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HISTORY

A news item in the 8 April 1916 Motion Picture News announced the start of filming at Universal Pictures’ studio in Universal City, CA. Principal photography concluded by early May 1916, as reported in the 13 May 1916 Moving Picture World. Theatrical release followed on 12 June 1916.
       A review in the 2 June 1916 Variety deemed the picture “altogether too conventional to hold any interest,” while the 10 June 1916 Moving Picture World praised its “wholesomeness.”
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of October 2019. ...

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A news item in the 8 April 1916 Motion Picture News announced the start of filming at Universal Pictures’ studio in Universal City, CA. Principal photography concluded by early May 1916, as reported in the 13 May 1916 Moving Picture World. Theatrical release followed on 12 June 1916.
       A review in the 2 June 1916 Variety deemed the picture “altogether too conventional to hold any interest,” while the 10 June 1916 Moving Picture World praised its “wholesomeness.”
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of October 2019.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Motion Picture News
8 Apr 1916
p. 2045
Motography
13 May 1916
p. 1115
Motography
17 Jun 1916
p. 1410
Moving Picture Weekly
19 May 1917
p. 19
Moving Picture World
15 Apr 1916
p. 472
Moving Picture World
13 May 1916
p. 1177
Moving Picture World
27 May 1916
p. 1496, 1540
Moving Picture World
10 Jun 1916
p. 1902
Moving Picture World
17 Jun 1916
p. 2114
Variety
2 Jun 1916
p. 17
DETAILS
Release Date:
12 June 1916
Production Date:
began late Mar or early Apr 1916
Copyright Info
Claimant
Date
Copyright Number
Bluebird Photoplays, Inc.
22 May 1916
LP8333
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Parentless ballet dancer Bobbie Brent must raise her young brother and sister. To keep the children, Bobbie pretends that they are her own, and that she herself is a widow. Jack Stimson, in love with Bobbie, considers this ruse deceitful and breaks off their relationship, but Velma Vrooman, Jack's old girlfriend, remains jealous of Bobbie. Pretending to get her a job, Velma arranges a meeting for Bobbie with a theatrical manager. The manager makes advances and Bobbie fights him off, but it takes Jack, who heard of the meeting and became suspicious, to rescue her. Finally, just as the court is about to take the children from Bobbie, Jack realizes that he still loves her. They get married and so the court allows them to maintain custody of Bobbie's brother and ...

More Less

Parentless ballet dancer Bobbie Brent must raise her young brother and sister. To keep the children, Bobbie pretends that they are her own, and that she herself is a widow. Jack Stimson, in love with Bobbie, considers this ruse deceitful and breaks off their relationship, but Velma Vrooman, Jack's old girlfriend, remains jealous of Bobbie. Pretending to get her a job, Velma arranges a meeting for Bobbie with a theatrical manager. The manager makes advances and Bobbie fights him off, but it takes Jack, who heard of the meeting and became suspicious, to rescue her. Finally, just as the court is about to take the children from Bobbie, Jack realizes that he still loves her. They get married and so the court allows them to maintain custody of Bobbie's brother and sister.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.