Full page view
HISTORY

Some contemporary sources listed the film's title as The Three Sisters. ...

More Less

Some contemporary sources listed the film's title as The Three Sisters.

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
20 Jul 1930
---
Variety
23 Apr 1930
p. 39
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Paul Sloane
Dir
Asst dir
PRODUCER
WRITERS
James K. McGuinness
Scr
Story
James K. McGuinness
Dial
PHOTOGRAPHY
L. William O'Connell
Dir of photog
SOUND
Harold Hobson
Rec eng
SOURCES
SONGS
"Italian Kisses," words by L. Wolfe Gilbert, music by Abel Baer; "Lonely Feet," "Hand in Hand," "Keep Smiling," "Won't Dance," "Roll on Rolling Road," "What Good Are Words" and "You Are Doing Very Well," words and music by Jerome Kern and Oscar Hammerstein II.
SONGWRITERS/COMPOSERS
+
DETAILS
Release Date:
20 April 1930
Premiere Information:
New York opening: 18 Apr 1930
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Fox Film Corp.
18 February 1930
LP1181
Physical Properties:
Sound
Movietone
Black and White
Sound, also silent
Also si.
Duration(in mins):
68
Length(in feet):
6,442
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

Marta, an Italian mother, has three daughters. On the night of her wedding, Carlotta stabs the village banker, and aided by Rinaldi, a friend of the family, she escapes with Antonia, who has returned from her musical studies for the nuptials. Elena, the third daughter, marries Count D'Amati the same night; but when the son-in-law goes to war, Elena dies in childbirth; later, D'Amati is killed, leaving the grandmother with only the child for comfort. Marta goes to Rome and is befriended by Rinaldi, but the child reverts to his ducal grandparents by court order. Left penniless by misfortune, Marta finds employment as a dishwasher in a restaurant, but she is rescued from her poverty and loneliness by her two daughters, who have become prosperous in the United ...

More Less

Marta, an Italian mother, has three daughters. On the night of her wedding, Carlotta stabs the village banker, and aided by Rinaldi, a friend of the family, she escapes with Antonia, who has returned from her musical studies for the nuptials. Elena, the third daughter, marries Count D'Amati the same night; but when the son-in-law goes to war, Elena dies in childbirth; later, D'Amati is killed, leaving the grandmother with only the child for comfort. Marta goes to Rome and is befriended by Rinaldi, but the child reverts to his ducal grandparents by court order. Left penniless by misfortune, Marta finds employment as a dishwasher in a restaurant, but she is rescued from her poverty and loneliness by her two daughters, who have become prosperous in the United States.

Less

GENRE
Genre:
Sub-genre:
with songs


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Psycho

Actor Vaughn Taylor's surname is misspelled "Tayler" in the onscreen credits. Several Jun and Jul 1959 HR news items erroneously refer to the film as Psyche. ... >>

The Wizard of Oz

The following dedication appears in the opening credits: “For nearly forty years this story has given faithful service to the Young in Heart; and Time has been powerless to ... >>

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: Warner ... >>

The Thing

The complete title of the viewed print was The Thing from Another World . In the opening credits, the words "The Thing" appear first in exaggerated, flaming ... >>

Young Frankenstein

Onscreen cast credits for John Madison through Lidia Kristen appear only in the opening credits. The opening cast list ends with “and Madeline Kahn as Elizabeth.” According to studio ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.