Should a Mother Tell? (1915)

Drama | July 1915

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HISTORY

The 21 May 1915 Var and 29 May 1915 Motography announced the production as the next starring vehicle for Danish actress Betty Nansen. The working title was A Mother’s Love, and scenarist Rex Ingram was credited with “assisting” director J. Gordon Edwards. Rehearsals took place at the Pathé Studio in Jersey City, NJ. An article in the 3 Jul 1915 Motion Picture News indicated the completion of principal photography, referring to the film by its official title, Should a Mother Tell?
       The picture opened to mixed reviews. Although the 10 Jul 1915 Motion Picture News complimented cameraman Arthur D. Ripley and several cast members, it also mentioned some anachronisms, such as a medieval torture device used by the French police. The 16 Jul 1915 Var complained that the question posed by the title remained unanswered at the picture’s conclusion.
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The 21 May 1915 Var and 29 May 1915 Motography announced the production as the next starring vehicle for Danish actress Betty Nansen. The working title was A Mother’s Love, and scenarist Rex Ingram was credited with “assisting” director J. Gordon Edwards. Rehearsals took place at the Pathé Studio in Jersey City, NJ. An article in the 3 Jul 1915 Motion Picture News indicated the completion of principal photography, referring to the film by its official title, Should a Mother Tell?
       The picture opened to mixed reviews. Although the 10 Jul 1915 Motion Picture News complimented cameraman Arthur D. Ripley and several cast members, it also mentioned some anachronisms, such as a medieval torture device used by the French police. The 16 Jul 1915 Var complained that the question posed by the title remained unanswered at the picture’s conclusion.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Motion Picture News
3 Jul 1915
pp. 18-19, 44
Motion Picture News
10 Jul 1915
p. 68
Motography
29 May 1915
p. 894
Motography
5 Jun 1915
p. 937
Motography
17 Jul 1915
p. 139
Moving Picture World
17 Jul 1915
p. 506
Variety
21 May 1915
p. 17
Variety
16 Jul 1915
p. 18
DETAILS
Alternate Title:
A Mother's Love
Release Date:
July 1915
Production Date:
May--Jun 1915
Copyright Info
Claimant
Date
Copyright Number
William Fox
30 June 1915
LP6278
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

In a small French town, greedy innkeeper Gaspard Baudin discovers that his five-year-old daughter, Pamela, has a natural talent for knitting and insists on putting her to work. His wife, Rose, refuses to enslave their child and has the girl raised in the home of M. and Mme. Brassard. Years later, when Pamela reaches the age of sixteen, she is betrothed to young Louis Brassard. Meanwhile, Baron Gauntier extorts 100,000 francs from his philandering relative, Phillip, then visits Gaspard's inn. Unable to resist the baron's fortune, Gaspard murders Gauntier and disposes of the body. However, Phillip is accused of the crime and sentenced to death. Knowing that the Brassards will not allow Louis to marry the daughter of a murderer, Rose keeps her silence. As Phillip is being led to the guillotine, Rose confesses the truth, saving the innocent man and driving Gaspard to suicide. ...

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In a small French town, greedy innkeeper Gaspard Baudin discovers that his five-year-old daughter, Pamela, has a natural talent for knitting and insists on putting her to work. His wife, Rose, refuses to enslave their child and has the girl raised in the home of M. and Mme. Brassard. Years later, when Pamela reaches the age of sixteen, she is betrothed to young Louis Brassard. Meanwhile, Baron Gauntier extorts 100,000 francs from his philandering relative, Phillip, then visits Gaspard's inn. Unable to resist the baron's fortune, Gaspard murders Gauntier and disposes of the body. However, Phillip is accused of the crime and sentenced to death. Knowing that the Brassards will not allow Louis to marry the daughter of a murderer, Rose keeps her silence. As Phillip is being led to the guillotine, Rose confesses the truth, saving the innocent man and driving Gaspard to suicide.

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Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.