in the 29 May 1927 New York Times, the 19 June 1927 [St. Louis, MO] Post-Dispatch, and the 9 July 1927 [Indianapolis, IN] News described one of the featured sets as a replica of the Longchamp Racecourse in Paris, France, populated with background actors dressed in the latest Paris fashions. The 18 June 1927 [Sacramento, CA] Bee reported that Renée Adorée missed several days of work due to an attack of influenza. ...

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The upcoming production was announced in the 26 June 1926 Motion Picture News by its working title, The Grey Hat, adapted by F. Hugh Herbert from an unidentified French farce, recently purchased by Metro-Goldwyn-Mayer Corp. (M-G-M). The picture was to star Lew Cody and Joan Crawford under the direction of Robert Z. Leonard. An item in the 24 September 1926 stated credited Harry Rapf as producer.
       The 22 January 1927 and 29 January 1927 issues of Hollywood Topics noted that Renée Adorée had replaced Crawford, and Harry Millarde had replaced Leonard. Principal photography was scheduled to begin during the first week of the following month. Two weeks into filming, the 15 February 1927 New York Daily News announced the picture’s official title as On Ze Boulevard. Additional cast members included Tenen Holtz and Mack Swain. Also joining the production was actor Max Barwyn, as noted in the 9 March 1927 Variety.
       On 13 April 1927, Variety revealed that M-G-M had assigned director Christy Cabanne to re-shoot more than half of the picture. Articles in the 29 May 1927 New York Times, the 19 June 1927 [St. Louis, MO] Post-Dispatch, and the 9 July 1927 [Indianapolis, IN] News described one of the featured sets as a replica of the Longchamp Racecourse in Paris, France, populated with background actors dressed in the latest Paris fashions. The 18 June 1927 [Sacramento, CA] Bee reported that Renée Adorée missed several days of work due to an attack of influenza.
       On Ze Boulevard was released on 25 June 1927, followed by a New York City opening on 7 July 1927 at the American Roof. Articles in the 17 September 1927 and 12 November 1927 issues of Film Spectator later described the picture as “the biggest flop” of Lew Cody’s screen career. Some subtitles were said to be literal translations from French to English, with their “only merit” being that they were properly punctuated. One article blamed producer Harry Rapf for not giving the project sufficient attention, while the other concluded that M-G-M was incapable of producing a French farce, based on several prior attempts.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald
12 Feb 1927
p. 57
Film Daily
24 Sep 1926
p. 14
Film Daily
17 Jul 1927
---
Film Spectator
17 Sep 1927
p. 20
Film Spectator
12 Nov 1927
p. 13
Hollywood Topics
22 Jan 1927
p. 2
Hollywood Topics
29 Jan 1927
p. 22
Indianapolis News [Indianapolis, IN]
9 Jul 1927
p. 7
Motion Picture
Nov 1926
p. 48
Motion Picture News
26 Jun 1926
p. 2962
Motion Picture News
4 Sep 1926
p. 830b, 830f
MPN Booking Guide
Oct 1927
p. 35
New York Daily News
15 Feb 1927
p. 32
New York Times
29 May 1927
Section X, p. 5
Sacramento Bee [Sacramento, CA]
18 Jun 1927
p. 39
St. Louis Post-Dispatch [St. Louis, MO]
19 Jun 1927
p. 22
Variety
9 Mar 1927
p. 55
Variety
13 Apr 1927
p. 7
Variety
11 May 1927
p. 13
Variety
13 Jul 1927
p. 23
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
WRITERS
Scott Darling
Scr
Joe Farnham
Titles
Titles
PHOTOGRAPHY
Dir of photog
Dir of photog
ART DIRECTORS
Art dir
Frederic Hope
Art dir
FILM EDITOR
Film ed
COSTUMES
DETAILS
Alternate Title:
The Grey Hat
Release Date:
25 June 1927
Premiere Information:
New York opening: 7 Jul 1927
Production Date:
Feb--Mar 1927; retakes: Apr--May 1927
Copyright Info
Claimant
Date
Copyright Number
Metro-Goldwyn-Mayer Distributing Corp.
11 July 1927
LP24162
Physical Properties:
Silent
Black and White
Length(in feet):
5,671
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

Gaston, a French waiter, wins a large sum of money in a gambling pool and embarks on a wild spending spree while his sweetheart, Musette, who has always been practical and thrifty, ridicules his irresponsible actions. Gaston is beset by two society crooks who almost succeed in swindling him of his winnings, but the clever resourcefulness of Musette brings him to his ...

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Gaston, a French waiter, wins a large sum of money in a gambling pool and embarks on a wild spending spree while his sweetheart, Musette, who has always been practical and thrifty, ridicules his irresponsible actions. Gaston is beset by two society crooks who almost succeed in swindling him of his winnings, but the clever resourcefulness of Musette brings him to his senses.

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GENRE
Genre:


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.