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HISTORY

The film was one of four starring vehicles announced for actress Constance Talmadge in the 1 January 1921 Moving Picture World. Talmadge’s brother-in-law, Joseph M. Schenck was credited as producer. An item in the 28 June 1921 Wid’s Daily suggested that the feature was to be the first in the series, preceding Polly of the Follies (1922, see entry).
       Woman’s Place was released on 17 October 1921, followed by openings during the week of 4 February 1922 at the Kinema Theatre in Los Angeles, CA, and during the week of 9 April 1922 at the Peerless Theatre in Philadelphia, PA. An article in the 7 January 1922 Motion Picture News stated that the film had been approved by the Illinois Council of the Parent-Teacher Association, the Women’s City Club, and the Illinois League of Women Voters.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.
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The film was one of four starring vehicles announced for actress Constance Talmadge in the 1 January 1921 Moving Picture World. Talmadge’s brother-in-law, Joseph M. Schenck was credited as producer. An item in the 28 June 1921 Wid’s Daily suggested that the feature was to be the first in the series, preceding Polly of the Follies (1922, see entry).
       Woman’s Place was released on 17 October 1921, followed by openings during the week of 4 February 1922 at the Kinema Theatre in Los Angeles, CA, and during the week of 9 April 1922 at the Peerless Theatre in Philadelphia, PA. An article in the 7 January 1922 Motion Picture News stated that the film had been approved by the Illinois Council of the Parent-Teacher Association, the Women’s City Club, and the Illinois League of Women Voters.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Motion Picture News
7 Jan 1922
p. 387
Motion Picture News
18 Feb 1922
p. 1144
Motion Picture News
15 Apr 1922
p. 2194
Moving Picture World
1 Jan 1921
p. 36
Wid's Daily
28 Jun 1921
p. 14
DETAILS
Release Date:
17 October 1921
Premiere Information:
Los Angeles opening: week of 4 Feb 1922; Philadelphia opening: week of 9 Apr 1922
Production Date:
summer 1921
Copyright Info
Claimant
Date
Copyright Number
Joseph M. Schenck Productions
6 October 1921
LP17059
Physical Properties:
Silent
Black and White
Length(in feet):
5,645 , 5,900
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

The Women's Political League in a midwestern city selects Josephine Gerson as its candidate for mayor because of her stylishness and good looks. Her fiancé, political leader Jim Bradley, backs his friend, Freddy Bleeker, as the opposition candidate. When Josephine overhears Freddy promising political appointments, she breaks her engagement and delivers a notable speech, winning the men of the town to her side. However, the women vote against her and Freddie wins by a narrow margin. Jim disassociates himself from his cronies, and the new appointments are all filled by women. Now an advocate for honest politics, Jim is reunited with Josephine, who accepts her "defeat" with ...

More Less

The Women's Political League in a midwestern city selects Josephine Gerson as its candidate for mayor because of her stylishness and good looks. Her fiancé, political leader Jim Bradley, backs his friend, Freddy Bleeker, as the opposition candidate. When Josephine overhears Freddy promising political appointments, she breaks her engagement and delivers a notable speech, winning the men of the town to her side. However, the women vote against her and Freddie wins by a narrow margin. Jim disassociates himself from his cronies, and the new appointments are all filled by women. Now an advocate for honest politics, Jim is reunited with Josephine, who accepts her "defeat" with grace.

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GENRE
Genre:


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.