The Sign on the Door (1921)

Melodrama | May 1921

Full page view
HISTORY

A studio chart in the 16 Apr 1921 Camera noted that The Sign on the Door was in its second week of production at Talmadge Studios at 318 E. 48th Street in New York City.
       Another adaptation of Channing Pollock's play was released by United Artists in 1929. Entitled The Locked Door (see entry), that version was a sound film, directed by George Fitzmaurice and starring Barbara Stanwyck and Rod La Rocque. ...

More Less

A studio chart in the 16 Apr 1921 Camera noted that The Sign on the Door was in its second week of production at Talmadge Studios at 318 E. 48th Street in New York City.
       Another adaptation of Channing Pollock's play was released by United Artists in 1929. Entitled The Locked Door (see entry), that version was a sound film, directed by George Fitzmaurice and starring Barbara Stanwyck and Rod La Rocque.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Camera
16 Apr 1921
p. 13
DETAILS
Release Date:
May 1921
Production Date:
began early Apr 1921
Copyright Info
Claimant
Date
Copyright Number
Norma Talmadge Productions
28 September 1921
LP17016
Physical Properties:
Silent
Black and White
Length(in feet):
7,100
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

Ann Hunniwell, innocently accompanying Frank Devereaux, her employer's son, to a questionable New York cafe, is arrested in a raid and is photographed by a newspaperman, although Devereaux manages to obtain the negative. Five years later she is the wife of "Lafe" Regan, a man of high character and social standing. Her stepdaughter, Helen, becomes involved with Devereaux, who has also had an affair with the wife of Colonel Gaunt. When the colonel threatens to shoot Devereaux, Regan stalls him, while Ann follows Helen to Frank's apartment; after an oral conflict, Regan shoots Devereaux and leaves a "Not To Be Disturbed" sign on the door. Ann tries to take the blame and shield her family, but the district attorney, having posed as the photographer years before, believes Ann is equally guiltless now and frees her and her husband, stating that no jury would convict Regan on his plea of ...

More Less

Ann Hunniwell, innocently accompanying Frank Devereaux, her employer's son, to a questionable New York cafe, is arrested in a raid and is photographed by a newspaperman, although Devereaux manages to obtain the negative. Five years later she is the wife of "Lafe" Regan, a man of high character and social standing. Her stepdaughter, Helen, becomes involved with Devereaux, who has also had an affair with the wife of Colonel Gaunt. When the colonel threatens to shoot Devereaux, Regan stalls him, while Ann follows Helen to Frank's apartment; after an oral conflict, Regan shoots Devereaux and leaves a "Not To Be Disturbed" sign on the door. Ann tries to take the blame and shield her family, but the district attorney, having posed as the photographer years before, believes Ann is equally guiltless now and frees her and her husband, stating that no jury would convict Regan on his plea of "Self-Defense."

Less

GENRE
Genre:


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Psycho

Actor Vaughn Taylor's surname is misspelled "Tayler" in the onscreen credits. Several Jun and Jul 1959 HR news items erroneously refer to the film as Psyche. ... >>

Alfred Hitchcock

The working title of this film was The Unmarried Bride. Some sources list the film as 6 reels in ... >>

2001: A Space Odyssey

Opening credits precede a title card that reads: "The Dawn of Man."
       In an interview in the 16 Jan 1966 NYT, writer-director-producer Stanley Kubrick discussed ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.