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HISTORY

The 1 Sep 1923 Exhibitors Trade Review reported that director Alan Crosland was scouting locations in Big Bear Lake, CA, in preparation for Three Weeks, scheduled to go into production soon. ...

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The 1 Sep 1923 Exhibitors Trade Review reported that director Alan Crosland was scouting locations in Big Bear Lake, CA, in preparation for Three Weeks, scheduled to go into production soon.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Trade Review
1 Sep 1923
p. 598
DETAILS
Release Date:
10 February 1924
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Goldwyn Pictures
12 March 1924
LP19980
Physical Properties:
Silent
Black and White
Length(in feet):
7,468 , 7,540
Length(in reels):
8
Country:
United States
SYNOPSIS

The Queen of Sardalia, a small European principality, becomes disgusted with the king's debauchery and retires to Switzerland. There she falls in love with Paul Verdayne, a young, aristocratic Briton. They vacation in Venice but separate when Paul's life is threatened by the king's henchmen. Their passion remains strong, and 3 years later the queen sends for Paul. The king discovers this meeting and kills her in a fit of jealousy. Later, Paul returns to Sardalia to see his son crowned king and remembers his great love for the ...

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The Queen of Sardalia, a small European principality, becomes disgusted with the king's debauchery and retires to Switzerland. There she falls in love with Paul Verdayne, a young, aristocratic Briton. They vacation in Venice but separate when Paul's life is threatened by the king's henchmen. Their passion remains strong, and 3 years later the queen sends for Paul. The king discovers this meeting and kills her in a fit of jealousy. Later, Paul returns to Sardalia to see his son crowned king and remembers his great love for the queen.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.