The Triflers (1924)

Drama | 15 December 1924

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HISTORY

The 16 May 1923 Film Daily announced that Al Lichtman of Preferred Pictures had recently acquired screen rights to Frederick Orin Bartlett’s 1917 novel, The Triflers, among other theatrical and literary properties. Preparations for the picture were underway as of 9 Oct 1923, as noted in that day’s Film Daily. The 9 Dec 1923 Film Daily and 22 Dec 1923 Motion Picture News credited that the company’s newly-hired art director, A. E. Freudeman, with designing sets for the production.
       The 26 Jan 1924 Exhibitors Trade Review reported that Waldemar Young had begun work on the screenplay. Its completion was announced in the 15 Mar 1924 Moving Picture World. Principal photography began nearly five months later, as stated in the 10 Oct 1924 Film Daily. According to the 30 Aug 1924 Moving Picture World, scripting had been reassigned to Eve Unsell. Casting was reportedly still in progress.
       On 10 Oct 1924, Film Daily reported that filming would resume at F. B. O. Studios in Los Angeles, CA. The 15 Nov 1924 Moving Picture World noted that writer John Goodrich was completing the script. Lead actress Mae Busch was on loan to the production by Metro-Goldwyn-Mayer Corp. The 22 Nov 1924 Moving Picture World also included Dorothy Revier among the cast. The conclusion of principal photography was announced in the 6 Dec 1924 issue.
       The Triflers opened 15 Dec 1924, and was dismissed by the 17 Jan 1925 Exhibitors ...

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The 16 May 1923 Film Daily announced that Al Lichtman of Preferred Pictures had recently acquired screen rights to Frederick Orin Bartlett’s 1917 novel, The Triflers, among other theatrical and literary properties. Preparations for the picture were underway as of 9 Oct 1923, as noted in that day’s Film Daily. The 9 Dec 1923 Film Daily and 22 Dec 1923 Motion Picture News credited that the company’s newly-hired art director, A. E. Freudeman, with designing sets for the production.
       The 26 Jan 1924 Exhibitors Trade Review reported that Waldemar Young had begun work on the screenplay. Its completion was announced in the 15 Mar 1924 Moving Picture World. Principal photography began nearly five months later, as stated in the 10 Oct 1924 Film Daily. According to the 30 Aug 1924 Moving Picture World, scripting had been reassigned to Eve Unsell. Casting was reportedly still in progress.
       On 10 Oct 1924, Film Daily reported that filming would resume at F. B. O. Studios in Los Angeles, CA. The 15 Nov 1924 Moving Picture World noted that writer John Goodrich was completing the script. Lead actress Mae Busch was on loan to the production by Metro-Goldwyn-Mayer Corp. The 22 Nov 1924 Moving Picture World also included Dorothy Revier among the cast. The conclusion of principal photography was announced in the 6 Dec 1924 issue.
       The Triflers opened 15 Dec 1924, and was dismissed by the 17 Jan 1925 Exhibitors Trade Review as “an ordinary feature.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Trade Review
26 Jan 1924
p. 16
Exhibitors Trade Review
22 Nov 1924
p. 43
Exhibitors Trade Review
27 Dec 1924
p. 176
Exhibitors Trade Review
17 Jan 1925
p. 45
Film Daily
16 May 1923
p. 1
Film Daily
9 Oct 1923
p. 5
Film Daily
9 Dec 1923
p. 6
Film Daily
10 Aug 1924
p. 7
Film Daily
10 Oct 1924
p. 11
Film Daily
9 Nov 1924
p. 6
Motion Picture News
26 May 1923
p. 2516
Motion Picture News
22 Dec 1923
p. 2879
Moving Picture World
15 Mar 1924
p. 192
Moving Picture World
30 Aug 1924
pp. 722-723
Moving Picture World
15 Nov 1924
p. 258
Moving Picture World
22 Nov 1924
p. 342
Moving Picture World
6 Dec 1924
p. 555
Moving Picture World
20 Dec 1924
p. 760
Moving Picture World
27 Dec 1924
p. 831
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
WRITERS
Adpt
PHOTOGRAPHY
Dir of photog
ART DIRECTOR
Art dir
SOURCES
LITERARY
Based on the novel The Triflers by Frederick Orin Bartlett (Boston, 1917).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
15 December 1924
Production Date:
began Aug 1924, resumed Oct--late Nov 1924
Physical Properties:
Silent
Black and White
Length(in feet):
6,626
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

Wealthy Marjorie Stockton marries Monte Covington to protect herself from several overeager suitors. While Monte treats the marriage lightly, Marjorie quickly falls in love with her new husband. Peter Noyes, another of Marjorie’s suitors, is blinded and she takes pity on him. Monte mistakes Marjorie's attention to Peter as love and decides to leave her. Marjorie declares her love for Monte, and Peter, who has also misinterpreted her actions, shoots them both in a jealous rage. Fortunately for the couple, their wounds are not serious, and they look forward to a bright future ...

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Wealthy Marjorie Stockton marries Monte Covington to protect herself from several overeager suitors. While Monte treats the marriage lightly, Marjorie quickly falls in love with her new husband. Peter Noyes, another of Marjorie’s suitors, is blinded and she takes pity on him. Monte mistakes Marjorie's attention to Peter as love and decides to leave her. Marjorie declares her love for Monte, and Peter, who has also misinterpreted her actions, shoots them both in a jealous rage. Fortunately for the couple, their wounds are not serious, and they look forward to a bright future together.

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GENRE
Genre:
Sub-genre:
Society


Subject
Subject (Major):

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.