State Street Sadie (1928)

75 mins | Melodrama | 25 August 1928

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
9 Sep 1928.
---
New York Times
3 Sep 1928
p. 14.
Variety
5 Sep 1928
p. 14.
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PHOTOGRAPHY
Dir of photog
FILM EDITOR
Film ed
DETAILS
Release Date:
25 August 1928
Copyright Claimant:
Warner Bros. Pictures, Inc.
Copyright Date:
16 July 1928
Copyright Number:
LP25471
Physical Properties:
Silent with sound sequences
Mus score and talking seq by Vitaphone
Black and White
Sound, also silent
Also si; 9 reels.
Duration(in mins):
75
Length(in feet):
6,313 , 7,169
Length(in reels):
7
Country:
United States
Language:
English
Passed by NBR:
No
SYNOPSIS

Framed for the murder of a policeman, gangster Joe Blake commmits suicide. "The Bat," a gang leader, is the real murderer. Joe's twin brother, Ralph, joins the gang to get revenge and clear Joe's name. There he meets the daughter of the murdered policeman, Isobel, posing as "State Street Sadie" to get her own revenge. The two become involved in a net of intrigue culminating in the capture of the gang by police. The Bat, trapped on a roof, leaps to his death while Ralph and Isobel contemplate ... +


Framed for the murder of a policeman, gangster Joe Blake commmits suicide. "The Bat," a gang leader, is the real murderer. Joe's twin brother, Ralph, joins the gang to get revenge and clear Joe's name. There he meets the daughter of the murdered policeman, Isobel, posing as "State Street Sadie" to get her own revenge. The two become involved in a net of intrigue culminating in the capture of the gang by police. The Bat, trapped on a roof, leaps to his death while Ralph and Isobel contemplate marriage. +

GENRE
Genre:
Sub-genre:
Crime


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.