Director:

Marcel De Sano

Cinematographer:

Ben Reynolds

Editor:

Lloyd Nosler

Production Company:

Metro-Goldwyn-Mayer Corp.
Full page view
SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
10 Oct 1926.
---
Variety
20 Oct 1926
p. 62.
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PHOTOGRAPHY
Dir of photog
FILM EDITOR
Film ed
SET DECORATORS
Settings
Settings
COSTUMES
Ward
SOURCES
LITERARY
Based on the short story "In Praise of John Carabine" by Brian Oswald Donn-Byrne in The Saturday Evening Post (9 May 1925).
DETAILS
Release Date:
26 September 1926
Copyright Claimant:
Metro-Goldwyn-Mayer Corp.
Copyright Date:
23 September 1926
Copyright Number:
LP23165
Physical Properties:
Silent
Black and White
Length(in feet):
6,055
Length(in reels):
6
Country:
United States
Language:
English
Passed by NBR:
No
SYNOPSIS

James Carabine comes to New York from Ireland, his fare paid by Peggy Nolan, a girl from his hometown who harbors an affection for the fighting Irishman. However, he falls for Marcolina, who leaves with him when her husband loses a match as the result of scheming by friends of Blanco Johnson. Then Peggy takes him in and, with the aid of an Irish relative, brings him back to form, enabling him to get even with Johnson in a knockout fight. Marcolina is united with Johnson and Carabine with ... +


James Carabine comes to New York from Ireland, his fare paid by Peggy Nolan, a girl from his hometown who harbors an affection for the fighting Irishman. However, he falls for Marcolina, who leaves with him when her husband loses a match as the result of scheming by friends of Blanco Johnson. Then Peggy takes him in and, with the aid of an Irish relative, brings him back to form, enabling him to get even with Johnson in a knockout fight. Marcolina is united with Johnson and Carabine with Peggy. +

GENRE
Genre:


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.