Full page view
HISTORY

The 8 Jan 1921 Motion Picture News announced that director Marshall Neilan, production manager Howard Hawks, and cameraman David Kesson would film "a number of scenes" while traveling on business to New York City. Neilan filmed the "last scenes for Penrod this week," according to the 10 Dec 1921 Motion Picture News. The magazine named "Baby" Betty Montgomery as one of the child stars, but she was not credited in the cast. ...

More Less

The 8 Jan 1921 Motion Picture News announced that director Marshall Neilan, production manager Howard Hawks, and cameraman David Kesson would film "a number of scenes" while traveling on business to New York City. Neilan filmed the "last scenes for Penrod this week," according to the 10 Dec 1921 Motion Picture News. The magazine named "Baby" Betty Montgomery as one of the child stars, but she was not credited in the cast.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Motion Picture News
8 Jan 1921
p. 569
Motion Picture News
10 Dec 1921
p. 3577
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Prod mgr
Asst dir
Asst dir
PRODUCERS
WRITER
PHOTOGRAPHY
Cam
FILM EDITOR
Film ed
SOURCES
LITERARY
Based on the play Penrod by Booth Tarkington, Booth Tarkington (New York, 1914) Penrod, a Comedy in Four Acts .
LITERARY SOURCE AUTHORS
DETAILS
Release Date:
20 February 1922
Premiere Information:
Chicago premiere: ca29 Jan 1922
Production Date:
ended mid-Dec 1921
Copyright Info
Claimant
Date
Copyright Number
Marshall Neilan Productions
30 January 1922
LP17530
Physical Properties:
Silent
Black and White
Length(in feet):
8,037
Length(in reels):
8
Country:
United States
Language:
English
SYNOPSIS

Penrod Schofield, who has a reputation as a troublemaker, is the president of the American Boys' Protective Association, which meets each week to report the wrongs inflicted by parents, unkind neighbors, and thoughtless policemen. During a hectic summer Penrod breaks up an amateur theatrical production and scandalizes a dancing class by his antics during a cotillion. Rupe Collins, the town tough boy, bullies the gang until he runs afoul of Herman and Verman, two colored children who get rid of Rupe with the use of scythes and lawnmowers in a hair-raising manner. The ire of leading citizens is aroused by the gang's mischief, but when the boys capture two notorious bandits, the threats turn into praise and Penrod becomes the hero of his adored Marjorie ...

More Less

Penrod Schofield, who has a reputation as a troublemaker, is the president of the American Boys' Protective Association, which meets each week to report the wrongs inflicted by parents, unkind neighbors, and thoughtless policemen. During a hectic summer Penrod breaks up an amateur theatrical production and scandalizes a dancing class by his antics during a cotillion. Rupe Collins, the town tough boy, bullies the gang until he runs afoul of Herman and Verman, two colored children who get rid of Rupe with the use of scythes and lawnmowers in a hair-raising manner. The ire of leading citizens is aroused by the gang's mischief, but when the boys capture two notorious bandits, the threats turn into praise and Penrod becomes the hero of his adored Marjorie Jones.

Less

GENRE
Genre:


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

It's a Wonderful Life

Philip Van Doren Stern's story, which, according to many contemporary and modern sources, was originally written in Nov 1939, was enclosed by him in his 1943 Christmas cards. Although ... >>

Gone with the Wind

[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.