The picture, based on the 1894 novel The Prisoner of Zenda by Anthony Hope, spawned several film adaptations, including versions released in 1913, 1937, 1952, and 1979 (see entries).
       The 19 Jun 1920 FD announced the forthcoming picture as a Bert Lytell/Metro Pictures production, set to be filmed on the East Coast. However, various sources indicated that production occurred, more than two years later, in Los Angeles, CA. The 17 Dec 1921 Motion Picture News announced that director Rex Ingram and company were filming exteriors in Big Bear, CA.
       According to the 29 Apr 1922 Exhibitors Herald, the picture cost $1,118,453 to produce, with an estimated $111 per foot for the ten reel film. The lavish production enlisted the efforts of 23,000 persons. Twenty-six costume designers worked four months to create the costumes, and 540 people were employed as tailors and dressmakers. Additionally, $2 million in artwork was loaned to filmmakers. Crews constructed seventy-two buildings to make up six blocks of city dwellings in the imaginary kingdom of Ruritania. During the two weeks of filming the coronation sequence, producer-director Rex Ingram never left the lot, and required that the 10,000 background actors be housed on site as well, where army cots were provided in the constructed dwellings, and 432 cooks were employed to serve cast and crew using “army methods.” During the huge crowd scenes, Ingram utilized the newly invented “radiophone” to communicate with his assistant directors. Ingram noted it was “superior” to the use of a “telephone with wires.”
       According to various modern sources, director Rex Ingram and lead actress Alice Terry, who worked with the director on two previous films, secretly eloped during production, on Saturday, 5 Nov 1921, in South Pasadena, CA, and returned to work on Monday morning. The first reports of their marriage came from the 1 Apr 1922 Exhibitors Herald who announced that the couple were “now honeymooning” after the completion of filming.
       Film Year Book 1922-1923 called The Prisoner of Zenda one of “The Ten Best” pictures of 1922, and headlined the reviews as they appeared in Sunday issues of FD.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.