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HISTORY

Production on Clara Bow’s next starring vehicle was scheduled to begin on 17 Jan 1927 at Paramount Studios in Hollywood, CA, according to the 14 Jan 1927 Motion Picture News. An item in the 6 Feb 1927 Film Daily claimed that screenwriters Louise Long and Ethel Doherty wrote 160 scenes for the picture in one day, which comprised one half of the scenario.
       Additional cast members included Lotus Thompson (11 Feb 1927 Film Daily), Max Asher (18 Feb 1927 Motion Picture News), boxing referee Abe Roth (14 Mar 1927 NYDN), and canine actor King Tut (May 1929 Picture Play). Articles in the 13 Feb 1927 NYDN and Jun 1927 Motion Picture claimed that Esther Ralston, Gary Cooper, and/or Eddie Cantor were also members of the cast. None of the three appeared in the film, although Bow had co-starred with Ralston and Cooper in Children of Divorce (1927, see entry), and with Cantor in Kid Boots (1926, see entry).
       The 5 Feb 1927 Hollywood Topics described a cabaret scene in which Clara Bow pretended to knock out six opponents in a boxing ring. Afterward, the opponents rose to their feet and joined the star in a dance routine for an audience of background actors.
       Rough House Rosie was released on 14 May 1927, followed by a 21 May 1927 opening at the Paramount Theatre in New York City, and a 28 May 1927 opening at the Metropolitan Theatre in Los Angeles, CA. Among the mixed reviews was ...

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Production on Clara Bow’s next starring vehicle was scheduled to begin on 17 Jan 1927 at Paramount Studios in Hollywood, CA, according to the 14 Jan 1927 Motion Picture News. An item in the 6 Feb 1927 Film Daily claimed that screenwriters Louise Long and Ethel Doherty wrote 160 scenes for the picture in one day, which comprised one half of the scenario.
       Additional cast members included Lotus Thompson (11 Feb 1927 Film Daily), Max Asher (18 Feb 1927 Motion Picture News), boxing referee Abe Roth (14 Mar 1927 NYDN), and canine actor King Tut (May 1929 Picture Play). Articles in the 13 Feb 1927 NYDN and Jun 1927 Motion Picture claimed that Esther Ralston, Gary Cooper, and/or Eddie Cantor were also members of the cast. None of the three appeared in the film, although Bow had co-starred with Ralston and Cooper in Children of Divorce (1927, see entry), and with Cantor in Kid Boots (1926, see entry).
       The 5 Feb 1927 Hollywood Topics described a cabaret scene in which Clara Bow pretended to knock out six opponents in a boxing ring. Afterward, the opponents rose to their feet and joined the star in a dance routine for an audience of background actors.
       Rough House Rosie was released on 14 May 1927, followed by a 21 May 1927 opening at the Paramount Theatre in New York City, and a 28 May 1927 opening at the Metropolitan Theatre in Los Angeles, CA. Among the mixed reviews was a comment in the 22 May 1927 LAT, crediting Bow’s performance with carrying the otherwise ordinary film.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
6 Feb 1927
---
Film Daily
11 Feb 1927
p. 2
Film Daily
5 Jun 1927
p. 18
Film Daily
6 Jun 1927
p. 4
Film Daily
21 Nov 1927
p. 4
Film Spectator
23 Jul 1927
pp. 14-15
Hollywood Topics
5 Feb 1927
p. 3, 24
Los Angeles Times
22 May 1927
p. 151
Los Angeles Times
28 May 1927
p. 25
Motion Picture
Jun 1927
p. 76
Motion Picture News
14 Jan 1927
p. 140
Motion Picture News
4 Feb 1927
p. 388
Motion Picture News
18 Feb 1927
p. 572
Motion Picture News
3 Jun 1927
p. 2227
Motion Picture News
10 Jun 1927
p. 2284
MPN Booking Guide
Oct 1927
p. 39
Moving Picture World
29 Jan 1927
p. 344
Moving Picture World
5 Feb 1927
p. 424
New York Daily News
13 Feb 1927
p. 246
New York Daily News
14 Mar 1927
p. 26
New York Daily News
21 May 1927
p. 23
New York Times
23 May 1927
p. 27
Photoplay
Aug 1927
p. 54
Picture-Play
May 1929
p. 63
Variety
25 Nay 1927
p. 20
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Frank Strayer
Dir
Asst dir
PRODUCERS
Assoc prod
PHOTOGRAPHY
Dir of photog
Hal Rosson
Dir of photog
SOURCES
LITERARY
Based on the short story "Rough House Rosie" by Nunnally Johnson in The Saturday Evening Post (12 Jun 1926).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
14 May 1927
Premiere Information:
New York opening: 21 May 1927; Los Angeles opening: 28 May 1927
Production Date:
began 17 Jan 1927
Copyright Info
Claimant
Date
Copyright Number
Paramount Famous Lasky Corp.
14 May 1927
LP23959
Physical Properties:
Silent
Black and White
Length(in feet):
5,952
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

While visiting Coney Island with her friend, Ruth, and her sweetheart, boxer Joe Hennessey, New Yorker Rosie O'Reilly is told by a fortune-teller that she will become a famous dancer. Rosie proceeds to create an act and find work in a cabaret. After a misunderstanding over a diamond pin given her by customer Lew McKay, Rosie is jailed for stealing until socialite Arthur Russell identifies the jewel and rescues her. Impressed by Arthur's wealth and social position, Rosie soon forgets Joe, who tries in vain to win her back by studying etiquette. On the night of Joe's big boxing match, Rosie attends a party at Arthur’s home, but soon loses interest. She then attends the fight and assures Joe's final victory by diverting the attention of his ...

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While visiting Coney Island with her friend, Ruth, and her sweetheart, boxer Joe Hennessey, New Yorker Rosie O'Reilly is told by a fortune-teller that she will become a famous dancer. Rosie proceeds to create an act and find work in a cabaret. After a misunderstanding over a diamond pin given her by customer Lew McKay, Rosie is jailed for stealing until socialite Arthur Russell identifies the jewel and rescues her. Impressed by Arthur's wealth and social position, Rosie soon forgets Joe, who tries in vain to win her back by studying etiquette. On the night of Joe's big boxing match, Rosie attends a party at Arthur’s home, but soon loses interest. She then attends the fight and assures Joe's final victory by diverting the attention of his opponent.

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GENRE
Genre:
Sub-genre:
Society


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.