Full page view
HISTORY

Edwin Carewe directed an earlier adaptation of Francis Perry Elliott’s 1915 novel Pals First (and the subsequent stage version by Lee Wilson Dodd); the film starred Harold Lockwood and James Lackaye (see entry).
       An article in the 7 March 1926 Los Angeles Times noted that Carewe had recently discovered Mexican actress Dolores Del Rio. Pals First marked her third film and first starring role, after appearances in Joanna (1925, see entry) and High Steppers (1926, entry), also directed by Carewe and written by Lois Leeson.
       Principal photography was initially scheduled to take place at First National Pictures, Inc.’s New York studio, according to the 28 November 1925 Exhibitors Herald, which stated that Earl Hudson was set to supervise the production. However, the 3 April 1926 Motion Picture News announced that filming had begun that week at First National’s West Coast studio in Hollywood, CA, which was soon to be taken over by Famous Players-Lasky; at the time, First National was in the process of building new studio facilities in Burbank, CA. The 17 April 1926 Exhibitors Herald noted that Pals First shared a soundstage with another First National production, Miss Nobody (1926, see entry). A month later, the 15 May 1926 issue announced the completion of filming. According to a 9 June 1926 Los Angeles Times article, this marked Carewe’s final film on his contract for First National, where he had been directing the past five years. Carewe was said to be contemplating a trip to England to shoot films for a British production company.
       ...

More Less

Edwin Carewe directed an earlier adaptation of Francis Perry Elliott’s 1915 novel Pals First (and the subsequent stage version by Lee Wilson Dodd); the film starred Harold Lockwood and James Lackaye (see entry).
       An article in the 7 March 1926 Los Angeles Times noted that Carewe had recently discovered Mexican actress Dolores Del Rio. Pals First marked her third film and first starring role, after appearances in Joanna (1925, see entry) and High Steppers (1926, entry), also directed by Carewe and written by Lois Leeson.
       Principal photography was initially scheduled to take place at First National Pictures, Inc.’s New York studio, according to the 28 November 1925 Exhibitors Herald, which stated that Earl Hudson was set to supervise the production. However, the 3 April 1926 Motion Picture News announced that filming had begun that week at First National’s West Coast studio in Hollywood, CA, which was soon to be taken over by Famous Players-Lasky; at the time, First National was in the process of building new studio facilities in Burbank, CA. The 17 April 1926 Exhibitors Herald noted that Pals First shared a soundstage with another First National production, Miss Nobody (1926, see entry). A month later, the 15 May 1926 issue announced the completion of filming. According to a 9 June 1926 Los Angeles Times article, this marked Carewe’s final film on his contract for First National, where he had been directing the past five years. Carewe was said to be contemplating a trip to England to shoot films for a British production company.
       While shooting was underway, a news item in the 13 April 1926 Los Angeles Times reported that cast member George Cooper was rushed to the hospital for acute appendicitis just three hours after performing in a “strenuous scene.”
       Polly Moran was named as a cast member in the 3 May 1926 Los Angeles Times.
       Theatrical release took place on 8 August 1926. A review in the 25 August 1926 Variety noted that a screen credit was given to Harper Bros. book publishers, which was described as “unusual” but possibly related to a promotional tie-in with the publisher of Elliott’s novel.
       The National Film Preservation Board (NFPB) included the picture on its list of Lost U.S. Silent Feature Films as of February 2021.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
American Cinematographer
Jan 1927
p. 11
American Cinematographer
Feb 1927
p. 12
Exhibitors Herald
24 Oct 1925
p. 67
Exhibitors Herald
28 Nov 1925
p. 85
Exhibitors Herald
17 Apr 1926
p. 94
Exhibitors Herald
15 May 1926
p. 167
Film Daily
15 Aug 1926
p. 6
Los Angeles Times
21 Feb 1926
p. 34
Los Angeles Times
7 Mar 1926
p. 16
Los Angeles Times
13 Apr 1926
p. 10
Los Angeles Times
3 May 1926
Section A, p. 9
Los Angeles Times
9 Jun 1926
Section A, p. 8
Motion Picture News
3 Apr 1926
p. 1507
Motion Picture News Booking Guide
Oct 1926
p. 41
Variety
25 Aug 1926
p. 18
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
WRITERS
Lois Leeson
Scen
Titles
PHOTOGRAPHY
Frank B. Good
Asst cam
SOURCES
LITERARY
Based on the play Pals First by Lee Wilson Dodd (New York, 26 Feb 1927), which was based on the novel Pals First by Francis Perry Elliott (new York, 1915).
LITERARY SOURCE AUTHORS
DETAILS
Release Date:
8 August 1926
Production Date:
Apr--mid May 1926
Copyright Info
Claimant
Date
Copyright Number
First National Pictures, Inc.
21 July 1926
LP22931
Physical Properties:
Silent
Black and White
Length(in feet):
6,834
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

Richard Castleman, master of Winnecrest Hall in Louisiana, goes on a sea voyage recommended by his cousin and physician, Harry Chilton, who thereupon begins romancing Castleman's fiancée, Jeanne Lamont. When word arrives of Castleman's death, Chilton prepares to usurp the fortune and property of the dead man. Danny Rowland, who is found wounded by two wandering crooks, Dominie and The Squirrel, opportunely arrives at the estate seeking food and rest; and because of his resemblance to Castleman, he is welcomed as the master. Dominie is introduced as an English cleric and The Squirrel as an Italian count, while Danny falls in love with Jeanne, who believes him to be her fiancé. Chilton, however, suspects the trio and finally unmasks them. It then develops that Danny actually is Castleman, who had decided to reform the two men who befriended him and to expose the dishonesty of his ...

More Less

Richard Castleman, master of Winnecrest Hall in Louisiana, goes on a sea voyage recommended by his cousin and physician, Harry Chilton, who thereupon begins romancing Castleman's fiancée, Jeanne Lamont. When word arrives of Castleman's death, Chilton prepares to usurp the fortune and property of the dead man. Danny Rowland, who is found wounded by two wandering crooks, Dominie and The Squirrel, opportunely arrives at the estate seeking food and rest; and because of his resemblance to Castleman, he is welcomed as the master. Dominie is introduced as an English cleric and The Squirrel as an Italian count, while Danny falls in love with Jeanne, who believes him to be her fiancé. Chilton, however, suspects the trio and finally unmasks them. It then develops that Danny actually is Castleman, who had decided to reform the two men who befriended him and to expose the dishonesty of his cousin.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Blue Movie

The 25 Jun 1969 Var review noted that Blue Movie was shot in Sep 1968 in New York City. Along with several other contemporary sources, ... >>

Psycho

Actor Vaughn Taylor's surname is misspelled "Tayler" in the onscreen credits. Several Jun and Jul 1959 HR news items erroneously refer to the film as Psyche. ... >>

2001: A Space Odyssey

Opening credits precede a title card that reads: "The Dawn of Man."
       In an interview in the 16 Jan 1966 NYT, writer-director-producer Stanley Kubrick discussed ... >>

The Best Years of Our Lives

The working titles of the film were Glory for Me and Home Again . In the opening credits, actor Fredric March's name is spelled correctly, but ... >>

Jeopardy

The working title of this film was Riptide . According to a HR news item, portions of the film were shot on location in Dana ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.