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HISTORY

The 1 Sep 1923 Exhibitors Trade Review reported that Yolanda was "nearing completion." The use of large sets required filming at two New York City locations, the Jackson Studio in the Bronx and Pathé Studioudio. ...

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The 1 Sep 1923 Exhibitors Trade Review reported that Yolanda was "nearing completion." The use of large sets required filming at two New York City locations, the Jackson Studio in the Bronx and Pathé Studioudio.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Trade Review
1 Sep 1923
p. 598.
DETAILS
Release Date:
15 September 1924
Premiere Information:
New York premiere: 19 Feb 1924
Copyright Info
Claimant
Date
Copyright Number
Cosmopolitan Pictures
30 July 1924
LP20448
Physical Properties:
Silent
Black and White
Length(in feet):
10,700
Length(in reels):
11
Country:
United States
SYNOPSIS

Traveling under the name of Yolanda, Princess Mary of Burgundy falls in love with Maximillian, disguised as a knight, at a silk fair. Later he is imprisoned by conspirators but is saved from execution by the princess. Threatened by war with the Swiss, her father, the duke, cancels her matrimonial plans and betroths her to the half-witted Dauphin of France. Maximillian rescues her from the French court and following the duke's death leads the Burgundians to victory in battle; the wedding of Maximillian and Mary is then ...

More Less

Traveling under the name of Yolanda, Princess Mary of Burgundy falls in love with Maximillian, disguised as a knight, at a silk fair. Later he is imprisoned by conspirators but is saved from execution by the princess. Threatened by war with the Swiss, her father, the duke, cancels her matrimonial plans and betroths her to the half-witted Dauphin of France. Maximillian rescues her from the French court and following the duke's death leads the Burgundians to victory in battle; the wedding of Maximillian and Mary is then announced.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.