Full page view
HISTORY

The 3 Jul 1915 Motion Picture News announced the provisionally titled Blood Will
Tell
as the next starring vehicle for actor Frank Keenan. The production marked Keenan’s feature-length film debut. News items in the 21 Aug 1915 Motion Picture News and 3 Sep 1915 Var stated that principal photography had taken place at the Griffith Studio in Hollywood, CA, and mistakenly attributed the title to The Lamb (1915, see entry), a comedy starring Douglas Fairbanks.
       According to the 4 Sep 1915 Motion Picture News, the film, officially titled The
Coward,
was scheduled to open on 18 Sep 1915 at the Knickerbocker Theatre in New York
City, on a triple bill with two comedies, The Lamb and My Valet (1915, see entry).
One week later, the 11 Sep 1915 issue stated that The Coward had been replaced on
by The Iron Strain, described as “a bigger and more forceful production.”
       The Coward debuted on 3 Oct 1915 at New York City’s Knickerbocker Theatre, along with
Old Heidelberg (1915, see entry), and the short subjects A Favorite Fool and Her
Painted Hero
(1915). The admission price was an exorbitant two-dollars. A general release
followed on 14 Nov 1915.
       The film garnered positive reviews in the 8 Oct 1915 Var and the 23 Oct 1915 Moving
Picture World.
Although Keenan was the nominal star, Var considered his acting style
too “theatrical,” focusing instead on co-star Charles Ray, whose performance was described as
“a revelation in picture acting.” ...

More Less

The 3 Jul 1915 Motion Picture News announced the provisionally titled Blood Will
Tell
as the next starring vehicle for actor Frank Keenan. The production marked Keenan’s feature-length film debut. News items in the 21 Aug 1915 Motion Picture News and 3 Sep 1915 Var stated that principal photography had taken place at the Griffith Studio in Hollywood, CA, and mistakenly attributed the title to The Lamb (1915, see entry), a comedy starring Douglas Fairbanks.
       According to the 4 Sep 1915 Motion Picture News, the film, officially titled The
Coward,
was scheduled to open on 18 Sep 1915 at the Knickerbocker Theatre in New York
City, on a triple bill with two comedies, The Lamb and My Valet (1915, see entry).
One week later, the 11 Sep 1915 issue stated that The Coward had been replaced on
by The Iron Strain, described as “a bigger and more forceful production.”
       The Coward debuted on 3 Oct 1915 at New York City’s Knickerbocker Theatre, along with
Old Heidelberg (1915, see entry), and the short subjects A Favorite Fool and Her
Painted Hero
(1915). The admission price was an exorbitant two-dollars. A general release
followed on 14 Nov 1915.
       The film garnered positive reviews in the 8 Oct 1915 Var and the 23 Oct 1915 Moving
Picture World.
Although Keenan was the nominal star, Var considered his acting style
too “theatrical,” focusing instead on co-star Charles Ray, whose performance was described as
“a revelation in picture acting.” Regardless, the film earned Keenan a two-year contract with
distributor Triangle Film Corp.
       Various sources have credited C. Gardner Sullivan with writing the scenario.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Motion Picture News
3 Jul 1915
p. 48
Motion Picture News
21 Aug 1915
p. 67
Motion Picture News
4 Sep 1915
p. 40
Motion Picture News
11 Sep 1915
p. 64
Motion Picture News
9 Oct 1915
p. 41
Motion Picture News
16 Oct 1915
p. 83
Motion Picture News
23 Oct 1915
p. 80
Motion Picture News
20 Nov 1915
p. 92
Motography
16 Oct 1915
p. 803
Motography
23 Oct 1915
p. 856
Motography
20 Nov 1915
p. 1106
Moving Picture World
1 May 1915
p. 743
Moving Picture World
9 Oct 1915
p. 279
Moving Picture World
23 Oct 1915
p. 629
Moving Picture World
30 Oct 1915
pp. 862, 864
NYDM
16 Oct 1915
p. 28
New York Times
11 Oct 1915
p. 9
Photoplay
1 Dec 1915
p. 84
Variety
3 Sep 1915
p. 20
Variety
8 Oct 1915
p. 21
Variety
15 Oct 1915
p. 20
Wid's Daily
7 Oct 1915
---
DETAILS
Alternate Title:
Blood Will Tell
Release Date:
14 November 1915
Premiere Information:
New York premiere: 3 Oct 1915
Production Date:
Aug 1915
Copyright Info
Claimant
Date
Copyright Number
Triangle Film Corp.
29 October 1915
LU6808
Triangle Film Corp.
14 November 1915
LP10538
Physical Properties:
Silent
Black and White
Length(in reels):
5-6
Country:
United States
Language:
English
SYNOPSIS

At the outbreak of the Civil War, cowardly Frank Winslow is forced to enlist in the Confederate Army by his father, Mexican War veteran Colonel Jefferson Beverly Winslow. Frank soon deserts his post and hides in the family home with the help of the Winslows’ African American maid. Determined to protect the Winslow name, the Colonel takes Frank's place in the company. When Union officers invade the estate, Frank overhears their strategy. He overpowers an enemy soldier, steals his uniform, and rides to the Confederate camp. While on sentry duty, the Colonel fires at his son, seeing only a blue uniform. The wounded Frank makes his way to the camp commander and delivers the Union plans. Following the ensuing battle, Frank and his father are ...

More Less

At the outbreak of the Civil War, cowardly Frank Winslow is forced to enlist in the Confederate Army by his father, Mexican War veteran Colonel Jefferson Beverly Winslow. Frank soon deserts his post and hides in the family home with the help of the Winslows’ African American maid. Determined to protect the Winslow name, the Colonel takes Frank's place in the company. When Union officers invade the estate, Frank overhears their strategy. He overpowers an enemy soldier, steals his uniform, and rides to the Confederate camp. While on sentry duty, the Colonel fires at his son, seeing only a blue uniform. The wounded Frank makes his way to the camp commander and delivers the Union plans. Following the ensuing battle, Frank and his father are reconciled.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

Citizen Kane

This film's end credits begin with the statement, “Most of the principal actors in Citizen Kane are new to motion pictures. The Mercury Theatre is proud ... >>

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.