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HISTORY

As noted in the Var and NYT reviews, exteriors were filmed on locations near Lake Louise and Lake O'Hare in the Canadian Rockies. The Var review also noted that the production first went to Banff, Alberta but did not film ... More Less

As noted in the Var and NYT reviews, exteriors were filmed on locations near Lake Louise and Lake O'Hare in the Canadian Rockies. The Var review also noted that the production first went to Banff, Alberta but did not film there. More Less

GEOGRAPHIC LOCATIONS
BIBLIOGRAPHIC SOURCES
SOURCE
DATE
PAGE
Film Daily
13 Nov 1927.
---
New York Times
7 Nov 1927
p. 26.
Variety
9 Nov 1927
p. 24.
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
PRODUCER
PHOTOGRAPHY
Dir of photog
DETAILS
Release Date:
23 October 1927
Copyright Claimant:
Fox Film Corp.
Copyright Date:
17 October 1927
Copyright Number:
LP24510
Physical Properties:
Silent
Black and White
Length(in feet):
5,876
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

"Taking a dislike to John Weston, a breezy young Canadian who has come to close a business deal with her father, Angela Wades [ sic ] replaces her father's pilot in his private airplane and manages to crash in the Canadian wilds. Propinquity brings love, and when assistance comes they deliberately avoid rescue to continue their idyl. An amusing outworking of a familiar plot." ( Moving Picture World, 10 Dec 1927, p. ... +


"Taking a dislike to John Weston, a breezy young Canadian who has come to close a business deal with her father, Angela Wades [ sic ] replaces her father's pilot in his private airplane and manages to crash in the Canadian wilds. Propinquity brings love, and when assistance comes they deliberately avoid rescue to continue their idyl. An amusing outworking of a familiar plot." ( Moving Picture World, 10 Dec 1927, p. 40.) +

GENRE


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.