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HISTORY

In an 18 March 1928 Film Daily news item, The River Woman was listed as one of four special productions in Gotham Productions’ thirty-picture release schedule for the 1928-1929 season. Principal photography took place in Los Angeles, CA, and on location in Sacramento, CA, where river scenes were shot, according to the 23 June 1928 Exhibitors Herald and Moving Picture World. Filming was completed by late June or early July 1928, as noted in the 7 July 1928 Motion Picture News. Some sound synchronization, including sound effects and musical accompaniment, was done in post-production. The 17 November 1928 Motion Picture News stated that, although The River Woman was touted as one of Gotham’s “Talking Twelve” sound releases, it was the only one in the group that did not contain dialogue. Synchronization was done at Sonora Recording Laboratories in New York, according to the 26 February 1929 Film Daily. Conflicting information in the 15 November 1928 Film Daily claimed that work at Sonora was done in Waterbury, CT. The latter also stated that a prologue was recorded there using “Sonoratone.”
       Theatrical release was scheduled for 1 December 1928. The 16 October 1928 Los Angeles Times announced the film’s world premiere that night at Los Angeles’s Shrine Civic Auditorium.
       A review in the 13 August 1928 Exhibitors Daily Review named Arthur Thalasso, Frank Howard Clark, and Jimmy Quinn as cast members. Although the 27 August 1929 Chicago Daily Tribune credited Security Pictures as the production company, other contemporary identified only Gotham as the producer.
       According to the ...

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In an 18 March 1928 Film Daily news item, The River Woman was listed as one of four special productions in Gotham Productions’ thirty-picture release schedule for the 1928-1929 season. Principal photography took place in Los Angeles, CA, and on location in Sacramento, CA, where river scenes were shot, according to the 23 June 1928 Exhibitors Herald and Moving Picture World. Filming was completed by late June or early July 1928, as noted in the 7 July 1928 Motion Picture News. Some sound synchronization, including sound effects and musical accompaniment, was done in post-production. The 17 November 1928 Motion Picture News stated that, although The River Woman was touted as one of Gotham’s “Talking Twelve” sound releases, it was the only one in the group that did not contain dialogue. Synchronization was done at Sonora Recording Laboratories in New York, according to the 26 February 1929 Film Daily. Conflicting information in the 15 November 1928 Film Daily claimed that work at Sonora was done in Waterbury, CT. The latter also stated that a prologue was recorded there using “Sonoratone.”
       Theatrical release was scheduled for 1 December 1928. The 16 October 1928 Los Angeles Times announced the film’s world premiere that night at Los Angeles’s Shrine Civic Auditorium.
       A review in the 13 August 1928 Exhibitors Daily Review named Arthur Thalasso, Frank Howard Clark, and Jimmy Quinn as cast members. Although the 27 August 1929 Chicago Daily Tribune credited Security Pictures as the production company, other contemporary identified only Gotham as the producer.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Chicago Daily Tribune
27 Aug 1929
p. 31
Exhibitors Daily Review
18 Jul 1928
---
Exhibitors Daily Review
13 Aug 1928
---
Exhibitors Herald and Moving Picture World
23 Jun 1928
p. 37
Exhibitors Herald and Moving Picture World
11 Aug 1928
p. 65
Film Daily
18 Mar 1928
---
Film Daily
23 May 1928
---
Film Daily
19 Jul 1928
---
Film Daily
26 Aug 1928
---
Film Daily
15 Nov 1928
---
Film Daily
26 Feb 1929
---
Film Spectator
26 May 1928
---
Los Angeles Times
13 Oct 1928
p. 7
Los Angeles Times
16 Oct 1928
Section A, p. 10
Los Angeles Times
18 Oct 1928
Section A, p. 9
Motion Picture
Aug 1928
---
Motion Picture News
26 May 1928
---
Motion Picture News
7 Jul 1928
---
Motion Picture News
17 Nov 1928
---
Photoplay
Jul 1928
---
Variety
23 May 1928
---
Variety
23 Oct 1929
p. 59
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
William A. O'Connor
Asst dir
PRODUCERS
Sam Sax
Pres
PHOTOGRAPHY
Dir of photog
FILM EDITOR
Donn Hayes
Film ed
PRODUCTION MISC
Prod mgr
DETAILS
Release Date:
1 December 1928
Premiere Information:
World premiere in Los Angeles: 16 Oct 1928
Production Date:
ended late Jun or early Jul 1928
Copyright Info
Claimant
Date
Copyright Number
Lumas Film Corp.
11 September 1928
LP25615
Physical Properties:
Silent with sound sequences
mus and sd eff by Sonora-Bristolphone
Black and White
Length(in feet):
6,565
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

Bill Lefty, the two-fisted owner of a saloon on the turgid Mississippi River, proposes to the Duchess, a beautiful barroom hostess. However, she can't get her mind off stoker Jim Henderson and puts Bill off. Jim comes to Bill's saloon and delights the crowd with his piano playing. There is a brawl, and Jim and Bill fight side by side, cleaning up Mulatto Mike's gang. The river floods, and Bill finds that the Duchess is in love with Jim and relinquishes his claim on her. The Duchess and Jim escape from the rising waters in a small boat, and Bill dies in his ...

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Bill Lefty, the two-fisted owner of a saloon on the turgid Mississippi River, proposes to the Duchess, a beautiful barroom hostess. However, she can't get her mind off stoker Jim Henderson and puts Bill off. Jim comes to Bill's saloon and delights the crowd with his piano playing. There is a brawl, and Jim and Bill fight side by side, cleaning up Mulatto Mike's gang. The river floods, and Bill finds that the Duchess is in love with Jim and relinquishes his claim on her. The Duchess and Jim escape from the rising waters in a small boat, and Bill dies in his saloon.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.