So This Is Paris (1926)

Comedy | 31 July 1926

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HISTORY

Referring to the film as Reveillon, the 27 Mar 1926 FD announced that Patsy Ruth Miller would star in the Warner Bros. Pictures production, directed by Ernst Lubitsch. The picture was based on the 1872 play, Le Réveillon, written by Henri Meilhac and Ludovic Halévy. Le Réveillon was also the basis of the operetta Die Fledermaus, with music by Johann Strauss, and libretto by Carl Haffner and Richard Genée (Vienna, 5 Apr 1874).
The 29 Mar 1926 FD reported that production on the comedy would begin within days.
The 14 May 1926 FD noted the title change to So This is Paris. Four days later, the 18 May 1926 FD announced that Robert Wagner was hired to write the titles.
According to the 23 May 1926 FD, principal photography was completed that day.
On 28 Jul 1926, Var stated that the premiere was recently held at an “elaborate opening” at the Forum Theater in Los Angeles, CA, with actor George Jessel serving as master of ceremonies.
The Aug 1926 Motion Picture Magazine indicated that Harold Grieve designed the interiors and exteriors of the “wicked” Parisian café that appeared in the film.
So This is Pariswas praised as “smart and diverting” in the 15 Aug 1926FD review.
 This film is extant.

...

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Referring to the film as Reveillon, the 27 Mar 1926 FD announced that Patsy Ruth Miller would star in the Warner Bros. Pictures production, directed by Ernst Lubitsch. The picture was based on the 1872 play, Le Réveillon, written by Henri Meilhac and Ludovic Halévy. Le Réveillon was also the basis of the operetta Die Fledermaus, with music by Johann Strauss, and libretto by Carl Haffner and Richard Genée (Vienna, 5 Apr 1874).
The 29 Mar 1926 FD reported that production on the comedy would begin within days.
The 14 May 1926 FD noted the title change to So This is Paris. Four days later, the 18 May 1926 FD announced that Robert Wagner was hired to write the titles.
According to the 23 May 1926 FD, principal photography was completed that day.
On 28 Jul 1926, Var stated that the premiere was recently held at an “elaborate opening” at the Forum Theater in Los Angeles, CA, with actor George Jessel serving as master of ceremonies.
The Aug 1926 Motion Picture Magazine indicated that Harold Grieve designed the interiors and exteriors of the “wicked” Parisian café that appeared in the film.
So This is Pariswas praised as “smart and diverting” in the 15 Aug 1926FD review.
 This film is extant.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
27 Mar 1926
p. 33
Film Daily
29 Mar 1926
p. 12
Film Daily
14 May 1926
p. 33
Film Daily
16 May 1926
p. 7
Film Daily
18 May 1926
p. 13
Film Daily
23 May 1926
p. 24
Film Daily
15 Aug 1926
p. 7
Motion Picture Magazine
Aug 1926
p. 84
Moving Picture World
22 May 1926
p. 301
Moving Picture World
4 Sep 1926
p. 41
New York Times
16 Aug 1926
p. 10
New York Times
22 Aug 1926
Section 7, p. 2
Photoplay
Sep 1926
p. 55
Variety
28 Jul 1926
p. 10
Variety
18 Aug 1926
p. 58
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
WRITER
Adpt
PHOTOGRAPHY
Dir of photog
Asst cam
SOURCES
LITERARY
Based on the play Le Réveillon by Henri Meilhac and Ludovic Halévy (Paris, 10 Sep 1872).
LITERARY SOURCE AUTHORS
DETAILS
Alternate Titles:
Le Reveillon
Reveillon
Release Date:
31 July 1926
Production Date:
late Mar/early Apr--23 May 1926
Copyright Info
Claimant
Date
Copyright Number
Warner Bros. Pictures, Inc.
2 July 1926
LP22890
Physical Properties:
Silent
Black and White
Length(in feet):
6,135
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

To relieve the boredom of their marriage, Alfred and Adela, a young dancing team, are constantly on the alert for a new flirtation. One morning Dr. Eisenstein comes to their apartment with the intent of thrashing Alfred with his cane for entrancing his wife, Rosalind, by practicing in front of the open window, but his temper quickly cools as he recognizes Adela as a former sweetheart, and he tells Rosalind a fantastic story to cover his flirtation with Adela. Alfred, however, returns the doctor's cane, begins a counter flirtation with Rosalind, and tells her about her husband's philandering. Driving to meet Adela, Eisenstein is arrested for speeding; meanwhile, Alfred visits Rosalind, but when officers come to take the doctor to jail, Alfred declares he is Eisenstein to save Rosalind's reputation. Rosalind hears on the radio that Adela and Eisenstein have won a Charleston contest at the ball, where she finds the doctor intoxicated. After a number of amusing tiffs, Adela finds a new admirer and the couple are ...

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To relieve the boredom of their marriage, Alfred and Adela, a young dancing team, are constantly on the alert for a new flirtation. One morning Dr. Eisenstein comes to their apartment with the intent of thrashing Alfred with his cane for entrancing his wife, Rosalind, by practicing in front of the open window, but his temper quickly cools as he recognizes Adela as a former sweetheart, and he tells Rosalind a fantastic story to cover his flirtation with Adela. Alfred, however, returns the doctor's cane, begins a counter flirtation with Rosalind, and tells her about her husband's philandering. Driving to meet Adela, Eisenstein is arrested for speeding; meanwhile, Alfred visits Rosalind, but when officers come to take the doctor to jail, Alfred declares he is Eisenstein to save Rosalind's reputation. Rosalind hears on the radio that Adela and Eisenstein have won a Charleston contest at the ball, where she finds the doctor intoxicated. After a number of amusing tiffs, Adela finds a new admirer and the couple are reconciled.

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GENRE
Genre:
Sub-genre:
Domestic


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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