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HISTORY

Red Dice, based on Octavus Roy Cohen’s 1925 novel, The Iron Chalice, was announced in the 1 August 1925 Exhbitors Herald as Rod La Rocque’s next starring vehicle. E. Richard Schayer and Garret Fort were initially hired to adapt the script, and Paul Sloane was attached direct. An item in the 30 September 1925 Variety noted that, due to scheduling conflicts at producer Cecil B. De Mille’s company, Sloane had been replaced by Alan Hale. Jeanie Macpherson, a screenwriter and frequent collaborator of De Mille’s, was brought on to supervise the production and write continuity, as reported in the 7 October 1925 Variety. Macpherson was ultimately credited with the script adaptation, along with Douglas Doty. In mid-November 1925, William K. Howard was hired on as director. An article in the 18 November 1925 Variety stated that Howard had recently left Famous Players-Lasky Corp. after shake-ups at the company. Howard had refused a three-month layoff offered by Famous Players-Lasky, and instead asked to be released to De Mille Pictures Corp.
       Principal photography was scheduled to begin on 30 November 1925, according to the 12 December 1925 Exhibitors Herald. Filming, which took place at De Mille Studios in Culver City, CA, was completed by late January 1926. The 28 January 1926 Film Daily noted that Howard and Macpherson were overseeing editing and cutting of the picture, which was released on 14 March 1926. Despite its “gruesome” theme, as described in the 14 April 1926 Variety review, Red Dice received generally positive reviews.
       Octavus Roy Cohen's novel was also the basis ...

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Red Dice, based on Octavus Roy Cohen’s 1925 novel, The Iron Chalice, was announced in the 1 August 1925 Exhbitors Herald as Rod La Rocque’s next starring vehicle. E. Richard Schayer and Garret Fort were initially hired to adapt the script, and Paul Sloane was attached direct. An item in the 30 September 1925 Variety noted that, due to scheduling conflicts at producer Cecil B. De Mille’s company, Sloane had been replaced by Alan Hale. Jeanie Macpherson, a screenwriter and frequent collaborator of De Mille’s, was brought on to supervise the production and write continuity, as reported in the 7 October 1925 Variety. Macpherson was ultimately credited with the script adaptation, along with Douglas Doty. In mid-November 1925, William K. Howard was hired on as director. An article in the 18 November 1925 Variety stated that Howard had recently left Famous Players-Lasky Corp. after shake-ups at the company. Howard had refused a three-month layoff offered by Famous Players-Lasky, and instead asked to be released to De Mille Pictures Corp.
       Principal photography was scheduled to begin on 30 November 1925, according to the 12 December 1925 Exhibitors Herald. Filming, which took place at De Mille Studios in Culver City, CA, was completed by late January 1926. The 28 January 1926 Film Daily noted that Howard and Macpherson were overseeing editing and cutting of the picture, which was released on 14 March 1926. Despite its “gruesome” theme, as described in the 14 April 1926 Variety review, Red Dice received generally positive reviews.
       Octavus Roy Cohen's novel was also the basis of the 1931 RKO film The Big Gamble, directed by Fred Niblo and starring Bill Boyd and James Gleason (see entry).
       The National Film Preservation Board (NFPB) included the picture on its list of Lost U.S. Silent Feature Films as of February 2021.

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GEOGRAPHIC LOCATIONS
PERSONAL & COMPANY INDEX CREDITS
HISTORY CREDITS
CREDIT TYPE
CREDIT
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald
1 Aug 1925
p. 94
Exhibitors Herald
12 Dec 1925
p. 73
Film Daily
26 Jan 1926
p. 3
Film Daily
28 Jan 1926
p. 2
Film Daily
11 Apr 1926
---
Los Angeles Times
17 Nov 1925
Section A, p. 11
Los Angeles Times
10 Jan 1926
Section C, p. 35
Motion Picture News Booking Guide
Oct 1926
---
New York Times
16 Apr 1926
p. 20
Variety
30 Sep 1925
p. 29
Variety
7 Oct 1925
p. 40
Variety
14 Apr 1926
p. 38
Variety
18 Nov 1925
p. 29
DETAILS
Release Date:
14 March 1926
Production Date:
30 Nov 1925--late Jan 1926
Copyright Info
Claimant
Date
Copyright Number
Cinema Corp. of America
7 March 1926
LP22641
Physical Properties:
Silent
Black and White
Length(in feet):
7,257
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

Alan Beckwith, down and out and behind in his rent, goes to the home of North, a notorious bootlegger and underworld figure, and proposes that for $300 he will insure his life in North's favor for $100,000. He tosses two red dice, one showing two and the other four, and they agree that on December 24 Alan must die. To allay suspicion, Alan must marry a woman of North's choosing. Vane and Conroy, two of North's subordinates who have double-crossed him, are marked to die. Vane's sister, Beverly, begs North to relent, and he consents on the condition that she marry Alan. After their marriage, under the guard of Squint, their distrust develops into love and Alan tries to buy off North. Alan and Vane attempt to hijack North's rum cargo, but Beverly arrives with revenue agents. Squint proves to be an undercover man, and the gang is ...

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Alan Beckwith, down and out and behind in his rent, goes to the home of North, a notorious bootlegger and underworld figure, and proposes that for $300 he will insure his life in North's favor for $100,000. He tosses two red dice, one showing two and the other four, and they agree that on December 24 Alan must die. To allay suspicion, Alan must marry a woman of North's choosing. Vane and Conroy, two of North's subordinates who have double-crossed him, are marked to die. Vane's sister, Beverly, begs North to relent, and he consents on the condition that she marry Alan. After their marriage, under the guard of Squint, their distrust develops into love and Alan tries to buy off North. Alan and Vane attempt to hijack North's rum cargo, but Beverly arrives with revenue agents. Squint proves to be an undercover man, and the gang is overcome.

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GENRE
Genre:
Sub-genre:
Crime


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.