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HISTORY

Several modern sources credit this film as the first werewolf picture ever produced. It is sometimes referred to as Wolfblood and Wolfblood: A Tale of the Forest.
       Referring to the film as The Wolf Man, the 10 Nov 1923 Camera! announced the forthcoming feature from Ryan Bros. Productions, and printed the cast list which included Jack Cosgrave as “Maxwell Ford,” Tommy Ryan as “Bill Glennen,” and John McLaughlin as “Bruce Barton.” At that time, Ray Hanford’s character was listed as “Dr. Eugene Mindel,” instead of “Dr. Eugene Horton.” According to the 24 Nov 1923 Camera! John Gilbert’s latest Fox Film Corp. production was also using the title The Wolf Man (1924, see entry).
       On 17 Nov 1923, production charts in Camera! reported that filming was in its third week, and indicated that Ryan Bros. Productions was sharing studio space at the Famous Artists Studios located at 6046 Sunset Boulevard in Hollywood, CA. Subsequent charts through Dec 1923 listed weekly production updates, concluding with the ninth week of shooting in the 29 Dec 1923 issue.
       Noting the title change to Wold Blood, an advertisement in the 29 Dec 1929 Exhibitors Herald announced that principal photography was completed.
       Nearly a year later, the 10 Nov 1924 FD reported that the Lee-Bradford Corporation had signed on to distribute the independent picture, which would be sold through the states’ rights market.
       The 24 Jan 1925 Exhibitors Trade Review stated that the film was “now ready for release,” and referred to it with the alternate spelling, Wolfblood. However, a 2 ...

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Several modern sources credit this film as the first werewolf picture ever produced. It is sometimes referred to as Wolfblood and Wolfblood: A Tale of the Forest.
       Referring to the film as The Wolf Man, the 10 Nov 1923 Camera! announced the forthcoming feature from Ryan Bros. Productions, and printed the cast list which included Jack Cosgrave as “Maxwell Ford,” Tommy Ryan as “Bill Glennen,” and John McLaughlin as “Bruce Barton.” At that time, Ray Hanford’s character was listed as “Dr. Eugene Mindel,” instead of “Dr. Eugene Horton.” According to the 24 Nov 1923 Camera! John Gilbert’s latest Fox Film Corp. production was also using the title The Wolf Man (1924, see entry).
       On 17 Nov 1923, production charts in Camera! reported that filming was in its third week, and indicated that Ryan Bros. Productions was sharing studio space at the Famous Artists Studios located at 6046 Sunset Boulevard in Hollywood, CA. Subsequent charts through Dec 1923 listed weekly production updates, concluding with the ninth week of shooting in the 29 Dec 1923 issue.
       Noting the title change to Wold Blood, an advertisement in the 29 Dec 1929 Exhibitors Herald announced that principal photography was completed.
       Nearly a year later, the 10 Nov 1924 FD reported that the Lee-Bradford Corporation had signed on to distribute the independent picture, which would be sold through the states’ rights market.
       The 24 Jan 1925 Exhibitors Trade Review stated that the film was “now ready for release,” and referred to it with the alternate spelling, Wolfblood. However, a 2 May 1925 Motion Picture News release chart indicated that theatrical release would not take place until Oct 1925. Wolf Blood was not reviewed by Motion Picture News until 28 Nov 1925. In praise of the the film, the publication noted “plenty of thrills, brisk action, [and] well photographed.”
       The picture was fully restored by The Film Foundation, an organization founded in 1990 by director Martin Scorsese.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Camera!
10 Nov 1923
p. 6
Camera!
17 Nov 1923
p. 16
Camera!
24 Nov 1923
p. 10, 16
Camera!
1 Dec 1923
p. 16
Camera!
8 Dec 1923
p. 16
Camera!
29 Dec 1923
p. 16
Exhibitors Herald
29 Dec 1923
p. 86
Exhibitors Trade Review
24 Jan 1925
p. 33
Film Daily
10 Nov 1924
p. 2
Motion Picture News
2 May 1925
p. 1984
Motion Picture News
28 Nov 1925
p. 2572
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
Lee-Bradford Corporation, Arthur A. Lee, President presents
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
PRODUCER
WRITERS
From the story by
PHOTOGRAPHY
DETAILS
Alternate Titles:
The Wolf Man
Wolfblood
Wolfblood: A Tale of the Forest
Release Date:
1925
Premiere Information:
New York State license: 16 Dec 1925
Production Date:
early Nov--Dec 1923
Physical Properties:
Silent
Black and White
Length(in feet):
5,800
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

Dick Bannister, the foreman of the Ford Logging Co., sends for a doctor when several of his men are hurt in a fight with employees of a rival lumber company. Edith Ford, the owner of the company, comes to Bannister's aid, bringing with her Dr. Eugene Horton, one of her ardent admirers. Edith and Dick soon fall in love. In another fight, Dick is hit over the head with a rock by his rivals, who leave him for dead in the woods. Dr. Horton finds him unconscious, and in the remote location, is forced to use the blood of a wolf in a transfusion to save his life. Dick is haunted by the fear that he is becoming half beast and attempts to commit suicide by jumping off a cliff. Edith saves him, he recovers, and they are ...

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Dick Bannister, the foreman of the Ford Logging Co., sends for a doctor when several of his men are hurt in a fight with employees of a rival lumber company. Edith Ford, the owner of the company, comes to Bannister's aid, bringing with her Dr. Eugene Horton, one of her ardent admirers. Edith and Dick soon fall in love. In another fight, Dick is hit over the head with a rock by his rivals, who leave him for dead in the woods. Dr. Horton finds him unconscious, and in the remote location, is forced to use the blood of a wolf in a transfusion to save his life. Dick is haunted by the fear that he is becoming half beast and attempts to commit suicide by jumping off a cliff. Edith saves him, he recovers, and they are married.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.