Full page view
HISTORY

A studio chart in the 29 Jul 1922 Camera noted that the film was in its third week of production.
       The 5 Aug 1922 Camera reported that a 110-feet tower was erected in mountainous Topanga Canyon, Los Angeles County, CA, as a camera platform for One Week of Love. Lumber had be carried in by burros for several miles from the nearest highway. The 11 Aug 1922 FD announced that the cast and crew had returned from their Topanga Canyon location.
       One Week of Love premiered at the Ritz-Carlton Hotel in New York City on 3 Nov 1922, according to the 11 Nov 1922 Moving Picture World.
       Harold McCord is credited as editor by Variety. ...

More Less

A studio chart in the 29 Jul 1922 Camera noted that the film was in its third week of production.
       The 5 Aug 1922 Camera reported that a 110-feet tower was erected in mountainous Topanga Canyon, Los Angeles County, CA, as a camera platform for One Week of Love. Lumber had be carried in by burros for several miles from the nearest highway. The 11 Aug 1922 FD announced that the cast and crew had returned from their Topanga Canyon location.
       One Week of Love premiered at the Ritz-Carlton Hotel in New York City on 3 Nov 1922, according to the 11 Nov 1922 Moving Picture World.
       Harold McCord is credited as editor by Variety.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Camera
29 Jul 1922
p. 12
Camera
5 Aug 1922
p. 7
Film Daily
11 Aug 1922
p. 3
Moving Picture World
11 Nov 1927
p. 156
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCERS
PHOTOGRAPHY
FILM EDITORS
H. P. Bretherton
Film ed
Film ed
DETAILS
Release Date:
November 1922
Premiere Information:
New York City premiere: 3 Nov 1922
Production Date:
Jul - Aug 1922
Copyright Info
Claimant
Date
Copyright Number
Selznick Pictures
3 October 1922
LP18415
Physical Properties:
Silent
Black and White
Length(in feet):
6,960
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

Spoiled society girl Beth Wynn agrees to stake her marriage to Francis Fraser on the outcome of an airplane race with him. Fraser wins, but Beth crashes into a Mexican mountainside and is found by bandits. Buck Fearnley, an uncouth American renegade, takes her to his shack. Then begins a weeklong conflict the end of which finds Beth triumphant, Buck regenerated, and the two in love. Buck reunites Beth with Fraser, but a flood wrecks their train, Fraser is drowned, and Buck rescues ...

More Less

Spoiled society girl Beth Wynn agrees to stake her marriage to Francis Fraser on the outcome of an airplane race with him. Fraser wins, but Beth crashes into a Mexican mountainside and is found by bandits. Buck Fearnley, an uncouth American renegade, takes her to his shack. Then begins a weeklong conflict the end of which finds Beth triumphant, Buck regenerated, and the two in love. Buck reunites Beth with Fraser, but a flood wrecks their train, Fraser is drowned, and Buck rescues Beth.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Citizen Kane

This film's end credits begin with the statement, “Most of the principal actors in Citizen Kane are new to motion pictures. The Mercury Theatre is proud ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

The Best Years of Our Lives

The working titles of the film were Glory for Me and Home Again . In the opening credits, actor Fredric March's name is spelled correctly, but ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.