We Moderns (1925)

Comedy | 15 November 1925

Writer:

June Mathis

Cinematographer:

T. D. McCord

Editor:

Edwin Robbins

Production Designer:

Edward Shulter

Production Company:

John McCormick Productions
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HISTORY

Copyright records indicate some doubt whether Dorothy Seastrom and Louis Payne are in the final film. ...

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Copyright records indicate some doubt whether Dorothy Seastrom and Louis Payne are in the final film.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Trade Review
5 Dec 1925
p. 45
Film Daily
13 Dec 1925
p. 7
New York Times
8 Dec 1925
p. 28
Variety
9 Dec 1925
p. 42
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
WRITERS
Comedy const
Ed dir--wrt for the scr
PHOTOGRAPHY
T. D. McCord
Dir of photog
ART DIRECTOR
Art dir
FILM EDITOR
Film ed
SOURCES
LITERARY
Based on the novel We Moderns; a Post-War Comedy in Three Movements by Israel Zangwill (Allegro, Andante, Adagio) .
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
15 November 1925
Production Date:

Copyright Info
Claimant
Date
Copyright Number
First National Pictures, Inc.
3 November 1925
LP21963
Physical Properties:
Silent
Black and White
Length(in feet):
6,656
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

Mary Sundale is a member of a gay London set who call themselves "We Moderns" and scorns the Victorianism of her parents. They, in turn, have nothing but contempt for the ways of the younger generation. Mary is courted by John Ashler, a sane young civil engineer, but she fancies herself in love with a poetic humbug named Oscar Pleat ("God's Gift to Women"), a married man. In the course of a treasure hunt, Mary enters Pleat's rooms but is saved by John. However, she continues to associate with Pleat. During a jazz party aboard a zeppelin, Pleat tries to force his attentions on her; but Mary escapes after a plane crashes into the airship. Mary is glad to fall into John's arms and admits that her parents were ...

More Less

Mary Sundale is a member of a gay London set who call themselves "We Moderns" and scorns the Victorianism of her parents. They, in turn, have nothing but contempt for the ways of the younger generation. Mary is courted by John Ashler, a sane young civil engineer, but she fancies herself in love with a poetic humbug named Oscar Pleat ("God's Gift to Women"), a married man. In the course of a treasure hunt, Mary enters Pleat's rooms but is saved by John. However, she continues to associate with Pleat. During a jazz party aboard a zeppelin, Pleat tries to force his attentions on her; but Mary escapes after a plane crashes into the airship. Mary is glad to fall into John's arms and admits that her parents were right.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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