The Valley of the Giants (1927)

Melodrama | 11 December 1927

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HISTORY

The 28 Oct 1927 Motion Picture News reported that the film company had just returned to First National's Burbank, CA, studios after a month of filming in Northern California.
       Peter B. Kyne's novel had been the basis of a 1919 Famous Players-Lasky Corp. film of the same title, directed by James Cruze and starring Wallace Reid and Grace Darmound. A later adaptation of the novel was made by Warner Bros. in 1938. Entitled Valley of the Giants, that film was directed by William Keighley and starred Wayne Morris and Claire Trevor (see entries). ...

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The 28 Oct 1927 Motion Picture News reported that the film company had just returned to First National's Burbank, CA, studios after a month of filming in Northern California.
       Peter B. Kyne's novel had been the basis of a 1919 Famous Players-Lasky Corp. film of the same title, directed by James Cruze and starring Wallace Reid and Grace Darmound. A later adaptation of the novel was made by Warner Bros. in 1938. Entitled Valley of the Giants, that film was directed by William Keighley and starred Wayne Morris and Claire Trevor (see entries).

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
17 Dec 1927
---
Motion Picture News
28 Oct 1927
p. 1342
New York Times
5 Dec 1927
p. 26
Variety
7 Dec 1927
p. 18
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
Charles J. Brabin
Dir
PRODUCERS
Richard A. Rowland
Pres
WRITER
PHOTOGRAPHY
T. D. McCord
Dir of photog
SOURCES
LITERARY
Based on the novel The Valley of the Giants by Peter B. Kyne (Garden City, New York, 1918).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
11 December 1927
Premiere Information:
New York opening: 4 Dec 1927
Production Date:

Copyright Info
Claimant
Date
Copyright Number
First National Pictures, Inc.
12 December 1927
LP24752
Physical Properties:
Silent
Black and White
Length(in feet):
6,600
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

Bryce Cardigan, son of northwestern pioneer lumber baron John Cardigan, returns home after several years of travel. Shirley Pennington, daughter of a rival lumber baron, arrives on the same train and meets Bryce. At home, Bryce finds his father blind and the business in danger. Because Pennington denies their company the use of the local railway line, Bryce decides to build his own railroad, borrows money to finance it, and hires a buddy, Buck, to build it. Buck gets the city council, controlled by Pennington, to grant a franchise; he then faces the problem of secretly crossing the Pennington line. Pennington, discovering the plans, assembles his men for battle. But Shirley, siding against her father, warns Bryce of the impending attack. After a bitter struggle, Pennington's forces are routed and the crossing is made. John Cardigan gives Bryce and Shirley, who have fallen in love, his blessing and tells them to carry on the work he ...

More Less

Bryce Cardigan, son of northwestern pioneer lumber baron John Cardigan, returns home after several years of travel. Shirley Pennington, daughter of a rival lumber baron, arrives on the same train and meets Bryce. At home, Bryce finds his father blind and the business in danger. Because Pennington denies their company the use of the local railway line, Bryce decides to build his own railroad, borrows money to finance it, and hires a buddy, Buck, to build it. Buck gets the city council, controlled by Pennington, to grant a franchise; he then faces the problem of secretly crossing the Pennington line. Pennington, discovering the plans, assembles his men for battle. But Shirley, siding against her father, warns Bryce of the impending attack. After a bitter struggle, Pennington's forces are routed and the crossing is made. John Cardigan gives Bryce and Shirley, who have fallen in love, his blessing and tells them to carry on the work he began.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.