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HISTORY

Because the facility where this film was made was commonly known as the Reliance-Majestic Studios at 4516 Sunset Boulevard in Hollywood, CA, some sources have called the production company “Reliance-Majestic.” A reviewer in the 16 May 1914 Motion Picture Review referred to the cast as “the Reliance and Majestic players.” He further stated, “There are a number of very wonderful battle scenes between the Arabs and the French. Real cannon are used and the camera registers the effect of the shells as they hit the mountain-side.” The 8 May 1914 Variety praised cameraman’s frequent use of dissolves, “dimming in and out,” as well as the striking “‘telescopic’ view” of French troops approaching the camera from afar. There were also professional riders performing “daring feats of horsemanship.” The writer, however, found Miriam Cooper, the actress portraying “Zora” in her first feature film, beautiful, but with “about as much expression as an Egyptian mummy….wholly devoid of creating any illusion of emotion by pantomime.”
       When war broke out in Europe in early Aug 1914, Continental Feature Film Corp. reissued The Dishonored Medal on the State Rights circuit, bundling it with W. Christy Cabanne’s The Life of General Villa (which Continental called Mexican War Pictures) and the 1913 The Battle of Gettysburg (see entries), touting them in a running advertisement in Reel Life as “Three Big Warlike Features for War Times,” and describing The Dishonored Medal as “With French troops in action.”
       Although D. W. Griffith was listed in advertisements and reviews as having supervised all films made at this studio, his actual participation in the ...

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Because the facility where this film was made was commonly known as the Reliance-Majestic Studios at 4516 Sunset Boulevard in Hollywood, CA, some sources have called the production company “Reliance-Majestic.” A reviewer in the 16 May 1914 Motion Picture Review referred to the cast as “the Reliance and Majestic players.” He further stated, “There are a number of very wonderful battle scenes between the Arabs and the French. Real cannon are used and the camera registers the effect of the shells as they hit the mountain-side.” The 8 May 1914 Variety praised cameraman’s frequent use of dissolves, “dimming in and out,” as well as the striking “‘telescopic’ view” of French troops approaching the camera from afar. There were also professional riders performing “daring feats of horsemanship.” The writer, however, found Miriam Cooper, the actress portraying “Zora” in her first feature film, beautiful, but with “about as much expression as an Egyptian mummy….wholly devoid of creating any illusion of emotion by pantomime.”
       When war broke out in Europe in early Aug 1914, Continental Feature Film Corp. reissued The Dishonored Medal on the State Rights circuit, bundling it with W. Christy Cabanne’s The Life of General Villa (which Continental called Mexican War Pictures) and the 1913 The Battle of Gettysburg (see entries), touting them in a running advertisement in Reel Life as “Three Big Warlike Features for War Times,” and describing The Dishonored Medal as “With French troops in action.”
       Although D. W. Griffith was listed in advertisements and reviews as having supervised all films made at this studio, his actual participation in the film is unknown. Sources conflict concerning the name of the character played by Mabel Van Buren, listing it variously as “Anitra” and “Anitara.”

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
PW
16 May 1914
p. 942, 1022
Motion Picture News
16 May 1914
p. 54
Moving Picture World
16 May 1914
---
NYDM
13 May 1914
p. 48
Reel Life
19 Sep 1914
p. 28
Variety
8 May 1914
p. 20
DETAILS
Release Date:
3 May 1914
Production Date:

Physical Properties:
Silent
Black and White
Length(in feet):
4,000
Length(in reels):
4
Country:
United States
Language:
English
SYNOPSIS

In occupied Algeria, French Legionnaire Lieutenant Dubois seduces local Arab girl Zora, then leaves her with a baby and, to assuage his conscience, his Legion of Honor medal. Zora wanders the mountains with her child, looking for Dubois, and is befriended by Achmed, a kind sheik, and when she is killed accidentally while protecting herself from a local libertine, Achmed raises her son, El Rabb, as his own. El Rabb and Bel Kahn, the sheik’s own child, become best friends. As adults, they both fall in love with Anitra, who chooses Bel Kahn. Soon Dubois, now a general, returns to Algeria and lusts after Anitra, whom he orders to his tent. Infuriated by the outrage, El Rabb and Bel Kahn lead an armed revolt for independence. Although their forces are nearly wiped out, the pair penetrate the general’s tent. El Rabb fatally stabs Dubois as Bel Kahn escapes with Anitra. As he lays dying, the French officer sees the Legion of Honor hanging from El Rabb’s neck and realizes that he has been killed by his own son. Rather than run, the young Algerian awaits capture and execution, after first trampling the medal in the ...

More Less

In occupied Algeria, French Legionnaire Lieutenant Dubois seduces local Arab girl Zora, then leaves her with a baby and, to assuage his conscience, his Legion of Honor medal. Zora wanders the mountains with her child, looking for Dubois, and is befriended by Achmed, a kind sheik, and when she is killed accidentally while protecting herself from a local libertine, Achmed raises her son, El Rabb, as his own. El Rabb and Bel Kahn, the sheik’s own child, become best friends. As adults, they both fall in love with Anitra, who chooses Bel Kahn. Soon Dubois, now a general, returns to Algeria and lusts after Anitra, whom he orders to his tent. Infuriated by the outrage, El Rabb and Bel Kahn lead an armed revolt for independence. Although their forces are nearly wiped out, the pair penetrate the general’s tent. El Rabb fatally stabs Dubois as Bel Kahn escapes with Anitra. As he lays dying, the French officer sees the Legion of Honor hanging from El Rabb’s neck and realizes that he has been killed by his own son. Rather than run, the young Algerian awaits capture and execution, after first trampling the medal in the dust.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.