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HISTORY

The upcoming feature was announced by its working title, The Extra Man,       in the 3 March 1923 Camera. Actor-director Ward Wing was reportedly starting work on the project, with Frank Livingston as production manager. The December 1923 Picture-Play suggested that the title was inspired by the recent release, The Extra Girl, starring Mabel Normand (1923, see entry).
       More than five months later, a chart in the 11 August 1923 Camera reported the start of principal photography at Universal Studios in Universal City, CA. The assistant director was listed only as “Cummel.” Location shooting took place at Chatsworth Lake in Chatsworth, CA, according to the 1 September 1923 Exhibitors Trade Review. The 8 September 1923 issue described a scene portraying the “fall of Rome,” with a set modeled on the ancient city that was designed to collapse. Writer-director Edward Sedgwick carefully examined the set to ensure that no injuries occurred. The 22 September 1923 Motion Picture News revealed that several Universal stars and executives made guest appearances in the film, including actors Priscilla Dean and Reginald Denny, actor-director Hobart Henley, director Robert Hill, general manager Julius Bernheim, and business manager William Koenig. The 8 September 1923 Camera noted that each was paid five dollars per day, in addition to their salaries.
       A chart in the 1 September 1923 Camera indicated that production was completed in approximately three weeks, followed immediately by editing. On 20 October 1923, the Universal Weekly announced the picture’s official title as The Thrill ...

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The upcoming feature was announced by its working title, The Extra Man,       in the 3 March 1923 Camera. Actor-director Ward Wing was reportedly starting work on the project, with Frank Livingston as production manager. The December 1923 Picture-Play suggested that the title was inspired by the recent release, The Extra Girl, starring Mabel Normand (1923, see entry).
       More than five months later, a chart in the 11 August 1923 Camera reported the start of principal photography at Universal Studios in Universal City, CA. The assistant director was listed only as “Cummel.” Location shooting took place at Chatsworth Lake in Chatsworth, CA, according to the 1 September 1923 Exhibitors Trade Review. The 8 September 1923 issue described a scene portraying the “fall of Rome,” with a set modeled on the ancient city that was designed to collapse. Writer-director Edward Sedgwick carefully examined the set to ensure that no injuries occurred. The 22 September 1923 Motion Picture News revealed that several Universal stars and executives made guest appearances in the film, including actors Priscilla Dean and Reginald Denny, actor-director Hobart Henley, director Robert Hill, general manager Julius Bernheim, and business manager William Koenig. The 8 September 1923 Camera noted that each was paid five dollars per day, in addition to their salaries.
       A chart in the 1 September 1923 Camera indicated that production was completed in approximately three weeks, followed immediately by editing. On 20 October 1923, the Universal Weekly announced the picture’s official title as The Thrill Chaser.
A short subject, also titled The Extra Man, was listed in the 25 August 1923 Camera, which may explain the change.
       The Thrill Chaser was released on 26 November 1923, preceded by an 11 November 1923 opening at the Strand Theatre in Madison, WI. Other openings followed during the week of 24 November 1923 at the New Olympic Theatre in Buffalo, NY, at the Rivoli Theatre in Dallas, TX, and at the Standard Theatre in Cleveland, OH; on 26 November 1923 at the Washington Theater in Chicago Heights, IL; and on 11 January 1924 at the Stanley Theatre in New York City.
       Nearly two years later, the 27 December 1925 Film Daily announced that actor Pat O’Malley was writing a novel, also titled The Extra Man. Although the theme was similar to that of the picture, no connection to the 1923 feature was indicated. An unrelated Western, also titled The Thrill Chaser, was released in 1928.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of October 2019.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Camera
3 Mar 1923
p. 16
Camera
11 Aug 1923
p. 18
Camera
25 Aug 1923
p. 18
Camera
1 Sep 1923
p. 18
Camera
8 Sep 1923
p. 19
Capital Times [Madison, WI]
8 Nov 1923
---
Chicago Heights Star [Chicago Heights, IL]
22 Nov 1923
p. 4
Exhibitors Herald
24 Nov 1923
p. 52
Exhibitors Trade Review
1 Sep 1923
p. 587
Exhibitors Trade Review
22 Sep 1923
p. 1426
Film Daily
25 Nov 1923
p. 11
Film Daily
27 Dec 1925
p. 1
Motion Picture News
1 Dec 1923
p. 2591
Motion Picture News
8 Dec 1923
pp. 2667-2668
MPN Booking Guide
Apr 1924
p. 67
Moving Picture World
1 Dec 1923
p. 492
Picture-Play
Dec 1923
p. 69
Screen Opinions
15-31 Dec 1923
p. 114
Universal Weekly
20 Oct 1923
---
Variety
17 Jan 1924
p. 27
DETAILS
Alternate Title:
The Extra Man
Release Date:
26 November 1923
Premiere Information:
Madison, WI, opening: 11 Nov 1923; Chicago Heights, IL, opening: 26 Nov 1923; Buffalo,Dallas, and Cleveland openings: week of 24 Nov 1923
Production Date:
early--late Aug 1923
Copyright Info
Claimant
Date
Copyright Number
Universal Pictures
29 October 1923
LP19549
Physical Properties:
Silent
Black and White
Length(in feet):
5,196
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

Omar K. Jenkins, a simple westerner working as a motion picture extra, impresses visiting Arab Sheik Ussan with his fistic ability. Engaged to work in Arabia, Omar becomes involved in a war between rival principalities and falls in love with Olala, a princess who is promised to another man. He is taken prisoner and readied for the chopping block when Sheik Ussan ...

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Omar K. Jenkins, a simple westerner working as a motion picture extra, impresses visiting Arab Sheik Ussan with his fistic ability. Engaged to work in Arabia, Omar becomes involved in a war between rival principalities and falls in love with Olala, a princess who is promised to another man. He is taken prisoner and readied for the chopping block when Sheik Ussan intervenes.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.