Shortly after the Broadway debut of Bernard K. Burns’s 1923 play, The Woman on the Jury, Associated First National Pictures acquired film rights. An item in the 17 October 1923 Film Daily, which announced the acquisition, noted that the play had just completed its run at the Eltinge Theatre in New York City.
       Principal photography was initially scheduled to begin on 15 October 1923 at the United Artists studio lot in Hollywood, CA, according to items in the 27 October 1923 issues of Exhibitors Trade Review and 4 November 1923 Film Daily. However, production did not begin until 14 January 1924, and was concluded by 12 Mar 1924, as noted in the 26 January 1924 Moving Picture World and 12 March 1924 Film Daily, respectively. Theatrical release followed on 20 April 1924.
       In Chicago, IL, where the film was scheduled to open at the Chicago Theatre on 5 May 1924, an attempt was made by the Chicago Censor Board to restrict the film’s audience to those twenty-one years of age and older. Exhibitors Balaban & Katz joined with Associated First National Pictures to obtain an injunction against the censor board. The 17 May 1924 Exhibitors Herald stated that the “censors contended the picture portrayed a love affair between a woman on a jury and one of the principals in a murder and that it was therefore unfit to be shown to minors.” The judge found in favor of the movie exhibitors, accusing the censors of “overstepping their authority.”
       Grace Gordon was named as a cast member in the 5 April 1924 Motion Picture News. A length of 7,408 feet was cited in the 24 May 1924 Exhibitors Trade Review and 25 May 1924 Film Daily, while the 31 May 1924 Moving Picture World gave a length of 7,331 feet.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of October 2019.