The Red Lily (1924)

Drama | 8 September 1924

Director:

Fred Niblo

Cinematographer:

Victor Milner

Editor:

Lloyd Nosler

Production Designer:

Ben Carré

Production Company:

Metro-Goldwyn Pictures Corp.
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HISTORY

The Red Lily was the only American feature film written by Fred Niblo, who worked primarily as a director and actor. The film starred his wife, Enid Bennett, and Ramon Novarro, whose younger brother, Eduardo Novarro, was said to be cast in a small part, according to the 20 April 1924 Los Angeles Times. Dorcas Matthews and Edna Tichenor were also named as cast members in the 30 April 1924 and 15 May 1924 issues.
       Although a 26 March 1924 Los Angeles Times brief announced that Niblo was scheduled to travel to France in June to shoot the Parisian tale on location, the 11 April 1924 Los Angeles Times stated that principal photography had already begun. Shooting took place at Clune Studios in Hollywood, CA, as noted in the 3 June 1924 Los Angeles Times. An item in the 27 May 1924 Los Angeles Times stated that filming was completed with the exception of some foreign exteriors, which Niblo planned to capture on his upcoming trip to Europe. The 31 May 1924 Los Angeles Times reported rumors that Niblo’s overseas trip was not for pleasure but for work, as he had been chosen to replace Charles Brabin as director of Ben-Hur (1925, see entry). Ramon Novarro was also rumored to be replacing George Walsh in the titular role of that film, and both rumors turned out to be true.
       Prior to theatrical release of The Red Lily on 8 September 1924, an earlier opening took place in Los Angeles, CA, on or just prior to 31 August 1924. The ...

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The Red Lily was the only American feature film written by Fred Niblo, who worked primarily as a director and actor. The film starred his wife, Enid Bennett, and Ramon Novarro, whose younger brother, Eduardo Novarro, was said to be cast in a small part, according to the 20 April 1924 Los Angeles Times. Dorcas Matthews and Edna Tichenor were also named as cast members in the 30 April 1924 and 15 May 1924 issues.
       Although a 26 March 1924 Los Angeles Times brief announced that Niblo was scheduled to travel to France in June to shoot the Parisian tale on location, the 11 April 1924 Los Angeles Times stated that principal photography had already begun. Shooting took place at Clune Studios in Hollywood, CA, as noted in the 3 June 1924 Los Angeles Times. An item in the 27 May 1924 Los Angeles Times stated that filming was completed with the exception of some foreign exteriors, which Niblo planned to capture on his upcoming trip to Europe. The 31 May 1924 Los Angeles Times reported rumors that Niblo’s overseas trip was not for pleasure but for work, as he had been chosen to replace Charles Brabin as director of Ben-Hur (1925, see entry). Ramon Novarro was also rumored to be replacing George Walsh in the titular role of that film, and both rumors turned out to be true.
       Prior to theatrical release of The Red Lily on 8 September 1924, an earlier opening took place in Los Angeles, CA, on or just prior to 31 August 1924. The film received very positive reviews in the 3 August 1924 Film Daily and 29 September 1924 New York Times, which noted that its settings, though recreated at a studio, bore “a striking fidelity” to the Parisian locale. The latter also praised Enid Bennett’s portrayal of “Marise La Noue” as “one of the most remarkable performances ever seen on the screen.”
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald
5 Jul 1924
p. 142
Film Daily
22 Apr 1924
---
Film Daily
3 Aug 1924
p. 6
Los Angeles Times
26 Mar 1924
Section A, p. 11
Los Angeles Times
11 Apr 1924
Section A, p. 11
Los Angeles Times
20 Apr 1924
Section B, p. 17
Los Angeles Times
30 Apr 1924
Section A, p. 11
Los Angeles Times
15 May 1924
Section A, p. 9
Los Angeles Times
27 May 1924
Section A, p. 11
Los Angeles Times
31 May 1924
p. 15
Los Angeles Times
2 Jun 1924
Section A, p. 1
Los Angeles Times
3 Jun 1924
Section A, p. 11
Los Angeles Times
31 Aug 1924
Section B, p. 20
New York Times
29 Sep 1924
p. 10
Variety
4 Jun 1924
p. 24
Variety
1 Oct 1924
p. 22
DETAILS
Release Date:
8 September 1924
Premiere Information:
Los Angeles opening: week of 31 Aug 1924
Production Date:
Apr--May 1924
Copyright Info
Claimant
Date
Copyright Number
Metro-Goldwyn Pictures
2 September 1924
LP20538
Physical Properties:
Silent
Black and White
Length(in feet):
6,975
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

Finding herself destitute and homeless, Marise La Noue runs away to Paris, France, with the mayor's son, Jean Leonnec, to be married. They are separated, and in time he becomes a thief and she, a woman of the streets. Years later they meet again. He is arrested and, after serving a prison term, returns to find her a changed ...

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Finding herself destitute and homeless, Marise La Noue runs away to Paris, France, with the mayor's son, Jean Leonnec, to be married. They are separated, and in time he becomes a thief and she, a woman of the streets. Years later they meet again. He is arrested and, after serving a prison term, returns to find her a changed woman.

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GENRE
Genre:


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.