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HISTORY

Screenwriter Bess Meredyth, and her husband, actor-writer-director Wilfred Lucas, moved to Australia in the late summer of 1919 to begin work on a series of starring vehicles for athlete Reginald Leslie “Snowy” Baker, also known as Rex Baker. The 2 Aug 1919 and 13 Sep 1919 editions of Camera included cameraman Robert Doran and assistant director Jack Wells among the crew. Actor and aspiring director Howard Gaye had planned to join the company but remained in Los Angeles, CA, to fulfill a prior commitment.
       The upcoming production was advertised in the 21 Feb 1920 [Sydney, Australia] Smith’s Weekly. Principal photography was underway by the following month. The 10 Mar 1920 Sydney Mail recounted a scene in which Baker was required to leap upon a background actor who was riding his horse at full gallop. The anonymous player, described as a “bushman,” escaped without injury but refused to take any further physical risks. Baker and E. J. Carroll were credited as coproducers.
       News items in the 20 Mar 1920 and 25 Mar 1920 editions of Wid’s Daily reported that Meredyth and Lucas were making a brief visit to the U.S. The couple was expected to arrive in San Francisco, CA, on 1 Apr 1920. Meanwhile, The Shadow of Lightning Ridge made its Melbourne, Australia, debut on 3 Apr 1920 at the Melbourne Town Hall. North American distribution for the film, along with subsequent Carroll-Baker productions, was to be handled by Hal Roach of Rolin Film Co., according to the 12 Apr 1920 Wid’s Daily. However, ...

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Screenwriter Bess Meredyth, and her husband, actor-writer-director Wilfred Lucas, moved to Australia in the late summer of 1919 to begin work on a series of starring vehicles for athlete Reginald Leslie “Snowy” Baker, also known as Rex Baker. The 2 Aug 1919 and 13 Sep 1919 editions of Camera included cameraman Robert Doran and assistant director Jack Wells among the crew. Actor and aspiring director Howard Gaye had planned to join the company but remained in Los Angeles, CA, to fulfill a prior commitment.
       The upcoming production was advertised in the 21 Feb 1920 [Sydney, Australia] Smith’s Weekly. Principal photography was underway by the following month. The 10 Mar 1920 Sydney Mail recounted a scene in which Baker was required to leap upon a background actor who was riding his horse at full gallop. The anonymous player, described as a “bushman,” escaped without injury but refused to take any further physical risks. Baker and E. J. Carroll were credited as coproducers.
       News items in the 20 Mar 1920 and 25 Mar 1920 editions of Wid’s Daily reported that Meredyth and Lucas were making a brief visit to the U.S. The couple was expected to arrive in San Francisco, CA, on 1 Apr 1920. Meanwhile, The Shadow of Lightning Ridge made its Melbourne, Australia, debut on 3 Apr 1920 at the Melbourne Town Hall. North American distribution for the film, along with subsequent Carroll-Baker productions, was to be handled by Hal Roach of Rolin Film Co., according to the 12 Apr 1920 Wid’s Daily. However, on 27 Aug 1921, Motion Picture News announced that the release had been taken over by Nathan Hirsh of states’ rights distributor Aywon Film Corp. Sales in several regions of the U.S. had already been completed at the time of the article.

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GEOGRAPHIC LOCATIONS
LOCATION
SOURCE CITATIONS
SOURCE
DATE
PAGE
Camera
2 Aug 1919
p. 7
Camera
13 Sep 1919
p. 7
Camera
20 Sep 1919
p. 7
Melbourne Herald [Melbourne, Australia]
8 Apr 1920
p. 8
Melbourne Table Talk [Melbourne, Australia]
1 Apr 1920
p. 7
Motion Picture News
27 Aug 1921
p. 1091
Motion Picture News
24 Sep 1921
p. 1663
Moving Picture World
29 May 1920
p. 1191
Moving Picture World
16 Oct 1920
p. 927
Moving Picture World
24 Sep 1921
p. 451
Smith's Weekly [Sydney, Australia]
21 Feb 1920
p. 19
Sydney Mail [Sydney, Australia]
10 Mar 1920
p. 10
Wid's Daily
20 Mar 1920
---
Wid's Daily
25 Mar 1920
---
Wid's Daily
12 Apr 1920
---
Wid's Daily
22 May 1920
---
DETAILS
Release Date:
September 1921
Premiere Information:
Melbourne, Australia, opening: 3 Apr 1920
Production Date:
began Feb 1920
Physical Properties:
Silent
Black and White
Length(in feet):
4,500
Length(in reels):
5
Countries:
Australia, United States
Language:
English
SYNOPSIS

The Shadow is a highwayman with a vendetta against Edward Marriott, who allegedly dishonored the bandit’s mother. After stealing many of Edward’s most valued possessions, the Shadow kidnaps his reluctant fiancée, Dorothy Harden. However, a bar maid becomes jealous of Dorothy and divulges the location of the Shadow’s mountain hideout. Edward and Ben, a ranch foreman, retrieve Dorothy, after which the Shadow is captured. He later breaks free and comes to Dorothy's rescue. All is happily resolved when Dorothy declares her love for the Shadow and Edward is revealed to be the bandit’s ...

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The Shadow is a highwayman with a vendetta against Edward Marriott, who allegedly dishonored the bandit’s mother. After stealing many of Edward’s most valued possessions, the Shadow kidnaps his reluctant fiancée, Dorothy Harden. However, a bar maid becomes jealous of Dorothy and divulges the location of the Shadow’s mountain hideout. Edward and Ben, a ranch foreman, retrieve Dorothy, after which the Shadow is captured. He later breaks free and comes to Dorothy's rescue. All is happily resolved when Dorothy declares her love for the Shadow and Edward is revealed to be the bandit’s uncle.

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GENRE
Genre:


Subject
Subject (Major):

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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Revenge, Australia, Highwaymen
The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.