Sin Takes a Holiday (1930)

75 mins | Drama | 10 November 1930

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HISTORY

The 9 Aug 1930 Exhibitors Herald-World reported that the story was currently being completed on Sin Takes a Holiday, which was set to star Constance Bennett. Four days later, Var stated that Paul L. Stein was hired to direct the picture, written by Robert Milton and Dorothy Cairns, for Pathé Exchange, Inc. Production was supposed to begin the following week, but the 27 Aug 1930 Var indicated that principal photography would begin sometime that week. On 2 Sep 1930, FD confirmed that filming had begun on the Pathé Studios lot in Culver City, CA.
       Pierre De Ramey appeared in the picture, according to the 27 Sep and 4 Oct 1930 Inside Facts of Stage and Screen, but he was not credited in reviews.
       Constance Bennett served as technical advisor on the film, which is set partly in Paris, France. Bennett reportedly spent at least four months each year in Europe, and owned homes in Paris and Cannes, France. The 8 Oct 1930 FD indicated that the picture had thirty-two sets designed by Carroll Clark, including apartments, villas, hotels, shops, and night clubs in New York and Paris, an ocean liner stateroom, an ice rink, and New England scenery.
       Modern sources indicate that the establishing shot of the New York City office building was filmed in downtown Los Angeles, at the recently constructed Eastern Columbia Building located at 849 S. Broadway.
       Two Los Angeles, CA, orchestras performed on screen, as stated in the 11 Oct 1930 Inside Facts of Stage and Screen. These included Earl Burtnett’s Biltmore Orchestra and Trio, and Maury Paul’s ...

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The 9 Aug 1930 Exhibitors Herald-World reported that the story was currently being completed on Sin Takes a Holiday, which was set to star Constance Bennett. Four days later, Var stated that Paul L. Stein was hired to direct the picture, written by Robert Milton and Dorothy Cairns, for Pathé Exchange, Inc. Production was supposed to begin the following week, but the 27 Aug 1930 Var indicated that principal photography would begin sometime that week. On 2 Sep 1930, FD confirmed that filming had begun on the Pathé Studios lot in Culver City, CA.
       Pierre De Ramey appeared in the picture, according to the 27 Sep and 4 Oct 1930 Inside Facts of Stage and Screen, but he was not credited in reviews.
       Constance Bennett served as technical advisor on the film, which is set partly in Paris, France. Bennett reportedly spent at least four months each year in Europe, and owned homes in Paris and Cannes, France. The 8 Oct 1930 FD indicated that the picture had thirty-two sets designed by Carroll Clark, including apartments, villas, hotels, shops, and night clubs in New York and Paris, an ocean liner stateroom, an ice rink, and New England scenery.
       Modern sources indicate that the establishing shot of the New York City office building was filmed in downtown Los Angeles, at the recently constructed Eastern Columbia Building located at 849 S. Broadway.
       Two Los Angeles, CA, orchestras performed on screen, as stated in the 11 Oct 1930 Inside Facts of Stage and Screen. These included Earl Burtnett’s Biltmore Orchestra and Trio, and Maury Paul’s Rainbow Gardens jazz band. The former played onscreen in a New York nightclub scene, and the latter musicians appeared in the ship’s orchestra.
       According to the 12 Oct 1930 FD, a sequence involving the marriage between the characters played by Constance Bennett and Kenneth MacKenna was rehearsed by a real justice of the peace, sparking an on-set joke that the two were legally wed. Richard Carl stepped in to officiate onscreen.
       The Nov 1930 Motion Picture Classic noted that Kendall Lee was the stage name for Mrs. [Luella] Glaenzer, who was the wife of Cartier’s vice president Jules Glaenzer. Sin Takes a Holiday marked her feature film debut. Adolphe Menjou was also added to the cast. Additionally, the 22 Nov 1930 Exhibitors Herald-World indicated that William Boyd appeared in the film.
       On 14 Oct 1930, FD announced that the picture was nearly completed.
       The 30 Oct 1930 FD noted that Constance Bennett played the piano in the film, and the Feb 1931 Screenland reported that she also danced to a tango written especially for her, titled “Constancia.”
       The 22 Oct 1930 FD stated a 10 Nov 1930 release date, which was confirmed in the 22 Nov 1930 Exhibitors Herald-World.
       Despite an announcement in the 14 Nov 1930 FD that predicted a 21 Nov 1930 opening at the Mayfair Theatre in New York City, the opening would not occur until Thanksgiving Day, 27 Nov 1930, according to the 23 Nov 1930 FD. In addition, a preview screening would be held for the public the night before its opening, on 26 Nov 1930.
       The 23 Nov 1930 FD review deemed the picture “first-class entertainment” and praised the “snappy dialogue,” perfect cast, well-paced direction, and “ingenious” camera work. The 3 Dec 1930 Var review stated that Sin Takes a Holiday was “one of the few real bull’s-eyes” put forth by Hollywood.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald-World
9 Aug 1930
p. 24
Exhibitors Herald-World
22 Nov 1930
p. 18
Exhibitors Herald-World
29 Nov 1930
p. 31
Exhibitors Herald-World
6 Dec 1930
pp. 29-30
Film Daily
2 Sep 1930
p. 7
Film Daily
6 Oct 1930
p. 4
Film Daily
8 Oct 1930
p. 6
Film Daily
12 Oct 1930
p. 13
Film Daily
14 Oct 1930
p. 10
Film Daily
22 Oct 1930
p. 8
Film Daily
30 Oct 1930
p. 8
Film Daily
14 Nov 1930
p. 7
Film Daily
23 Nov 1930
p. 2, 10
Inside Facts of Stage and Screen
27 Sep 1930
p. 2
Inside Facts of Stage and Screen
4 Oct 1930
p. 6
Inside Facts of Stage and Screen
11 Oct 1930
p. 1
Life
19 Dec 1930
p. 20
Motion Picture Classic
Nov 1930
p. 8, 76
New York Times
28 Nov 1930
p. 23
New York Times
7 Dec 1930
p. 5
Screenland
Feb 1931
p. 10
Variety
13 Aug 1930
p. 2
Variety
27 Aug 1930
p. 32
Variety
3 Dec 1930
p. 14
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
Prod
WRITERS
PHOTOGRAPHY
Photog
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
COSTUMES
MUSIC
Mus dir
SOUND
T. A. Carman
Sd eng
PRODUCTION MISC
Vice-president Pathé Studios, Inc.
DETAILS
Release Date:
10 November 1930
Premiere Information:
New York opening at the Mayfair Theatre: 27 Nov 1930
Production Date:
late Aug/early Sep--Oct 1930
Copyright Info
Claimant
Date
Copyright Number
Pathé Exchange, Inc.
10 November 1930
LP1804
Physical Properties:
Sound
Rec by RCA Photophone System
Black and White
Duration(in mins):
75
Length(in feet):
7,304
Length(in reels):
8
Country:
United States
Language:
English
SYNOPSIS

Divorce lawyer Gaylord Stanton, who leads a very active social life, has an affair with Grace Lanier, whose third husband is currently suing her for a divorce and has named Gaylord as corespondent. Annoyed at her flippant attitude, Gaylord proposes marriage to his secretary, Sylvia, under an arrangement whereby she is allowed to live wherever she likes. On her trip to Paris, suggested by Gaylord, she meets Durant, who persuades her to live in his villa near Paris and takes her to the beauty and modiste shops of the capital. Meanwhile, Gaylord tells Grace of his marriage, claiming his wife is an invalid confined to a sanitarium. Durant begs Sylvia to get a divorce and marry him; and disconcerted, she returns to Gaylord, whom she loves. Although she comes into conflict with Grace, Sylvia finds that he really does love ...

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Divorce lawyer Gaylord Stanton, who leads a very active social life, has an affair with Grace Lanier, whose third husband is currently suing her for a divorce and has named Gaylord as corespondent. Annoyed at her flippant attitude, Gaylord proposes marriage to his secretary, Sylvia, under an arrangement whereby she is allowed to live wherever she likes. On her trip to Paris, suggested by Gaylord, she meets Durant, who persuades her to live in his villa near Paris and takes her to the beauty and modiste shops of the capital. Meanwhile, Gaylord tells Grace of his marriage, claiming his wife is an invalid confined to a sanitarium. Durant begs Sylvia to get a divorce and marry him; and disconcerted, she returns to Gaylord, whom she loves. Although she comes into conflict with Grace, Sylvia finds that he really does love her.

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GENRE
Genre:
Sub-genre:
Domestic


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.