Kismet (1931)

Adventure | 1931

Director:

William Dieterle

Cinematographer:

Sid Hickox

Production Company:

First National Pictures, Inc.
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HISTORY

This was a German-language version of the 1930 film Kismet , which was directed by John Francis Dillon and starred Otis Skinner and Loretta Young. Other films based on the play include the 1920 Waldorf Film Corp. production, which was directed by Louis J. Gasnier and also starred Otis Skinner, with Rosemary Theby; a 1944 M-G-M production, with songs by Harold Arlen and E. Y. Harburg, which was also directed by Wilhelm Dieterle and starred Ronald Colman and Marlene Dietrich; and a 1955 M-G-M musical, based on the Broadway musical by Charles Lederer and Luther Davis. The latter film was directed by Vincente Minnelli and starred Howard Keel and Ann ... More Less

This was a German-language version of the 1930 film Kismet , which was directed by John Francis Dillon and starred Otis Skinner and Loretta Young. Other films based on the play include the 1920 Waldorf Film Corp. production, which was directed by Louis J. Gasnier and also starred Otis Skinner, with Rosemary Theby; a 1944 M-G-M production, with songs by Harold Arlen and E. Y. Harburg, which was also directed by Wilhelm Dieterle and starred Ronald Colman and Marlene Dietrich; and a 1955 M-G-M musical, based on the Broadway musical by Charles Lederer and Luther Davis. The latter film was directed by Vincente Minnelli and starred Howard Keel and Ann Blyth. More Less

CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PHOTOGRAPHY
Photog
SOURCES
LITERARY
Based on the play Kismet by Edward Knoblock (New York, 25 Dec 1911).
DETAILS
Release Date:
1931
Premiere Information:
Berlin opening: 23 June 1931
Production Date:
began November 1930
Physical Properties:
Sound
Black and White
Country:
United States
Language:
German
Passed by NBR:
No
SYNOPSIS

[The following plot summary is based on the English-language version of this film, Kismet ; character names refer to that version.] Hajj, beggar and thief, schemes with a guide to obtain gold from the famous bandit, the White Sheik, who is searching for his long-lost son; but Hajj recognizes the White Sheik as his enemy, Jawan, and refuses the guide his share; and the guide has Hajj arrested. Mansur, the Wazir of Police, offers Hajj the choice of losing his hand and his daughter, Marsinah, or assassinating the caliph. Saved from Hajj's dagger by his coat of mail, the caliph sends the beggar to prison, where he encounters Jawan, kills his enemy, exchanges clothing, and is released. Hajj is soon again in Mansur's clutches for trying to spirit his daughter from the wazir's harem, but Hajj kills Mansur (Jawan's son) just as the caliph enters. Rather than receiving further punishment, Hajj is released--for the caliph, who has disguised himself as his gardener's son, is about to marry ... +


[The following plot summary is based on the English-language version of this film, Kismet ; character names refer to that version.] Hajj, beggar and thief, schemes with a guide to obtain gold from the famous bandit, the White Sheik, who is searching for his long-lost son; but Hajj recognizes the White Sheik as his enemy, Jawan, and refuses the guide his share; and the guide has Hajj arrested. Mansur, the Wazir of Police, offers Hajj the choice of losing his hand and his daughter, Marsinah, or assassinating the caliph. Saved from Hajj's dagger by his coat of mail, the caliph sends the beggar to prison, where he encounters Jawan, kills his enemy, exchanges clothing, and is released. Hajj is soon again in Mansur's clutches for trying to spirit his daughter from the wazir's harem, but Hajj kills Mansur (Jawan's son) just as the caliph enters. Rather than receiving further punishment, Hajj is released--for the caliph, who has disguised himself as his gardener's son, is about to marry Marsinah. +

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.